Das Gasthaus an der Themse (The Inn on the River)

From 1959-1972 German company Rialto Film produced a whopping 38 films based on Edgar Wallace stories. When I was a kid, many of them would show during early afternoons on Sundays. I remember watching quite a few of them and as a consequence not being able to sort the stories apart in my head. I did vaguely remember a story with a killer using a harpoon to off his victims. Turns out, this is the one.

The personnel in many of the films - as well as this one - were similar, often including Joachim Fuchsberger as the good guy and on occasion the great Klaus Kinski as the bad one (or seemingly bad, on occasion). Comic relief (not that the film needed it) came from the wonderful Eddi Arent.

Of course, the stories are repetitive and the acting is not top of the line but the films offer are always quite enjoyable. Das Gasthaus an der Theme is actually one of the better in the series.

And the murderer turns out to be the one you least expect.

Ah, childhood memories!

7/10

American Hustle

I do not get everybody's infatuation with David O. Russell. Never mind that the guy is reportedly an asshole but his films are mediocre, at best. Like this one. Granted, American Hustle is far superior to the last of his products that has been shoved down our collective throats, Silver Linings Playbook, but that is not saying much.

Like its predecessor, American Hustle apparently cannot decide whether it wants to be a comedy or a drama. In my opinion, it is neither. Let's just agree to calling it a crime caper. Don't get me wrong, it has its moments and Jennifer Lawrence is actually very good in this (yes, I called her very good), now that she is allowed to play something other than the defiant young woman of all her previous roles.

As for the comedy part (or attempt of it)...the actors are made to look as ridiculous as possible (unnecessarily so), except for Amy Adams, who is as scantily dressed as possible. There is a dance part and some singing (both uncalled for). The drama comes in when several love triangles develop among the characters. It gets even sappy at parts (the Amy Adams character revealing to the Bradley Cooper character that she has been using a false name but 'this, this is real'). Also, it has endless voice overs (which I don't care for).

The story itself is about a couple of con artists that get caught and are forced to help the feds con other people (including one very honest and likable politician) but actually end up conning the feds. It drags on forever and the plot gets lost in the smugness of it all.

Could have easily been a good half hour shorter. I kinda wish it had been.

4/10

...which brings us to our Best Picture Oscar nominees update:
Gravity
Captain Phillips
12 Years a Slave
American Hustle

Sounds from a Town I Love

Saw II

Jigsaw's games are getting more elaborate in part 2. Previously, he usually involved one, sometimes two, people in his little schemes. In Saw II he has a whole house full of players fighting for survival. One of them is a survivor from part 1 of the series, Amanda.

Of course, Amanda turns out to be so much more than this. And anyway, the on-goings in the house are not the actual story. This is much more about Jigsaw wanting Eric Matthews to listen to him. That is the most important rule for this part of the game: listen.

But poor Eric is consumed by his anger and fear because his son is one of the people in the room. In his desperation of wanting to help the boy now! he cannot sit still to abide by the rules. This turns out to be his own downfall. But Jigsaw lets the boy live, which is a nice gesture. Unfortunately, his daddy will never know.

The house holds medication that all the players need to survive the poison gas they have been breathing in since they woke up. The traps holding the syringes with the vital substance or the key (sometimes an actual key) to open the hiding place are evil, of course. There are two I especially love/hate.

A syringe is kept in a box and is visible to the unfortunate woman trying to get to it. There are two openings on the bottom of the box to get your hand through and reach the substance. The problem...once you push your hands in, it is no longer possible to get them back out again, or at least not with help from someone else, because any down movement will make you cut yourself very badly.

My very, very favorite and the most disgusting trap is the pit full of used needles and syringes that was meant for Xavier. But Xavier talks a big game and muscles others into doing the really gross stuff. He throws Amanda into the pit.

As I said in my previous entry, the room from part 1 gets a re-visit and is once again a central part to the story. This is where Eric ends up - right place but wrong time. And jigsaw has found himself an eager student in Amanda.

8/10

Saw

I just realized that most of my blog entries are more or less plot summaries of the films I watch. You can get those everywhere on the web, which makes it redundant. So, I will try to not do that in the future. Not sure what this means for my entries, but there it is. Maybe I will go back and rewrite some of my previous ones. Haven't decided, yet. Anyway....

Two friends and I meet roughly once per months for a movie night. We will watch anywhere from two to four films (depends on how early we start), most - but not all - of them will be horror films. Last night we started on the Saw series, because one friend had never seen any of the films (imagine!) and the other two of us couldn't quite remember how many we have actually watched.

...

This series is really kind of awesome. There are some aspects of the first film that I remember clear as day, but when watching it again last night, I found that there was so much I blocked out. All those flashbacks and scenes that take place elsewhere than inside the room gave me a few of those "oh, yes, that happened, too" moments. For example I could not for the life of me remember that Michael Emerson and Ken Leung are in this. Of course, this probably means that I watched Saw before I watched Lost and I simply did not have anything to connect them with.

What struck me most about the second viewing, though, was that I found myself thinking whether this film would also work without any (or most) of those scenes. What if it actually only took place inside the room? I get that this may leave a few gaps in the story for the viewer, but what that really be so bad? Don't get me wrong, Saw is great as it is, but I would not mind an alternate version that is more sparse.

I absolutely love, love, love the ending of this. Sure, I knew it was coming but I was so looking forward to it. Not even the gross-out bit of Dr. Gordon sawing his own foot off (that bit too) but the revelation of Jigsaw. I also love that they tied this room into the second part of the series, but I am getting ahead of myself...

8/10

Fracture

Ted Crawford shoots his wife. He knows she is cheating on him and she knows with whom. So, yes, it is pre-meditated. There is never any doubt that he did it. There are, however, several problems, not the least of them the fact that the arresting officer is Lt. Nunally, the guy the wife was having an affair with.

When Nunally comes to the scene he does not know who Crawford is, as he has only been meeting with his lover under the names 'Mr. and Mrs. Smith'. Crawford lets him into the house under the condition that both men put their guns down. He confesses to Nunally then and there. When the policeman sees the victim, he goes off on Crawford (not proper conduct for a police officer). Crawford later repeats his confession and signs it at the police station - with Nunally in presence during interrogation.

The prosecutor of the case, Willy Beachum, does not know the connection between the victim (who is still alive, but in a coma that she has very little chance of ever coming out of) and the arresting officer. Beachum is very ambitious and has secured a new job at a prestigious law firm ('it's all about the money, money, money') and this is to be his very last case. Unfortunately, he grossly underestimates Crawford and isn't paying as much attention to the task at hand as he should be.

Crawford chooses to defend himself, offers to start trial right away, recants his confession and pleads not guilty. Beachum's underestimating him is not the biggest problem with the case. The gun they find at the Crawford house - the only gun they find, no matter how many times they turn the house upside down - is not the murder weapon. And then, when Beachum learns that Nunally was having an affair with the victim right when he is on the witness stand, the case falls apart.

Thanks to his failure, Beachum loses the new job he has not started yet and - despite his (old) boss having his back - he is done with being a prosecutor. But when he realizes that Crawford is about to pull the plug on his wife's life support, he begs for any help he can get to stop it. He does get the paperwork legally required but does not make it on time.

And then all the pieces fall into place and Beachum goes to see Crawford at his house. He explains his theory of where the murder weapon is - Nunally's gun that Crawford replaced while the officer attended to the victim. Crawford, thinking himself in the safe haven of 'double jeopardy', is as condescending as can be, owning up to everything because he is convinced nobody can touch him now. But the big mistake he made was taking his wife off life support. He beat the trial for attempted murder due to lack of physical evidence but will now be retried for murder in the first degree - with the murder weapon in evidence.

Justice is served.

A brilliant group of actors make this much more exciting than I made it sound.

7/10

Ruby Sparks

Calvin, former 'boy wonder' in literary circles, has not been writing anything measuring up to his successful debut novel. He spends his days talking to his shrink, working out with his brother Harry and walking his dog Scotty, who he only got in order to meet people (preferably girls) that will come up to pet the dog. But Scotty is far too scared of other people.

He has dreams of the same girl that he cannot quite remember. Until one day he does and he starts writing about her on his old typewriter, his dream girl, and calls her Ruby Sparks. Over the next few days, he is writing in a frenzy and Scotty starts bringing him random things, clearly belonging to a woman.

Then one day, Ruby appears. He first thinks that she is a figment of his imagination until he realizes that other people can see her as well. He has created his dream girl. His brother Harry does not believe him, of course, until Calvin introduces her to Ruby and the brothers decide to try out what Calvin is able to change about her by simply writing it down. He makes her speak French as prove that this is actually happening.

At first, everything is fine and Calvin decides to never write about her again so that he can keep her forever. But soon after Ruby meets Calvin's family, their relationship turns into something less magical and more normal. After a while, Ruby wants to spend a little time without Calvin and suggest that she spent one day per week at her place. So Calvin is lonely again and does - contrary to his earlier decision - write about Ruby again. He makes her clingy. This does not work for him and when she gets really desperate about him having let go of her hand to answer the phone, he writes her happy.

When things finally come to blows (and of course, they would) and Ruby wants to leave him, he shows her what he has written about her and to prove to her that he can make her do whatever he wants, he does just that. She runs against an innocent wall, she starts speaking French, she snaps her finger, she sings and strips, she jumps and yells compliments at Calvin....until the letters on the old typewriter slam up and she falls to the floor.

Then he finishes the story, writing her out of his life and retiring his old typewriter.

He rewrites the story again as fiction (on a a laptop). And then, just for that magical ending, he meets her in real life.

7/10