The Purge: Anarchy

Now that I have almost caught up on Masterchef Australia, I finally get around to watching actual films again. And already I am back to watching horror film.

This new chapter in a franchise that could probably go on forever, because - let's face it - this story could actually go anywhere (time and place). And why not, as long as it is this entertaining.

The Purge: Anarchy is set in 2023 and the setting - rather than the gated community of part one - is a big city, where a random group of strangers end up on the street together for some reason or other. First saved by a man out to take revenge on his son's killer (by car), they end up making their way through the night in unity. They have to fend off the usual suspects as well as military - because the people do not kill each other enough, therefore threatening an increase of poverty and the New Founding Fathers can't have that - only to end up in the middle of a family argument carried out with guns.

They constantly stumble from the frying pan into the fire, ending up as game for the rich and the beautiful. This time around, the government and the purgers doing their dirty work with and for them have a new opposition seeing through their tactics. And they fight back.

Although starting from the same idea as the first part, this is a very different film that may be missing the claustrophobia of the previous film but adds a number of new threats to the people who just want to make it through the night alive.

6/10

The Double

The Double is Richard Ayoade's second feature film after Submarine (2010) and even though the tone and pace is similar, this is infinitely darker. It has the look and feel on 1984 and the work place could be another room from John Hurt is about to enter at any moment. In comparison with this, however, The Double is almost light in topic.

Simon James, the main protagonist, has been working at the same, dingy place for 7 years but has made barely an impact. One of his co-workers actually refers to him - quite fittingly - as "a bit of a non-person". He has been pining for Hannah and spends his evenings looking at her through a telescope from the house right opposite where she lives.

One day his lonely existence is shaken by the arrival of his doppelganger, James Simon. James is everything that Simon is not - self-assured, charming, noticeable and a go-getter. After Simon's initial shock and bewilderment of why nobody appears to be fazed by the two looking exactly alike, the two seem to be getting along. But soon Simon is doing chores that get attributed to James and Hannah, of course, falls for the wrong guy.

It is all very bleak with moments of hilarity and scenes that could be right out a David Lynch film (the elderly band performing at a mandatory company event!). The film is peppered with Japanese (?) lounge music and a perfectly fitting orchestral score.

I admit that I am not a fan of Jesse Eisenberg, because I argue that he has been playing the same role in pretty much every film he is in (or, that I have seen him in). Here, at least, he gets the chance to play two characters with very different characteristics. Still not convinced that his acting chops are up to scratch, though.

Anyway, the film just keeps getting weirder and weirder (in a good way). Not many films these days are this interesting.

7/10