Believe me when I tell you that this remake has nothing on the original. Somehow they managed to suck all the charm out of a lovely story.
The original film is German and bears the same name (Barfuß). It was written and directed by Til Schweiger, who also plays the lead. Yes, you know him from Inglourious Basterds. The barefoot mental patient is played by Johanna Wokalek. The film - as it came out in 2005 - was fine the way it was and did not need an Americanization.
Rather than go into the details of the remake, let me just tell you about my biggest disappointment: Evan Rachel Wood or, rather the character she portrayed here. She plays Daisy as a ditsy blonde, hopping from one embarrassment to the next for - I'm guessing - cheap laughs. The character (of a different name) did get her fair share of laughs in the German film without trying so hard. Whereas then she was mentally ill, here she is just plain stupid, at times even crass - a far cry from the quiet sweetness and innocence that Johanna Wokalek brought to the same role.
This is the kind of film that makes me wish that American audiences finally got over their arrogance about foreign films and learned how to read subtitles. Their lives would be so much richer for it.
Oh so disappointing.
3/10
Showing posts with label comedy. Show all posts
Showing posts with label comedy. Show all posts
Friday, May 1, 2015
Sunday, April 12, 2015
Kingsman: The Secret Service
After getting home from the movie theater just now, the first thing I did was go to imdb.com and checked the rating Kingsman: The Secret Service has there. And just as I remembered, people seem to like it. Why is beyond me.
To me this was all just very underwhelming.
Sure, it is fun to watch Colin Firth, who we all know from playing very sophisticated gentlemen, beat the shit out of a bunch of drunk half-wits in a pub. I love Colin Firth. Who doesn't? Also, I always approve of Michael Caine and Mark Strong. Obviously.
But even though the action sequences are quite impressive (the church massacre, the heads exploding) and you can see that a lot of money went into the production, I found it all just very underwhelming.
I admit, I laughed a few times and joined the choir of Awww whenever JB, the pug (no, not for James Bond or Jason Bourne but for Jack Bauer), was shown. But I was not entertained as much as I hoped I would be.
Mostly, I found the training bits very annoying. Couldn't have cared less about any of the would-be recruits (not even the one I was supposed to care about). And, man, did Samuel L. Jackson's lisp grow old quickly, or what?
Meh! sums it up quite well.
5/10
To me this was all just very underwhelming.
Sure, it is fun to watch Colin Firth, who we all know from playing very sophisticated gentlemen, beat the shit out of a bunch of drunk half-wits in a pub. I love Colin Firth. Who doesn't? Also, I always approve of Michael Caine and Mark Strong. Obviously.
But even though the action sequences are quite impressive (the church massacre, the heads exploding) and you can see that a lot of money went into the production, I found it all just very underwhelming.
I admit, I laughed a few times and joined the choir of Awww whenever JB, the pug (no, not for James Bond or Jason Bourne but for Jack Bauer), was shown. But I was not entertained as much as I hoped I would be.
Mostly, I found the training bits very annoying. Couldn't have cared less about any of the would-be recruits (not even the one I was supposed to care about). And, man, did Samuel L. Jackson's lisp grow old quickly, or what?
Meh! sums it up quite well.
5/10
Friday, October 3, 2014
R.I.P.D.
You know what? This is not actually as bad as it is said to be. Sort of like a new take on Men in Black, only instead of aliens you have bad dead people that somehow escaped their final judgment. The job of the Rest In Peace Department is to bring them back where they belong.
It is garish. It is ridiculous. It is stupid (of course it is).
But it also has Kevin Bacon. So there is your saving grace. He plays a bad guy (kind of a douche bag, really). He eventually turns out to be the big cheese among the dead ones on earth, even though you go through a big portion of the film before you find out that he is, in fact, dead. There is a reason for him not looking like the rest and - more importantly - not smelling like them. But there is no need to get into that.
What I found funny was that the R.I.P.D. duo of Jeff Bridges and Ryan Reynolds look very different to the living. They have earthly Avatars. Roy (Bridges) is a hot blonde bursting out of her dress and Nick (Reynolds) is an elderly Chinese man.
Also the dead people look rather cool once their fake mortal shell has been busted (through the help of Indian food or, more specifically, cumin).
Not a milestone, to be sure, but entertaining nonetheless.
It is what it is.
5/10
It is garish. It is ridiculous. It is stupid (of course it is).
But it also has Kevin Bacon. So there is your saving grace. He plays a bad guy (kind of a douche bag, really). He eventually turns out to be the big cheese among the dead ones on earth, even though you go through a big portion of the film before you find out that he is, in fact, dead. There is a reason for him not looking like the rest and - more importantly - not smelling like them. But there is no need to get into that.
What I found funny was that the R.I.P.D. duo of Jeff Bridges and Ryan Reynolds look very different to the living. They have earthly Avatars. Roy (Bridges) is a hot blonde bursting out of her dress and Nick (Reynolds) is an elderly Chinese man.
Also the dead people look rather cool once their fake mortal shell has been busted (through the help of Indian food or, more specifically, cumin).
Not a milestone, to be sure, but entertaining nonetheless.
It is what it is.
5/10
Monday, September 22, 2014
Natural Selection
A devout Christian woman, Linda, lives in a sexless marriage with her husband Abe. It is his believe that sex is only for reproductive purposes and Linda is barren because of an abortion she had at 16. The father of that child would have been Abe.
While Linda practices abstinence (not necessarily voluntarily), her husband secretly goes off to donate sperm on a regular basis - and has been doing so for the entirety of their marriage. The reason she finds out is when Abe has a heart attack? aneurysm? while 'donating'. In a moment of consciousness, he mumbles something to Linda that she interprets as his wish to see his illegitimate son Raymond.
Linda takes off to Florida to find him and believes that she does. In fact, she picks up a recently escaped small time crook, who is laying low at Raymond's house and when the cops come to call he decides to go with Linda to meet his 'biological father'. He does, of course, try to take off at the first opportunity. However, this fake Raymond is somewhat stupid and passes out in some road house bathroom while someone else takes off with Linda's car.
Linda, all forgiveness, decides to continue on their journey. The start talking and telling each other intimate secrets and, yes, fall for each other. This leads to sex, during which the local pastor bursts in, trying to save Linda from what he perceives is an assault. And Raymond is off again.
In the meantime, Abe has somewhat recovered and the couple returns to their uneventful life until it turns out that Linda is not so barren after all. This leads to more complications.
Despite the somewhat disturbing looking poster, this has its sweet moments. I couldn't help myself but root for poor Linda.
6/10
While Linda practices abstinence (not necessarily voluntarily), her husband secretly goes off to donate sperm on a regular basis - and has been doing so for the entirety of their marriage. The reason she finds out is when Abe has a heart attack? aneurysm? while 'donating'. In a moment of consciousness, he mumbles something to Linda that she interprets as his wish to see his illegitimate son Raymond.
Linda takes off to Florida to find him and believes that she does. In fact, she picks up a recently escaped small time crook, who is laying low at Raymond's house and when the cops come to call he decides to go with Linda to meet his 'biological father'. He does, of course, try to take off at the first opportunity. However, this fake Raymond is somewhat stupid and passes out in some road house bathroom while someone else takes off with Linda's car.
Linda, all forgiveness, decides to continue on their journey. The start talking and telling each other intimate secrets and, yes, fall for each other. This leads to sex, during which the local pastor bursts in, trying to save Linda from what he perceives is an assault. And Raymond is off again.
In the meantime, Abe has somewhat recovered and the couple returns to their uneventful life until it turns out that Linda is not so barren after all. This leads to more complications.
Despite the somewhat disturbing looking poster, this has its sweet moments. I couldn't help myself but root for poor Linda.
6/10
Labels:
2011,
comedy,
drama,
John Diehl,
Jon Gries,
Rachael Harris
Monday, September 15, 2014
Celeste & Jesse Forever
This film takes about half an hour to get going. The beginning is sort of blah, like an overly long introduction (which it is, I guess).
Celeste and Jesse are separated and planning on divorcing. At the same time they are still best friends and behave as such. This freaks their other two best friends out. Jesse really still loves Celeste (as a wife and as a friend) but Celeste loves Jesse as a friend. And then at some points she realizes that she loves him as a husband, too. Yeah, it's complicated.
When she is about to tell him, he jumps in and announces that he is having a baby with another woman. This makes everything even more complicated. From then on, the film is more about Celeste and her attempt to either move on or get Jesse back. I don't know because she doesn't know.
Unfortunately, it is not quite as cute as the premise would make you believe. Sometimes it tries to be really hipster and then just straight forward comedy and then a little heartach-y. If feels all just very disjointed.
It's fine, I guess, but you're not really missing anything much if you don't watch it.
4/10
Celeste and Jesse are separated and planning on divorcing. At the same time they are still best friends and behave as such. This freaks their other two best friends out. Jesse really still loves Celeste (as a wife and as a friend) but Celeste loves Jesse as a friend. And then at some points she realizes that she loves him as a husband, too. Yeah, it's complicated.
When she is about to tell him, he jumps in and announces that he is having a baby with another woman. This makes everything even more complicated. From then on, the film is more about Celeste and her attempt to either move on or get Jesse back. I don't know because she doesn't know.
Unfortunately, it is not quite as cute as the premise would make you believe. Sometimes it tries to be really hipster and then just straight forward comedy and then a little heartach-y. If feels all just very disjointed.
It's fine, I guess, but you're not really missing anything much if you don't watch it.
4/10
Sunday, September 14, 2014
Barbarella
Barbarella is called upon by the President of the Republic of Earth to find the runaway mad scientist Duran-Duran and bring him back to earth before he destroys, well, everything with his newly created weapon (a ray of some sort, I forget).
But first, she must undress in zero gravity, very slowly, to music.
Throughout the remainder of the film, she will change from one skimpy outfit to the next and sleep with every man that helps her in any way (more or less). Also, she is the ditziest of blondes.
Then the peace-loving earthling is given weapons for her mission. This does not make her particularly happy, but she takes off in her spaceship anyway. The inside of the spaceship appears to be covered in muppet skin (Fozzy Bear) or deep shag carpeting.
Barbarella crash lands on her target planet, where she is taken by a group of children, tied up in a cave and attacked by creepy dolls. She is, however, saved in the nick of time by a catcher who - you guessed it - catches children. As a thanks he suggests sex, but not the new, clean earth kind, but the savage old-fashioned way. This is so old, it is new to Barbarella, but she concedes. She loves it.
Next she crashes into the labyrinth, the exile in which all the good creatures live. One of them is a blind angel. With her spaceship all trashed, she looks to him for help. Alas, he has lost the desire to fly. The solution for this particular problem is sex, of course. ('An angel doesn't make love. An angel is love.')
Revived by this encounter he flies Barbarella to her final destination. Basically a creepy, bad town, run by the great tyrant, who turns out to be a woman. Among the things that happen next are: the angel gets crucified, which elicits the wonderful line, "De-crucify him or I will melt your face!", Barbarella joins the revolution (led by a rather hapless idiot), she gets 'tortured' by the concierge by a sort of organ that will kill her with physical pleasure. Also, the concierge is Duran-Duran and he wants to get rid of the great tyrant to take over this planet and then maybe the earth and then, who knows?, the entire universe.
Big shoot-out.
Barbarella and the great tyrant are flown to safety by the blind angel, who has been previously tortured by the tyrant, but 'An angel has no memory'.
The End
No, seriously.
2/10
But first, she must undress in zero gravity, very slowly, to music.
Throughout the remainder of the film, she will change from one skimpy outfit to the next and sleep with every man that helps her in any way (more or less). Also, she is the ditziest of blondes.
Then the peace-loving earthling is given weapons for her mission. This does not make her particularly happy, but she takes off in her spaceship anyway. The inside of the spaceship appears to be covered in muppet skin (Fozzy Bear) or deep shag carpeting.
Barbarella crash lands on her target planet, where she is taken by a group of children, tied up in a cave and attacked by creepy dolls. She is, however, saved in the nick of time by a catcher who - you guessed it - catches children. As a thanks he suggests sex, but not the new, clean earth kind, but the savage old-fashioned way. This is so old, it is new to Barbarella, but she concedes. She loves it.
Next she crashes into the labyrinth, the exile in which all the good creatures live. One of them is a blind angel. With her spaceship all trashed, she looks to him for help. Alas, he has lost the desire to fly. The solution for this particular problem is sex, of course. ('An angel doesn't make love. An angel is love.')
Revived by this encounter he flies Barbarella to her final destination. Basically a creepy, bad town, run by the great tyrant, who turns out to be a woman. Among the things that happen next are: the angel gets crucified, which elicits the wonderful line, "De-crucify him or I will melt your face!", Barbarella joins the revolution (led by a rather hapless idiot), she gets 'tortured' by the concierge by a sort of organ that will kill her with physical pleasure. Also, the concierge is Duran-Duran and he wants to get rid of the great tyrant to take over this planet and then maybe the earth and then, who knows?, the entire universe.
Big shoot-out.
Barbarella and the great tyrant are flown to safety by the blind angel, who has been previously tortured by the tyrant, but 'An angel has no memory'.
The End
No, seriously.
2/10
Labels:
1968,
comedy,
Jane Fonda,
outerspace,
sci-fi,
weird
100 Bloody Acres
Another film that manifests the notion that, when in the Australian outbacks, you will die in the most horrific manner. Here, it is by the hands of organic farmers, brothers Reg and Lindsay. Lindsay is the tall, older, smarter one running the show, Reg is the hapless weakling who decides to take the initiative for once. This has dire consequences for a lot of the people in this film.
Some time ago, six bodies disappeared without a trace from a traffic accident. Nearby, the organic farm produces "blood & bone fertilizer". Does anyone make the connection? Of course not.
One day, Reg is making deliveries and happens upon another bad road accident. He decides to take the unresponsive body back to the family farm for further use. On the way back he chances upon a trio of people heading for a music festival. Their car just broke down and Reg sees this as a golden opportunity to produce some extra "new bland" of fertilizer.
Does Lindsay appreciate the help when Reg gets back? No, he does not. After reprimanding him for bringing some extra problems to the farm, the two then go ahead with their production. First to go is the victim of the accident. The trio, meanwhile, is tied up and while they try to device a plan of escape, they also start fighting over a bunch of issues they have.
As with all horror comedy hostage situations, bad just goes to worse. But here, we also get a love story developing between Reg and the girl Sophie, one of the three hitchhikers and would-be victims.
There is a lot of blood and guts and a little hilarity.
4/10
Some time ago, six bodies disappeared without a trace from a traffic accident. Nearby, the organic farm produces "blood & bone fertilizer". Does anyone make the connection? Of course not.
One day, Reg is making deliveries and happens upon another bad road accident. He decides to take the unresponsive body back to the family farm for further use. On the way back he chances upon a trio of people heading for a music festival. Their car just broke down and Reg sees this as a golden opportunity to produce some extra "new bland" of fertilizer.
Does Lindsay appreciate the help when Reg gets back? No, he does not. After reprimanding him for bringing some extra problems to the farm, the two then go ahead with their production. First to go is the victim of the accident. The trio, meanwhile, is tied up and while they try to device a plan of escape, they also start fighting over a bunch of issues they have.
As with all horror comedy hostage situations, bad just goes to worse. But here, we also get a love story developing between Reg and the girl Sophie, one of the three hitchhikers and would-be victims.
There is a lot of blood and guts and a little hilarity.
4/10
Saturday, September 13, 2014
Wish I Was Here
Before the film started, Zach Braff swept in, said 'hi' and told us how the film was financed (Kickstarter crowd funding, first film of its kind in this regards, apparently) and then was off again (busy, busy).
It was short, but sweet and the whole thing was free, so who am I to complain?
If you have seen Garden State, the tone of Wish I Was Here will feel familiar. Again, it is about family. Again, it is about death. The death is that of the father, who is suffering from cancer and it is obvious from very early on that he will not have long. Through this situation, Aidan - who has a slew of problems of his own - tries to keep the family together, which also means getting his brother Noah (Josh Gad - and who knew he can actually act?) to come see their father, despite their differences.
It is funny and sweet and heartbreaking. Also, cute kid actors.
7/10
Friday, September 12, 2014
Bad Words
Through a loophole in the rules, a grown man named Guy Trilby enters a spelling bee competition with the goal to win the entire thing. This, much the confusion and anger of parents and organizers alike.
He is sponsored and traveling with a journalist who tries to entice him into spilling the beans on why exactly he is doing this. She doesn't really get much out of him, tough, and instead gets a little help from an FBI agent, who owes her. Turns out, Guy is the son of the main organizer of the national event.
As he survives round after round he also befriends a little kid that is one of his fiercest opponents. The two become fast friend and are the last two standing, with either one trying to throw the competition. The little kid wins and Guy leaves the scene with a note for his father.
Kinda sweet.
6/10
He is sponsored and traveling with a journalist who tries to entice him into spilling the beans on why exactly he is doing this. She doesn't really get much out of him, tough, and instead gets a little help from an FBI agent, who owes her. Turns out, Guy is the son of the main organizer of the national event.
As he survives round after round he also befriends a little kid that is one of his fiercest opponents. The two become fast friend and are the last two standing, with either one trying to throw the competition. The little kid wins and Guy leaves the scene with a note for his father.
Kinda sweet.
6/10
Thursday, May 1, 2014
The Other Woman
I had no intention of seeing this film. The premise sounded like everything I dislike in a film. But I won tickets to it. Sure I'll go if it's free.
To my surprise I ended up enjoying it. Yes, I still detest bathroom humor of any kind and I can do without people vomiting in purses (something I recently encountered on film twice), but if I block that from memory, the film was still pretty entertaining.
Most of the credit for this goes to Leslie Mann. She plays the betrayed wife that gave up everything for her husband and does so in a whiny, clingy way that borders on the annoying but never quite falls onto the wrong side of an imaginary thin line on that account. Cameron Diaz does what she always does and what (sadly) appears to be the only thing she is any good at. Why Kate Upton is in this is beyond me. The wife/lover duo would have been sufficiently funny and menacing without the blond bimbo hanging around. I can confirm, that her boobs jiggle when she runs (I know that boobs do that from experience, thankyouverymuch) and that she is good at playing dumb. (Too good?)
Despite the little hick-ups this was fun. Also, New York.
6/10
To my surprise I ended up enjoying it. Yes, I still detest bathroom humor of any kind and I can do without people vomiting in purses (something I recently encountered on film twice), but if I block that from memory, the film was still pretty entertaining.
Most of the credit for this goes to Leslie Mann. She plays the betrayed wife that gave up everything for her husband and does so in a whiny, clingy way that borders on the annoying but never quite falls onto the wrong side of an imaginary thin line on that account. Cameron Diaz does what she always does and what (sadly) appears to be the only thing she is any good at. Why Kate Upton is in this is beyond me. The wife/lover duo would have been sufficiently funny and menacing without the blond bimbo hanging around. I can confirm, that her boobs jiggle when she runs (I know that boobs do that from experience, thankyouverymuch) and that she is good at playing dumb. (Too good?)
Despite the little hick-ups this was fun. Also, New York.
6/10
Saturday, April 19, 2014
Funny People
George Simmons was prepared to die, but then a funny thing happened.
So reads the tagline to Funny People. Only things is, the film is actually at its funniest and most enjoyable while George Simmons still thinks he is going to die. Then comes the long boring bit of him visiting his ex and her kids and then her husband shows up unexpectedly. Yes, it gets really awkward, which could work well in a comedy but here just gives Eric Bana opportunity to pull strange faces (as if his starter kit face weren't strange enough).
Up until that part the film was really great, aside from the drift into potty humor (courtesy of Seth Rogan's character). What came as a surprise to me that I did not absolutely hate Adam Sandler in this. See, when he is not the one actually responsible for a story and only acts in a film, said film can be enjoyable.
Now, if only we could keep him from orchestrating his dreadful brand of humor....
Anyway, overall just okay thanks to the slow second half.
6/10
So reads the tagline to Funny People. Only things is, the film is actually at its funniest and most enjoyable while George Simmons still thinks he is going to die. Then comes the long boring bit of him visiting his ex and her kids and then her husband shows up unexpectedly. Yes, it gets really awkward, which could work well in a comedy but here just gives Eric Bana opportunity to pull strange faces (as if his starter kit face weren't strange enough).
Up until that part the film was really great, aside from the drift into potty humor (courtesy of Seth Rogan's character). What came as a surprise to me that I did not absolutely hate Adam Sandler in this. See, when he is not the one actually responsible for a story and only acts in a film, said film can be enjoyable.
Now, if only we could keep him from orchestrating his dreadful brand of humor....
Anyway, overall just okay thanks to the slow second half.
6/10
Wednesday, April 16, 2014
The Grand Budapest Hotel
I wholeheartedly embrace Wes Anderson's weirdness in films. If you don't appreciate the garishness of the colors and the awkwardness of dialogue you will not like this film.
The Grand Budapest Hotel is only the backdrop to a story of false accusations of murder, jail break and a strong bond between concierges of world-renowned hotels across Europe. When an elderly woman (played impeccably by the wonderful and wonderfully weird Tilda Swinton) dies and leaves the priced painting Boy with Apple (which depicts, yes, a boy holding an apple) to M. Gustave, concierge to the Grand Budapest, her family frames him for her murder. With help from a whole array of weird characters, Gustave escapes from prison and is proven innocent.
It is colorful. It is ridiculous. It is awesome.
And everyone is in it. Everyone. Ralph Fiennes, the aforementioned Tilda Swinton, Adrian Brody (sporting a fantastic hairdo), F. Murray Abraham, Mathieu Amalric, Jude Law, Harvey Keitel, Jeff Goldblum, Saoirse Ronan, Jason Schwartzman, Bill Murray, Edward Norton, Willem Dafoe, Tom Wilkinson, Owen Wilson, Karl Markovics. Also, several cameos.
Then, of course, there is the utterly unknown Tony Revolori, as Gustave's constant companion and protege, who more than holds his own around the onslaught of brilliant actors.
The story may be contrived, complicated and told in fitful, hurried, overloaded dialogue, but this is everything we have come to expect (and love) from Wes Anderson, who has always stuck to his guns. Finally, people seem to get it on a much, much bigger scale.
8/10
Labels:
2014,
Adrian Brody,
Bill Murray,
comedy,
Edward Norton,
F. Murray Abraham,
Harvey Keitel,
Jason Schwartzman,
Jeff Goldblum,
Jude Law,
Ralph Fiennes,
Saoirse Ronan,
Tilda Swinton,
Wes Anderson,
Willem Dafoe
Thursday, April 10, 2014
Cottage Country
Todd and Cammie are at his family's cottage for what is supposed to be a romantic week to themselves. But then - much to their annoyance - his brother Salinger shows up unexpectedly with his girlfriend. It doesn't help the situation that the brothers are polar opposites. Anyway, the two get into a fight and Todd ends up accidentally killing Salinger with an ax. By accident, obviously.
This, by the way, is the highlight of the film. It is a sudden and hilarious WTF? moment.
Anyway, as the film progresses they first have to get rid off the brother's girlfriend. After they return from a canoe trip, during which they dispose of the body parts, the house if full of Salinger's friends. Todd and Cammie have to pretend to not have seen Salinger. Only one of the guests gets suspicious. Yep, you guessed it...he dies, but not before he alerted the local police of Sal and his girlfriend being missing.
The couple has to spin a wider net of lies to deflect any suspicions until goodhearted Todd can't take it anymore and want to turn himself in, much to the dismay of the ever more annoying Cammie. This leads to more bloodshed that leaves Cammie dead and Todd with a brain injury.
Sadly, this had so much more promise that the film never lives up to. Tyler Labine plays to his strengths as the hapless nice guy dealt an unfortunate hand, but the Cammie character was dis likable from the get-go which made her turning into a conniving bitch less interesting and not funny.
Side note, Todd's father is played by Windom Earle from Twin Peaks.
Oh, well.
4/10
This, by the way, is the highlight of the film. It is a sudden and hilarious WTF? moment.
Anyway, as the film progresses they first have to get rid off the brother's girlfriend. After they return from a canoe trip, during which they dispose of the body parts, the house if full of Salinger's friends. Todd and Cammie have to pretend to not have seen Salinger. Only one of the guests gets suspicious. Yep, you guessed it...he dies, but not before he alerted the local police of Sal and his girlfriend being missing.
The couple has to spin a wider net of lies to deflect any suspicions until goodhearted Todd can't take it anymore and want to turn himself in, much to the dismay of the ever more annoying Cammie. This leads to more bloodshed that leaves Cammie dead and Todd with a brain injury.
Sadly, this had so much more promise that the film never lives up to. Tyler Labine plays to his strengths as the hapless nice guy dealt an unfortunate hand, but the Cammie character was dis likable from the get-go which made her turning into a conniving bitch less interesting and not funny.
Side note, Todd's father is played by Windom Earle from Twin Peaks.
Oh, well.
4/10
Sunday, March 16, 2014
Tucker & Dale vs. Evil
One of the most hilarious horror comedies in, like, ever.
Tucker and Dale go into the woods in the Appalachian Mountains to fix up Tucker's newly acquired "vacation home" aka cabin in the woods. At the same time, nearby, a group of college kids are camping.
After a short encounter in a small store, they run into each other again. The college kids go skinny dipping while the two country boys are fishing. One of the kids, Allison slips and falls into the water, hitting her head. Tucker and Dale come to her rescue and as they pull her into their boat, they are immediately mistaken for psycho killers by the rest of Allison's group. Leaving messages like "we got ur friend" carved into a log with an ax are not helping the communication difficulties.
What transpires then are a string of very creative accidental deaths by the college idiots as they try to "rescue" their friend from the psychos in the cabin. They run into pointy branches, fall on their homemade spears, jump headfirst into a wood chipper (and Tuckers asking the bottom half of the kid, "are you okay?"), shoot themselves in the face and so on.
It is awesome.
Also, Tucker and Dale are perfectly cast, played by Alan Tudyk and Tyler Labine.
9/10
Tucker and Dale go into the woods in the Appalachian Mountains to fix up Tucker's newly acquired "vacation home" aka cabin in the woods. At the same time, nearby, a group of college kids are camping.
After a short encounter in a small store, they run into each other again. The college kids go skinny dipping while the two country boys are fishing. One of the kids, Allison slips and falls into the water, hitting her head. Tucker and Dale come to her rescue and as they pull her into their boat, they are immediately mistaken for psycho killers by the rest of Allison's group. Leaving messages like "we got ur friend" carved into a log with an ax are not helping the communication difficulties.
What transpires then are a string of very creative accidental deaths by the college idiots as they try to "rescue" their friend from the psychos in the cabin. They run into pointy branches, fall on their homemade spears, jump headfirst into a wood chipper (and Tuckers asking the bottom half of the kid, "are you okay?"), shoot themselves in the face and so on.
It is awesome.
Also, Tucker and Dale are perfectly cast, played by Alan Tudyk and Tyler Labine.
9/10
Labels:
2010,
Alan Tudyk,
comedy,
deserted,
horror,
Tyler Labine
Friday, January 17, 2014
Ruby Sparks
Calvin, former 'boy wonder' in literary circles, has not been writing anything measuring up to his successful debut novel. He spends his days talking to his shrink, working out with his brother Harry and walking his dog Scotty, who he only got in order to meet people (preferably girls) that will come up to pet the dog. But Scotty is far too scared of other people.
He has dreams of the same girl that he cannot quite remember. Until one day he does and he starts writing about her on his old typewriter, his dream girl, and calls her Ruby Sparks. Over the next few days, he is writing in a frenzy and Scotty starts bringing him random things, clearly belonging to a woman.
Then one day, Ruby appears. He first thinks that she is a figment of his imagination until he realizes that other people can see her as well. He has created his dream girl. His brother Harry does not believe him, of course, until Calvin introduces her to Ruby and the brothers decide to try out what Calvin is able to change about her by simply writing it down. He makes her speak French as prove that this is actually happening.
At first, everything is fine and Calvin decides to never write about her again so that he can keep her forever. But soon after Ruby meets Calvin's family, their relationship turns into something less magical and more normal. After a while, Ruby wants to spend a little time without Calvin and suggest that she spent one day per week at her place. So Calvin is lonely again and does - contrary to his earlier decision - write about Ruby again. He makes her clingy. This does not work for him and when she gets really desperate about him having let go of her hand to answer the phone, he writes her happy.
When things finally come to blows (and of course, they would) and Ruby wants to leave him, he shows her what he has written about her and to prove to her that he can make her do whatever he wants, he does just that. She runs against an innocent wall, she starts speaking French, she snaps her finger, she sings and strips, she jumps and yells compliments at Calvin....until the letters on the old typewriter slam up and she falls to the floor.
Then he finishes the story, writing her out of his life and retiring his old typewriter.
He rewrites the story again as fiction (on a a laptop). And then, just for that magical ending, he meets her in real life.
7/10
He has dreams of the same girl that he cannot quite remember. Until one day he does and he starts writing about her on his old typewriter, his dream girl, and calls her Ruby Sparks. Over the next few days, he is writing in a frenzy and Scotty starts bringing him random things, clearly belonging to a woman.
Then one day, Ruby appears. He first thinks that she is a figment of his imagination until he realizes that other people can see her as well. He has created his dream girl. His brother Harry does not believe him, of course, until Calvin introduces her to Ruby and the brothers decide to try out what Calvin is able to change about her by simply writing it down. He makes her speak French as prove that this is actually happening.
At first, everything is fine and Calvin decides to never write about her again so that he can keep her forever. But soon after Ruby meets Calvin's family, their relationship turns into something less magical and more normal. After a while, Ruby wants to spend a little time without Calvin and suggest that she spent one day per week at her place. So Calvin is lonely again and does - contrary to his earlier decision - write about Ruby again. He makes her clingy. This does not work for him and when she gets really desperate about him having let go of her hand to answer the phone, he writes her happy.
When things finally come to blows (and of course, they would) and Ruby wants to leave him, he shows her what he has written about her and to prove to her that he can make her do whatever he wants, he does just that. She runs against an innocent wall, she starts speaking French, she snaps her finger, she sings and strips, she jumps and yells compliments at Calvin....until the letters on the old typewriter slam up and she falls to the floor.
Then he finishes the story, writing her out of his life and retiring his old typewriter.
He rewrites the story again as fiction (on a a laptop). And then, just for that magical ending, he meets her in real life.
7/10
Thursday, January 16, 2014
Fantastic Mr. Fox
This is an animated film version of Roald Dahl's book of the same name. Of course, in the capable hands of Wes Anderson, this is clearly not aimed at children, even though the dreaded f-word is replaced by the word cussing.
The Mr. Fox in the title was formerly a thief of birds but promised to retire after his wife became pregnant. Life as a newspaper writer, however, does not a happy fox make. Eventually, with the help of the slightly weird Kylie, he breaks his promise and raids not the farms of Boggis, Bunce & Bean.
When the three disgruntled men come after the thieves (and shoot off Mr. Fox' tail), the entire wildlife of the area is effected by the destruction of the habitat. After everyone is initially upset with Mr. Fox, they soon team up to get the humans back by stealing, well, everything.
This leads to all-out war between the animals and the humans and it ends with the animals on the upside. They even steal back the - now detachable - fox tail. The animals move together into the extensive sewer system, that has an exit directly into the Boggis, Bunce & Bean supermarket.
Joy and happiness all around.
Quite entertaining and very weird.
7/10
The Mr. Fox in the title was formerly a thief of birds but promised to retire after his wife became pregnant. Life as a newspaper writer, however, does not a happy fox make. Eventually, with the help of the slightly weird Kylie, he breaks his promise and raids not the farms of Boggis, Bunce & Bean.
When the three disgruntled men come after the thieves (and shoot off Mr. Fox' tail), the entire wildlife of the area is effected by the destruction of the habitat. After everyone is initially upset with Mr. Fox, they soon team up to get the humans back by stealing, well, everything.
This leads to all-out war between the animals and the humans and it ends with the animals on the upside. They even steal back the - now detachable - fox tail. The animals move together into the extensive sewer system, that has an exit directly into the Boggis, Bunce & Bean supermarket.
Joy and happiness all around.
Quite entertaining and very weird.
7/10
Friday, January 10, 2014
Jesus Henry Christ
This is the story of Henry James Herman. Henry has an IQ of 310 (the second highest ever recorded) and remembers everything he has ever seen.
Before Henry was born, the family of his mother Patricia suffered several tragedies. First, on Patricia's 10th birthday her mother's dress catches fire and - as she is about to pat it out - Patricia's father Stan, in misguided effort to save his wife, throws the nearest liquid he can find on her. Unfortunately, it is alcohol.
Next, the twins Tim and Tom, now police officers, die in a ridiculous accident. James, the second youngest child, dies of AIDS shortly after Henry is born. The oldest, Billy, has left the US for Canada when Patricia was only 10 to dodge the draft.
Henry is born a test tube baby, something that he learns from his father Stan. When he is 10 he follows clues on Post It notes to find his biological father. This appears to be Dr. O'Hara, who has his own issues with his offspring. O'Hara published a book about his daughter Audrey, which made her her school's laughing stock. The girl, 12 at this point, is disgruntled and messed up and not necessarily happy to learn that she may have a younger brother.
O'Hara, Henry, Audrey and Patricia head to a clinic to take a paternity test. All of them. Audrey's mother left O'Hara for his oncologist, who talked O'Hara into donating sperm in the first place - as a security deposit. He suffered from testicular cancer at this point and chemotherapy may make it impossible for him to father more children. At the time he gets the news, his wife is very pregnant and greats the doctor in a way that suggests that the two are more than friends at this point already. Therefore, O'Hara is uncertain whether or not Audrey is his daughter.
Anyway, many complications and ridiculous situations spawn from this constellation. In the end, what is left of the family reunites at grandpa Stan's funeral and in the end it turns out that O'Hara is father to, both, Henry and Audrey.
Sweet and sentimental.
6/10
Before Henry was born, the family of his mother Patricia suffered several tragedies. First, on Patricia's 10th birthday her mother's dress catches fire and - as she is about to pat it out - Patricia's father Stan, in misguided effort to save his wife, throws the nearest liquid he can find on her. Unfortunately, it is alcohol.
Next, the twins Tim and Tom, now police officers, die in a ridiculous accident. James, the second youngest child, dies of AIDS shortly after Henry is born. The oldest, Billy, has left the US for Canada when Patricia was only 10 to dodge the draft.
Henry is born a test tube baby, something that he learns from his father Stan. When he is 10 he follows clues on Post It notes to find his biological father. This appears to be Dr. O'Hara, who has his own issues with his offspring. O'Hara published a book about his daughter Audrey, which made her her school's laughing stock. The girl, 12 at this point, is disgruntled and messed up and not necessarily happy to learn that she may have a younger brother.
O'Hara, Henry, Audrey and Patricia head to a clinic to take a paternity test. All of them. Audrey's mother left O'Hara for his oncologist, who talked O'Hara into donating sperm in the first place - as a security deposit. He suffered from testicular cancer at this point and chemotherapy may make it impossible for him to father more children. At the time he gets the news, his wife is very pregnant and greats the doctor in a way that suggests that the two are more than friends at this point already. Therefore, O'Hara is uncertain whether or not Audrey is his daughter.
Anyway, many complications and ridiculous situations spawn from this constellation. In the end, what is left of the family reunites at grandpa Stan's funeral and in the end it turns out that O'Hara is father to, both, Henry and Audrey.
Sweet and sentimental.
6/10
Sunday, January 5, 2014
Now You See Me
Four very diverse magicians get recruited to perform together. As a way of introducing the characters they are shown performing their respective acts. Daniel does a card trick, Merritt (the 'mentalist') hypnotizes a woman to extort money from her husband, Henley does an underwater escape act and Jack bends a spoon.
When they put on their show in Las Vegas they close it with 'something that was never done before'. They rob a bank. In Paris. This is how it is perceived by the audience: After they announce what they are about to do they recruit the assistance of a 'random' audience member, by people in the crowds draw balls indicating section, row and seat number. They want to rob this audience member's bank. They guy happens to be French and his bank is in Paris. They 'teleport' him into the bank vault and minutes later money rains from the ceiling. Very impressive.
And then it turns out that this particular bank actually was robbed in a way that it corresponds with all the details of the act. The case lands at the feet of FBI agent Dylan Rhodes and Interpol detective Alma Dray. They interrogate the 'Four Horsemen' (as they call themselves) but are being jerked around with little magic tricks and really cannot figure out how they did it. They were, after all, in Las Vegas with an entire audience as witnesses - including one Thaddeus Bradley, a former magician who now makes his money exposing the tricks of his former peers.
The FBI/Interpol duo, Bradley, and the sponsor of the Horsemen, Arthur Tressler, a insurance company honcho, all attend the next performance, this time in New Orleans during the Mardi Gras celebrations. Their final act this time around is also very elaborate and costs someone big money. They now rip off Mr. Tressler himself. His insurance company stifled many locals after hurricane Katrina and the nifty trick has all audience members write down their bank balance on a sheet of paper. Then Tressler is asked on stage and his balance is presented on a big board. Next, everyone is told that they are wrong about what they think they have in the bank and is asked to shine a light on their piece of paper to reveal the 'real' balance. Then a huge light shows Tressler's number lowered by a significant amount, which then appears on someone else's paper - and their bank account. As another chunck of Tressler's money disappears, it goes to someone else in the audience - and so on.
By now, it is clear that Tressler is not the guy who brought the group together. Rhodes and Dray are hot on their heals, Tressler hires Bradley to help him find them and they are being tracked with all high-tech equipment at the FBI's disposal but the nifty magicians get away and always seem to be one step ahead.
Dray meanwhile tells Rhodes of the mythical 'Eye' - a sort of secret society of brilliant magicians that only twice a decade accept new members. If this is more than a myth, the Horsemen set themselves up as viable candidates. There is also a story of a great magician, Lionel Shrike, who died because he wasn't able to escape a safe he locked himself into and had lowered into the Hudson River in New York City.
The big showdown, then, is in New York City. Law enforcement apparently tracked the Horsemen to an apartment where Rhodes and one of his colleagues only find Jack, who stayed behind to destroy blueprints. While his three cohorts are gone, Jack fights off Rhodes and flees in an FBI car. After a high speed drive, the car has a spectacular accident and - after Rhodes pries some papers out of the badly burned dead driver's hand the car blows up. The blueprint Rhodes recovered has the FBI follow a truck that supposedly transports a safe that the Horsemen are thought to have stolen. When they stop the truck, the lock gives way to a string of colorful tissues (a classic!) and the safe opens to hundreds of balloons (a classic!). A dead end.
The Horsemen's final performance is at 5 Pointz, where the agents rush to and fight their way through the audience only to always end up where the three remaining magicians are not. They once again pull off the stunt. However, they do not keep the money from the safe, which pops out (literally) of Bradley's car, making the FBI assume that Bradley was behind everything all along. When Rhodes visits him in his cell, Bradley tells him his theory of what happened in details only to then discover that Rhodes was actually behind everything.
The magician make their way to the carousel in Central Park, where Rhodes reveals himself to them and invites them to join the Eye. Later, he meets up once again with Inspector Dray and explains everything. Rhodes is Lionel Shrike's son and used this elaborate ruse to take revenge on everyone involved with his father's death.
I quite enjoyed this.
7/10
When they put on their show in Las Vegas they close it with 'something that was never done before'. They rob a bank. In Paris. This is how it is perceived by the audience: After they announce what they are about to do they recruit the assistance of a 'random' audience member, by people in the crowds draw balls indicating section, row and seat number. They want to rob this audience member's bank. They guy happens to be French and his bank is in Paris. They 'teleport' him into the bank vault and minutes later money rains from the ceiling. Very impressive.
And then it turns out that this particular bank actually was robbed in a way that it corresponds with all the details of the act. The case lands at the feet of FBI agent Dylan Rhodes and Interpol detective Alma Dray. They interrogate the 'Four Horsemen' (as they call themselves) but are being jerked around with little magic tricks and really cannot figure out how they did it. They were, after all, in Las Vegas with an entire audience as witnesses - including one Thaddeus Bradley, a former magician who now makes his money exposing the tricks of his former peers.
The FBI/Interpol duo, Bradley, and the sponsor of the Horsemen, Arthur Tressler, a insurance company honcho, all attend the next performance, this time in New Orleans during the Mardi Gras celebrations. Their final act this time around is also very elaborate and costs someone big money. They now rip off Mr. Tressler himself. His insurance company stifled many locals after hurricane Katrina and the nifty trick has all audience members write down their bank balance on a sheet of paper. Then Tressler is asked on stage and his balance is presented on a big board. Next, everyone is told that they are wrong about what they think they have in the bank and is asked to shine a light on their piece of paper to reveal the 'real' balance. Then a huge light shows Tressler's number lowered by a significant amount, which then appears on someone else's paper - and their bank account. As another chunck of Tressler's money disappears, it goes to someone else in the audience - and so on.
By now, it is clear that Tressler is not the guy who brought the group together. Rhodes and Dray are hot on their heals, Tressler hires Bradley to help him find them and they are being tracked with all high-tech equipment at the FBI's disposal but the nifty magicians get away and always seem to be one step ahead.
Dray meanwhile tells Rhodes of the mythical 'Eye' - a sort of secret society of brilliant magicians that only twice a decade accept new members. If this is more than a myth, the Horsemen set themselves up as viable candidates. There is also a story of a great magician, Lionel Shrike, who died because he wasn't able to escape a safe he locked himself into and had lowered into the Hudson River in New York City.
The big showdown, then, is in New York City. Law enforcement apparently tracked the Horsemen to an apartment where Rhodes and one of his colleagues only find Jack, who stayed behind to destroy blueprints. While his three cohorts are gone, Jack fights off Rhodes and flees in an FBI car. After a high speed drive, the car has a spectacular accident and - after Rhodes pries some papers out of the badly burned dead driver's hand the car blows up. The blueprint Rhodes recovered has the FBI follow a truck that supposedly transports a safe that the Horsemen are thought to have stolen. When they stop the truck, the lock gives way to a string of colorful tissues (a classic!) and the safe opens to hundreds of balloons (a classic!). A dead end.
The Horsemen's final performance is at 5 Pointz, where the agents rush to and fight their way through the audience only to always end up where the three remaining magicians are not. They once again pull off the stunt. However, they do not keep the money from the safe, which pops out (literally) of Bradley's car, making the FBI assume that Bradley was behind everything all along. When Rhodes visits him in his cell, Bradley tells him his theory of what happened in details only to then discover that Rhodes was actually behind everything.
The magician make their way to the carousel in Central Park, where Rhodes reveals himself to them and invites them to join the Eye. Later, he meets up once again with Inspector Dray and explains everything. Rhodes is Lionel Shrike's son and used this elaborate ruse to take revenge on everyone involved with his father's death.
I quite enjoyed this.
7/10
Thursday, January 2, 2014
This Is the End
Jay Baruchel flies to LA to hang out with his old friend Seth Rogan. After an evening of weed, munchies and video games, Rogan drags Baruchel to a party at James Franco's house. Baruchel is reluctant to go because he is not into the LA scene and doesn't like Jonah Hill, who is at the party, as well. And so, apparently, is everybody else - Craig Robertson, Mindy Kaling, Rihanna, Christohper Mintz-Plasse, David Krumholtz, Michael Cera, Aziz Ansari and - unbeknownst to the host - Danny McBride.
Baruchel, upset with Rogan because he did not stay by his side at Franco's place, gets his friend to go to a nearby convenience store. While the two are in there, the apocalypse kicks off. They rush back to the party but nobody inside has noticed anything awkward happening at all. As they try to piece together what the two are on about, the earth shakes so fiercely that even the party guests notice this time. They storm outside and stare at the staring Hollywood hills when a sinkhole opens up in the front yard, swallowing most of the onlookers.
Baruchel, Rogen, Franco, Robinson, and Hill make it back to the relative safety of the house, where they board up, check up on the limited food and drink supply and spend an uneasy night. When they get up the next morning, Danny McBride, who has spent the night in the bathtub and has no idea what is happening, has used up most of the supplies making breakfast. So, things do not look rosy for our survivors.
As they cannot leave the house they pass the time doing drugs and making cheap sequels to their previous films. Then suddenly, Emma Watson breaks her way into the house. At first, everything is rosy until Watson goes to rest in Franco's room and they guys outside discuss the weirdness of the situation and making sure that they would not come across as 'rapey' with only one woman in the house. Watson only catches part of the conversation, mostly the word rape and gets out of Dodge, keeping everyone in check with an ax.
When water dwindles, they try to get more either from the basement or a neighbor's house, which requires them to leave the building in ones and twos. They start to get attacked by a demon, possibly the devil himself (you know, this being the apocalypse and all), who also has sex with Jonah Hill, who for the remainder of his life in the film is possessed.
What follows is deaths, mayhem, the expulsion of Danny McBride, ascensions to heaven, and the Backstreet Boys.
6/10
Baruchel, upset with Rogan because he did not stay by his side at Franco's place, gets his friend to go to a nearby convenience store. While the two are in there, the apocalypse kicks off. They rush back to the party but nobody inside has noticed anything awkward happening at all. As they try to piece together what the two are on about, the earth shakes so fiercely that even the party guests notice this time. They storm outside and stare at the staring Hollywood hills when a sinkhole opens up in the front yard, swallowing most of the onlookers.
Baruchel, Rogen, Franco, Robinson, and Hill make it back to the relative safety of the house, where they board up, check up on the limited food and drink supply and spend an uneasy night. When they get up the next morning, Danny McBride, who has spent the night in the bathtub and has no idea what is happening, has used up most of the supplies making breakfast. So, things do not look rosy for our survivors.
As they cannot leave the house they pass the time doing drugs and making cheap sequels to their previous films. Then suddenly, Emma Watson breaks her way into the house. At first, everything is rosy until Watson goes to rest in Franco's room and they guys outside discuss the weirdness of the situation and making sure that they would not come across as 'rapey' with only one woman in the house. Watson only catches part of the conversation, mostly the word rape and gets out of Dodge, keeping everyone in check with an ax.
When water dwindles, they try to get more either from the basement or a neighbor's house, which requires them to leave the building in ones and twos. They start to get attacked by a demon, possibly the devil himself (you know, this being the apocalypse and all), who also has sex with Jonah Hill, who for the remainder of his life in the film is possessed.
What follows is deaths, mayhem, the expulsion of Danny McBride, ascensions to heaven, and the Backstreet Boys.
6/10
Labels:
2013,
apocalyptic,
Aziz Ansari,
Christohper Mintz-Plasse,
comedy,
Craig Robinson,
David Krumholtz,
James Franco,
Jay Baruchel,
Jonah Hill,
LA,
Michael Cera,
Mindy Kaling,
Rihanna,
Seth Rogan
Thursday, December 26, 2013
Hotel Transylvania
Dracula, who has been living in a remote castle raising his daughter Mavis, is preparing a huge party for the girl's 118th birthday. All the monsters imaginable have been invited for the party and opening of Hotel Transylvania. The hotel is supposed to be a save haven for monsters, who have been terrified by humans for centuries.
Years ago, Dracula has promised Mavis that she will be allowed to see the world he has been shielding her from on her 118th birthday. He sends her off to a nearby village, which he had built especially for this occasion to put the fear of humans into her. His zombie employees are dressed up as a mob, coming after the newly arrived vampire. This works and sends Mavis flying home again.
In the midst of the chaos of everyone arriving, a young hapless backpacker finds his way into the castle. Dracula detects him just in time to dress him up as a monster and sneak him into the party when he realizes that he cannot get rid of the human without drawing attention. The human, Johnny, is passed of as a cousin of Frankenstein's right arm, here to plan the party with Dracula.
All the while, he tries to get rid of him without having any of the monsters suspect a human among them. The only one suspicious of Johnny is Quasimodo, alerted by his rat Esmeralda, who can smell the human. Dracula fiddles around to keep Quasimodo and Johnny away from each other and trying to get the party rolling - with games of charade and bingo. Those turn out not to be a party favorite. Whenever Johnny causes mayhem, however, the guests get really into it. Mavis and Johnny, when they first set eyes on each other, fall hopelessly in love.
Dracula still does everything in his power to get rid of Johnny and even reveal to him how he lost his wife Martha in a fire, set by a human mob who discovered that he was a monster. When Quasimodo finally reveals to the party guests that Johnny is, in fact, human, everyone is scared out of their wits. After this, Johnny leaves.
When all the guests try to check out of their rooms at the same time, Dracula, having realized that he only wants his child to be happy, even if that means letting her be with a human, implores his monster friends to forgive him and help him bring Johnny back. When a delegation leaves to drive to the airport, they come to the village during a big monster party (Halloween?) and realize that humans may not be a danger to monsters, after all. They rally up the village people to help get Dracula to the airport as quickly as possible.
Dracula returns with Johnny and a monster-human alliance is formed. Happy faces all around.
6/10
Years ago, Dracula has promised Mavis that she will be allowed to see the world he has been shielding her from on her 118th birthday. He sends her off to a nearby village, which he had built especially for this occasion to put the fear of humans into her. His zombie employees are dressed up as a mob, coming after the newly arrived vampire. This works and sends Mavis flying home again.
In the midst of the chaos of everyone arriving, a young hapless backpacker finds his way into the castle. Dracula detects him just in time to dress him up as a monster and sneak him into the party when he realizes that he cannot get rid of the human without drawing attention. The human, Johnny, is passed of as a cousin of Frankenstein's right arm, here to plan the party with Dracula.
All the while, he tries to get rid of him without having any of the monsters suspect a human among them. The only one suspicious of Johnny is Quasimodo, alerted by his rat Esmeralda, who can smell the human. Dracula fiddles around to keep Quasimodo and Johnny away from each other and trying to get the party rolling - with games of charade and bingo. Those turn out not to be a party favorite. Whenever Johnny causes mayhem, however, the guests get really into it. Mavis and Johnny, when they first set eyes on each other, fall hopelessly in love.
Dracula still does everything in his power to get rid of Johnny and even reveal to him how he lost his wife Martha in a fire, set by a human mob who discovered that he was a monster. When Quasimodo finally reveals to the party guests that Johnny is, in fact, human, everyone is scared out of their wits. After this, Johnny leaves.
When all the guests try to check out of their rooms at the same time, Dracula, having realized that he only wants his child to be happy, even if that means letting her be with a human, implores his monster friends to forgive him and help him bring Johnny back. When a delegation leaves to drive to the airport, they come to the village during a big monster party (Halloween?) and realize that humans may not be a danger to monsters, after all. They rally up the village people to help get Dracula to the airport as quickly as possible.
Dracula returns with Johnny and a monster-human alliance is formed. Happy faces all around.
6/10
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