Showing posts with label Heike Makatsch. Show all posts
Showing posts with label Heike Makatsch. Show all posts

Saturday, October 4, 2014

The Book Thief

What a wonderful book The Book Thief is. I remember that when I read it (it's been a few years) I absolutely loved it. The idea of the story being told by Death himself (I always thought of the narrating Death as a he and apparently so did the people making the film) was different and interesting. All the bitterness and hope that the story held made it a very rewarding reading experience, however sad the book may have made me.

Of course, they would make it into a film. And even though this is a valiant effort, there are just so many little things that didn't sit well with me, which took away immensely from the experience.

My biggest problem, one that almost made me turn off the film several time during the first half hour or so, is that most of the dialogue is in English - with German accent. Why? Can filmmakers please make up their minds. If you want to be realistic, you will have to have German speaking actors and subtitle the film. Or, if you want to tell the thing in English than fucking do so. Nobody needs to hear a German accents (and at times a bad imitation of one) to know that the people portrayed in the film are supposed to be Germans. I hated that!

And if you find a girl that can play the lead role and sort of master the accent (just imagine, they got an actual German boy to play a German boy!) why don't you give her anything to do but look at everything and everyone like a deer in headlights. She can do wide eyed. Bravo! Beyond that, we have no idea whether or not this girl can act.

All of this made me enjoy the movie far less than I should have, because it was a constant source of annoyance that kept me from actually getting into it.

Read the book instead.

3/10

Saturday, December 21, 2013

Love Actually

'Tis the time of year to watch Christmas themed movies. Before seeing my traditional Scrooged I re-watched the lovely Love Actually.

The film is made up of different relationship stories playing out in the weeks leading up to Christmas.

Billy Mack, an aging rock star, tries to make a comeback by making a shitty single, hoping to make the coveted Christmas no. 1. The song is a cover of Love Is All Around, in which the word 'love' is simply replaced by 'Christmas', no matter the difference in syllables. His promise is to strip on national TV if the buyers get his song to the no. 1 spot. It works. He ends up spending Christmas with his long time manager, realizing that he is the closest person to him in the world.

Writer Jamie, finding his girlfriend cheating on him with his brother, goes on a trip to France to work on a book. There, he is introduced to Aurelia, a Portuguese cleaning lady. She does not speak English, he does not speak Portuguese, which leads to cute conversations. Back in England he learns her language and goes back to propose to her, with her father, her sister and her entire neighborhood watching.

Daniel has recently lost his wife and is left to help his step son Sam with his conundrum. Sam is in love with a girl he believes does not know him. She sings and to get his attention he learns the drums and performs in her band during a Christmas show. But the world works against him. His beloved - Joanna - is about to leave for the US. Daniel and Sam rush to the airport so that Sam can profess his love.

Daniel's sister, Karen, has troubles of her own. She finds a gold heart on a chain in her husband Harry's pocket and believes this to be her Christmas present. On Christmas Eve, however, she gets to open a package of similar proportions to find a Joni Mitchell CD. The heart went to Daniel's new assistant Mia, who is basically offering herself up to him on a platter.

Harry's employee Sarah, who is in love with her colleague Karl, and everybody knows it. But when the two finally get together, Sarah gets sidetracked by a phone call from her brother Michael. Michael is in a mental institution and calls his sister a lot and she will always, always, always take the call. There seems to be no hope for Sarah and Karl.

Young Colin has everything figured out. He buys a ticket to the US because he is convinced that hot women just hang around in bars waiting for someone with a British accent. So upon landing in Milwaukee he walks into the first bar he chances upon. And he was right about everything. The women in the joint fall over themselves to get him to come home with them. They offer him a place to sleep, but only have one bed between four women and he will have to squeeze in with them. The poor girls are so poor they cannot afford pajamas and have to sleep naked....

Body doubles John and Judy meet while working on a film together. They act out different scenes in different stages of undress despite being rather shy and taking their sweet time before finally going out together.

Then there is the triangle of Mark, Peter and Juliet. Peter just married Juliet, who Mark is hopelessly in love with. As a self defense mechanism he barely speaks with Juliet who thinks that he cannot stand her.

And then there is the new prime minister to Britain, brother to Karen and Daniel, who on his first day in office falls in love with Natalie, who works at Downing Street 10 until his discomfort with the situation makes him request she be moved elsewhere. After receiving a Christmas card from Natalie, he goes off in search for her. Knowing only the name of the street where she lives, he knows on every door until he finds her, leaving people confused. He even has to sing carols for a trio of little girls.

One of those films I can watch over and over again. So sweet and so funny.

7/10