The Bourne Legacy

For the longest time I thought that in The Bourne Legacy Jeremy Renner simply replaced Matt Damon as Jason Bourne. Not so. This film covers the second generation of special operatives and/or trained assassins.

If I got all this straight, during the Treadstone Project they were called Assets, for the Blackfriar Project they were Outcomes and then there is also a new project (but very hush-hush) called LARX and the operatives are called, well, LARX.

What is covered here is the story of what happened after (or while) the New York Jason Bourne fiasco took place. The ultimate asset (Bourne) and LARX #3 are merely the bookends to the story, however. Here we concentrate on Outcome Aaron Cross. This is the Jeremy Renner role.

Behind the scenes of Blackfriar (up to a point) and LARX (hush!) is Edward Norton, who runs a detail and yells at people around him, one of which is played by Stacy Keach. So, we have established that Stacy Keach is still alive and still working. Has he been in anything else lately?

And yes, this is all a adrenaline rush again. But if you (and I) thought that The Bourne Ultimatum had an impressive cast, well, this one here is even more impressive (see above and add Oscar Isaac as one of the Outcomes, Rachel Weisz as the Damsel in Distress and Zeljko Ivanek as a scientist that goes coo-coo; also they put Corey Stoll in the background and threw him a few lines).

The big chase here is car/motorbike, initially, and then moves to motorbike/motorbike.

A tiny step down from the previous two but still a nail biter.

6/10

The Bourne Ultimatum

At long last, Jason Bourne remembers how he became what he is. Random memories come flooding in on him at the most inopportune times. The conclusion is devastating.

But first, some irritation. We ended part two in New York with a phone call between Bourne and Pamela Lindy. This scene also happens in part three of the saga, but not before going back to Moscow, then London, Madrid and Algiers. Also, there is a short visit in Paris. The payoff this time, however, is that everything will finally make sense.

Contrary to the first two Bourne films, here we not only get a car chase (in New York, no less!) but also a chase on foot an one involving a motorcycle, both in Algiers, when Bourne is running from and then after an assassin (or "asset" as they are called in this universe).

The cast of these films just keeps getting better. This one features not only Joan Allen and Julia Stiles, whom we have both encountered before, but Scott Glenn, Albert Finney, Paddy Considine, Daniel Brühl, David Strathairn (always a welcome sight) and Édgar Ramírez (who, if I am not mistaken, has all of one line despite being on screen a considerable amount of time).

Now, what could the next one possibly have in store for us?

8/10

Fracture

Ted Crawford shoots his wife. He knows she is cheating on him and she knows with whom. So, yes, it is pre-meditated. There is never any doubt that he did it. There are, however, several problems, not the least of them the fact that the arresting officer is Lt. Nunally, the guy the wife was having an affair with.

When Nunally comes to the scene he does not know who Crawford is, as he has only been meeting with his lover under the names 'Mr. and Mrs. Smith'. Crawford lets him into the house under the condition that both men put their guns down. He confesses to Nunally then and there. When the policeman sees the victim, he goes off on Crawford (not proper conduct for a police officer). Crawford later repeats his confession and signs it at the police station - with Nunally in presence during interrogation.

The prosecutor of the case, Willy Beachum, does not know the connection between the victim (who is still alive, but in a coma that she has very little chance of ever coming out of) and the arresting officer. Beachum is very ambitious and has secured a new job at a prestigious law firm ('it's all about the money, money, money') and this is to be his very last case. Unfortunately, he grossly underestimates Crawford and isn't paying as much attention to the task at hand as he should be.

Crawford chooses to defend himself, offers to start trial right away, recants his confession and pleads not guilty. Beachum's underestimating him is not the biggest problem with the case. The gun they find at the Crawford house - the only gun they find, no matter how many times they turn the house upside down - is not the murder weapon. And then, when Beachum learns that Nunally was having an affair with the victim right when he is on the witness stand, the case falls apart.

Thanks to his failure, Beachum loses the new job he has not started yet and - despite his (old) boss having his back - he is done with being a prosecutor. But when he realizes that Crawford is about to pull the plug on his wife's life support, he begs for any help he can get to stop it. He does get the paperwork legally required but does not make it on time.

And then all the pieces fall into place and Beachum goes to see Crawford at his house. He explains his theory of where the murder weapon is - Nunally's gun that Crawford replaced while the officer attended to the victim. Crawford, thinking himself in the safe haven of 'double jeopardy', is as condescending as can be, owning up to everything because he is convinced nobody can touch him now. But the big mistake he made was taking his wife off life support. He beat the trial for attempted murder due to lack of physical evidence but will now be retried for murder in the first degree - with the murder weapon in evidence.

Justice is served.

A brilliant group of actors make this much more exciting than I made it sound.

7/10

Lincoln

So, this is it. The film that received 12 nominations for the Academy Awards. And it was.....okay.

Daniel Day-Lewis was fantastic (obviously), as were Tommy Lee Jones and Sally Fields. However, most of the film was really, really, really slow. One could have easily clipped off a few minutes here and there.

The most entertaining parts were the ones that Daniel Day-Lewis was not even in - the discussions in the House and the trio Spader/Hawkes/Nelson going about their task of getting a few of the Democrats on their side. Everything in between is laden with kitsch and pathos.

Oh and am I the only one that thinks Steven Spielberg gets nominated as a matter of course?

6/10