Okay, I admit, I totally lost the plot. Again.
Who double crosses who? Is everyone involved in shady activities? How do all these characters climb so high within the agency? What the fuck is even going on? And where is the rabbit foot? Or what, even? Wait, are they actually all just wearing one of those nifty masks?
So the nemesis this time around is played by the late, great Philip Seymour Hoffman (reminding us again, that he was one of the greatest actors ever and is still sorely missed). Here he is not only just a bad guy, he is a sadistic, vengeful bad guy that swears to not only hurt Ethan, but also his fiance (later wife) for kidnapping him and stealing from him.
The team surrounding Ethan appears to be going rogue now and again. Or maybe it is their boss(es) who are the rogue ones (see above). Anyway, after kicking it of with yet another failed mission, here trying to rescue a fellow agent from somewhere in Berlin, the group's target is Owen Davian (the Hoffman character). By use of their fantastic gadgets, general geniality and one of those nifty masks, they pull off their mission in the Vatican (?), only to be attacked while transporting their prisoner (possibly by their own boss(es), again see above).
Then the wife (formerly fiance) is kidnapped and Ethan is told he has 48 hrs to retrieve and provide Davian with the rabbit foot (whatever that may be). For this, they need to go to Shanghai (because, of course). Again, gadgetry and stuff.
Then we come to the point where I totally lost the plot. Ethan awakes, chained to a chair, sitting opposite his wife (also chained/bound/duct taped to a chair) who has a gun to her head. Davian asks about the rabbit foot (specifically where it is) while counting to ten. Then he shoots her in the head, because Ethan did not speak. But where is the fucking rabbit foot? Did he not just get it in Shanghai? He had something in his hand after some adventurous dangling from buildings. I was sure that was it. What happened to it?
But then Davian didn't shoot the wife at all. Or it was not really the wife. Or Davian wasn't even there to begin with, but one of the bosses was. And then Ethan does find his wife, bound and stuff and in the presence of Davian. Then fighting, shootout, and she has to kill Ethan (to later revive him again because of the implant). Where did she learn to shoot like that? Look, here is boss man again and she shoots him and the rabbit foot falls out of the case he carried. Resuscitation of Ethan only for him to find that she already saved the day without him.
Color me confused, but nonetheless entertained.
5/10
Showing posts with label Philip Seymour Hoffman. Show all posts
Showing posts with label Philip Seymour Hoffman. Show all posts
Monday, April 13, 2015
Sunday, February 2, 2014
Thursday, December 5, 2013
The Hunger Games: Catching Fire
The second installment in the Hunger Games trilogy marks the beginning of the revolution, long overdue in Panem. The victors Katniss and Peeta are paraded around the districts but rather than appease the public and keep them quite, the mere presence of Katniss - unwilling token of the uprising - inspires people to become defiant. It starts with three raised fingers in district 11, as a thank you from the locals for Katniss' treatment of Rue in the previous hunger games.
To stop any unauthorized behavior the new game runner, Plutarch Heavensbee, talks President Snow into a new kind of hunger game, to get rid of Katniss in a way that would not shed any more doubts onto the government. To celebrate the 75th anniversary of the hunger games the tributes will be drafted from the previous victors - two per district, one male one female.
Once in the arena, Katniss and Peeta form an alliance with Finnick and the elderly Mae, arranged for them by Haymitch. From then on, not much goes the way President Snow intended, but very much the way Plutarch orchestrated things. Rather than quench the revolution by distracting the public with the spectacle going on under a dome, a revolution is started on a smaller scale within the dome. Katniss is apparently the least informed of everyone involved.
In the end, the dome is brought down through lightning, wire and one of Katniss' arrows and she and a handful of other survivors are lifted out of the arena. Katniss awakes in District 13, where she learns that while her mother and sister and Gale are there, as well, Peeta and one of their allies, Johanna, did not make it out but are held by the government.
8/10
To stop any unauthorized behavior the new game runner, Plutarch Heavensbee, talks President Snow into a new kind of hunger game, to get rid of Katniss in a way that would not shed any more doubts onto the government. To celebrate the 75th anniversary of the hunger games the tributes will be drafted from the previous victors - two per district, one male one female.
Once in the arena, Katniss and Peeta form an alliance with Finnick and the elderly Mae, arranged for them by Haymitch. From then on, not much goes the way President Snow intended, but very much the way Plutarch orchestrated things. Rather than quench the revolution by distracting the public with the spectacle going on under a dome, a revolution is started on a smaller scale within the dome. Katniss is apparently the least informed of everyone involved.
In the end, the dome is brought down through lightning, wire and one of Katniss' arrows and she and a handful of other survivors are lifted out of the arena. Katniss awakes in District 13, where she learns that while her mother and sister and Gale are there, as well, Peeta and one of their allies, Johanna, did not make it out but are held by the government.
8/10
Sunday, March 3, 2013
The Master
I must admit that the first 30 minutes of this were rough for me. It seemed all so tedious and I was waiting for the film to get going. Not what I expect from a Paul Thomas Anderson movie. He is one of my favorite directors and has in the past spoiled us with his works. Hence, I was a bit cautious at first.
However, as soon as Philip Seymour Hoffman enters the stage (so to say) the film does become the master piece (no pun intended) it is by so many said to be. For a long while it was lauded as the best film of 2012 and groomed as a sure thing for award season. But the film year is a long one and the attention span of the members of various academies and associations is rather short. What it did get, in the end, at the big one (Oscars), was recognition for the stellar acting of the main characters. Of course, they never stood a chance and the Academy did not dish out any surprises this year.
This is the story of a lost young man named Freddie Quell (Joaquin Phoenix), disillusioned after the war and prone to violence and his unlikely friendship and devotion to Lancaster Dodd ('The Master'/Hoffman), who may or may not be fashioned after L. Ron Hubbard. The cult (no, no, not a cult, surely) is known as The Cause and it doesn't seem to do any actual harm but enthralls the followers in regression therapy and lulls them with words spoken (made up?) by Dodd. There is some minor legal trouble of the financial kind, of course, but then there always is.
Dodd now wishes to help Freddie through his aggression by having him repeat either answers or short walks from one end of the room to the other and loudly stating what the wall or the window feel like when he touches them.
The scenes with Hoffman and Phoenix in them, mostly in conversation, are wonderful to watch and are what makes this film so special.
Joaquin Phoenix really is a gorgeous man and Philip Seymour Hoffman sings!
8/10
However, as soon as Philip Seymour Hoffman enters the stage (so to say) the film does become the master piece (no pun intended) it is by so many said to be. For a long while it was lauded as the best film of 2012 and groomed as a sure thing for award season. But the film year is a long one and the attention span of the members of various academies and associations is rather short. What it did get, in the end, at the big one (Oscars), was recognition for the stellar acting of the main characters. Of course, they never stood a chance and the Academy did not dish out any surprises this year.
This is the story of a lost young man named Freddie Quell (Joaquin Phoenix), disillusioned after the war and prone to violence and his unlikely friendship and devotion to Lancaster Dodd ('The Master'/Hoffman), who may or may not be fashioned after L. Ron Hubbard. The cult (no, no, not a cult, surely) is known as The Cause and it doesn't seem to do any actual harm but enthralls the followers in regression therapy and lulls them with words spoken (made up?) by Dodd. There is some minor legal trouble of the financial kind, of course, but then there always is.
Dodd now wishes to help Freddie through his aggression by having him repeat either answers or short walks from one end of the room to the other and loudly stating what the wall or the window feel like when he touches them.
The scenes with Hoffman and Phoenix in them, mostly in conversation, are wonderful to watch and are what makes this film so special.
Joaquin Phoenix really is a gorgeous man and Philip Seymour Hoffman sings!
8/10
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