13 Sins

Imagine you're having a really crappy time, lost your job recently, your fiance is pregnant with your first child, both your father and mentally challenged brother need expensive care and you sit in your car with an annoying fly. Your phone rings and someone offers you $ 1,000,-- to kill said fly. Easy enough, right? Then they offer you more than triple that amount to eat that fly. Wouldn't it be at this point that you decided that this particular game may not be for you?

Yeah. And that is why neither you nor I are the main characters in this film.

We follow a desperate man who has just been through all of the above as he takes on tests, challenges, whatever that get - you guessed it - worse but also earn him higher amounts with each completed task. And of course that ominous voice on the phone has ways to put pressure on him to avoid you from backing out but where is the line that makes him stop?

Well, we can't really say because whenever the poor guy wants to quit, there are ways to make him understand that he simply can't.

Of course, there would be bidders following the game and throwing around big money. Basically, this is like Rat Race, but without the comedy. Which is not necessarily saying that this isn't entertaining. It certainly is.

I guess the message is that desperate people will do desperate things. Probably not too far from the truth.

6/10

The Cell

At long last, I got around to watching The Cell. This film has been on my radar solely for Vincent D'Onofrio, who in my opinion is one of the greatest actors active today. And man, does he deliver here.

But I'm getting ahead of myself.

Social worker Catherine Deane (played by Jennifer Lopez, who I always thought a much better actress than singer) is involved in an experimental treatment involving a billionaire's son in a coma. To get to the boy and possible reverse his condition, Catherine is taped into the boy's mind as a means of contacting him. The idea is to get him out of this world in his mind that he is believed to be trapped in. Obviously, this sort of treatment is experimental and financed by the boy's father. But as no visible progress is being made, he is ready to pack it in.

It is at this point in time that serial killer Carl Stargher (the aforementioned, flawless Mr. D'Onofrio) fall into a coma of his own, due to some rare form of schizophrenia. His latest victim is believed to be still alive at this point and there is a 40 hour window to save. Stargher keeps his victims in a glass box, fully automated, that is periodically filled with water until - at last - the victim drowns and is subsequently turned into a sort of doll.

The FBI then contacts the treatment facility and gets Catherine to tap into Stargher's mind to help them locate the missing young woman currently inside the box before she drowns. Catherine agrees and after initially contacting Stargher as a child and understanding the abuse he himself has suffered under the strict hand of his father, more than actually finding the girl, she wants to help the little boy. When one session goes wrong in a way that Catherine and Stargher overlap, FBI agent Peter Novak (the insufferable Vince Vaughn, showing why he should only be doing comedy) volunteers to participate in the experiment to 'find' Catherine again and save her.

It is he, in the end, that finds the deciding clue that helps them locate the victim and as he runs off to save the day, Catherine locks herself in with Stargher and reverses the experiment so that rather than her entering his mind, she invites the boy into her mind. But adult Stargher finds his younger self and Catherine becomes a huntress and kills Stargher - not through the arrows and sword she sticks into him, but through drowning the boy, who has suffered the same wounds as his older self.

Stargher is dead, the victim is savend and Catherine gets another shot at saving the billionaire's son by getting him into her inner world.

As strange as this sounds, the film is exciting and visually stunning in ways that I personally have only ever seen in those Hong Kong sword fighting epics.

But hey, don't take my word for it....

from Roger Ebert's review: On one level The Cell is science fiction about virtual reality, complete with the ominous observation that if your mind thinks it's real, then it is real, and if could kill you. On another level, the movie is a wildly visionary fantasy in which the mind-spaces of Stargher and Deane are landscapes by Jung out of Dalí, with a touch of the Tarot deck, plus light-and-sound trips reminiscent of 2001. On the third level, the movie is a race against time, in which a victim struggles for her life while the FBI desperately pieces together clues; these scenes reminded me of The Silence of the Lambs. The intercutting is so well done that at the end there is tension from all three directions, and what's at stake is not simply the life of the next victim, but also the soul of Carl Stargher, who lets Catherine get glimpses of his unhappy childhood.

8/10

Identity

The lawyer of Malcolm Rivers makes one last ditch effort to stay the execution of his client. Rivers, convicted of murdering six people a few years back is brought to a middle-of-the-night hearing, where the lawyer and a psychiatrist try to prove that he was not aware of what he was doing because of his multiple personality disorder.

The many people in Rivers' head all end up in a motel in the pouring rain that keeps them from getting where they want to go. The group is as random as can be, including a family with small child, a prostitute, an actress, a couple of criminals, a former cop...

What happens in the court hearing and is played out by the character in the motel is that the one personality that made Rivers kill has to be irradicated. To achieve this one by one the people at the motel get killed off until the sitting judge is convinced that the culprit is gone.

The real story in the film is what is going on at the motel. The characters don't seem to be aware of what they actually are in the bigger picture, so this plays out as a quite brutal whodunit. Each person that dies gets marked with a room key, counting the bodies down from 10 to 1. They all hurl accusations and cannot seem to find any common ground on how to handle their situtation. Halfway throught the killings, one of the most level-headed of the group, Ed, turns out to be the personality that the committee around Rivers can work with.

This is when the two stories overlap, Ed suddenly finds himself strapped to a chair a not recognizing himself in the mirror. He is confused as to how he is no longer in the pouring rain by the motel. But this really turns out to be the way in. When all but one of the characters at the motel are gone, the committee is satisfied with their progress and Rivers' death sentence is overturned.

However, on the way back to the prison the psychiatrist realizes to late that one of the personalities believed to have died in an explosion acutally survived and that was the very one they would have needed to eliminate. Deadly mistake.

Despite the flaws and the confusing set up I really, really enjoy this film.

8/10