The Grand Budapest Hotel

I wholeheartedly embrace Wes Anderson's weirdness in films. If you don't appreciate the garishness of the colors and the awkwardness of dialogue you will not like this film.

The Grand Budapest Hotel is only the backdrop to a story of false accusations of murder, jail break and a strong bond between concierges of world-renowned hotels across Europe. When an elderly woman (played impeccably by the wonderful and wonderfully weird Tilda Swinton) dies and leaves the priced painting Boy with Apple (which depicts, yes, a boy holding an apple) to M. Gustave, concierge to the Grand Budapest, her family frames him for her murder. With help from a whole array of weird characters, Gustave escapes from prison and is proven innocent.

It is colorful. It is ridiculous. It is awesome.

And everyone is in it. Everyone. Ralph Fiennes, the aforementioned Tilda Swinton, Adrian Brody (sporting a fantastic hairdo), F. Murray Abraham, Mathieu Amalric, Jude Law, Harvey Keitel, Jeff Goldblum, Saoirse Ronan, Jason Schwartzman, Bill Murray, Edward Norton, Willem Dafoe, Tom Wilkinson, Owen Wilson, Karl Markovics. Also, several cameos.

Then, of course, there is the utterly unknown Tony Revolori, as Gustave's constant companion and protege, who more than holds his own around the onslaught of brilliant actors.

The story may be contrived, complicated and told in fitful, hurried, overloaded dialogue, but this is everything we have come to expect (and love) from Wes Anderson, who has always stuck to his guns. Finally, people seem to get it on a much, much bigger scale.

8/10

Orlando

This is one story that is hard to explain, which makes it all the more impressive that Sally Potter managed to make a coherent film (well, as coherent as one can make it) out of it. And if you don't know what to expect, this may weird you out.

The film is based on the novel by Virginia Woolf. Orlando is a man and a woman and lives over several centuries, unfortunately during times when being a woman made you less of a person. The female Orlando could not own land and - when turning down a suitor - was told that she would remain a spinster and, well, lose everything.

Luckily, though, a suitable husband fall right at her feet. Well, actually, her face, seeing that she just fell face down herself. And even more luckily, it turns out she does not actually need him. But whatever I tell you about the story will only make it seem even more confusing than it actually is.

It is lavish and beautiful, with some dramatic use of music.

The only sour note (for me) was that even though the film lists Billy Zane as one of the main actors, he only shows up 1 h and 10 min into the film. And then he departs 12 min later.

7/10

Moonrise Kingdom

Hilarious!

The latest offering from director Wes Anderson is a film set in a pathfinder summer camp in the 1960s. The camp division is run by the hapless Scout Master Randy Ward (Edward Norton) who "loses" one of his Khaki Scouts (and eventually all of his scouts). The only police officer on the island the film is set is one Captain Sharp (Bruce Willis), who - together with the at this point remaining scouts - sets out to find the missing Sam Shakusky.

The eventually learn that Sam is on the run with his beloved Suzy Bishop, daughter of the local couple of lawyers (played brilliantly by Bill Murray and Frances McDormand). The journey they take is as awkward as both young kids. And really everything and everyone else in this film. They are first hunted and later aided by the other Khaki Scouts and run off to the HQ camp to get married.

I love the narrator (if you will) played by Bob Balaban. He is placed in different sceneries, sometimes on the very edge of the picture, dressed in a red coat and a greenwool hat, which makes him very much look like a garden gnome. The rest of the cast is wonderful, as well. Short appearences included are by Harvey Keitel (Harvey Fucking Keitel!) as the commander of the scouts, Jason Schwartzmann (normal sight in any Wes Anderson film) and the ever brilliant Tilda Swinton as "Social Services" (her name, apparently).

Aside from The Darjeeling Ltd. possibly my favorite Wes Anderson film.

8/10