Killing them Soflty

When a illegal poker game gets robbed for the second time, a hitman by the name of Cogan is brought in to kill the guys that did it. Everybody knows that Markie, the man that runs the poker game, orchestrated the first robbery and even though now everyone is convinced he had nothing to do with the second robbery, Cogan shoots him anyway to restore order and faith in the Mob protected games.

The small time crooks that actually did it suffer similar fates, because one of them - a heroin addict - cannot keep his mouth shut and brags to his would-be drug runner about it. All of this gets complicated by another hitman brought in who causes trouble to Cogan because he is a drunk and constantly soliciting hookers.

Yes, the story is confusing with longish conversations and somewhat hard to follow. But it is pretty to watch and has quiet the noir feeling about it (all that rain).

Here is an example of a rather beautiful, if brutal, scene. Markie gets shot:

6/10

The Visitor

The Visitor is the story of widowed university professor Walter, who has essentially been doing next to nothing in the past few years and just stalling. He has to appear at a conference to speak, an engagement he tries to wiggle his way out of but can't.

He travels from his Connecticut house to an apartment he has in New York just to find a couple, Tarek and Zainab, living in his place. They found it via one mysterious Ivan and had no idea they had been living there illegally.

As they are in dire need of housing, walter let's them stay and eventually befriends Tarek, who starts teaching Walter how to play the African drum. While out and about one day they have some trouble getting their drums through the subway turnstiles, Tarek gets falsely accused of dodging the fare and gets taken into custody.

It is only then that Walter realizes that the young couple are illegals and he tries to help as best he can to get Tarek legal representation and possibly getting him a staying permit. While Tarek is incarcerated and living in constant fear of deportation, Walter becomes very close with Tarek's mother Mouna.

The film shows the harshness of the system, but manages to do so without blaming the people working in it - like the prison guards really only doing their jobs, however frustrating it may be for Walter or anyone else that is desperate for some information on the whereabouts of their loved ones.

Despite the moments of hope and happiness, the story is a sad and desperate one. Richard Jenkins is brilliant and rightly earned the acclaim he received, including a nomination for Best Actor at the Academy Awards (losing to a wonderful Sean Penn in Milk). Another plus - nice shots of New York.

Recommendation.

9/10

The Cabin in the Woods

I love horror films. I very much like Richard Jenkins. I adore Bradley Whitford. I like the idea of a company pulling the strings behind the scenes to release different nightmarish scenarios on a group of unsuspecting young people. I love the poster.

The problem? I don't like this film.

Despite all the above mentioned ingredients it doesn't quite come together for me. The actual cabin-in-the-woods part of it is all very bland and I never cared for any of the people there. Not a one. I didn't care whether they lived or died and nothing that befell them was particularly scary to me.

The background part (the part with Jenkins and Whitford) was more interesting. The out-of-placeness of it was different and it is in the company environment that the film actually showed some humor. The deaths of pretty much everyone involved there was harder to take than that of any of the pretty young people.

Oh Josh Lyman Hadley! At least you went with a cocky remark on your lips. Good for you! *wipes-away-tear*

The fun part? All monsters imaginable getting unleashed and going into mayhem mode. Blood and gore and a murderous unicorn. But then there was the stupid, unimaginative, uninteresting, useless ending/explanation. The fucking Ancient Ones'?

Seriously?

3/10