British soldiers, together with a handful of US Americans and Australians, are incarcerated in Chengi prison, Singapore. They move about relatively free but are kept in check by the ocean and jungle.
The POWs are gaunt and wearing tethered clothes, except for the US Corporal King who has established quite the florishing black market business. The soldiers he shares his hut with cater to his every whim, as they do profit off of his sense of business and survival. King pays off a number of other soldiers and gives them cuts of his earnings.
When he spots a British soldier, Marlowe, who is quite adapt in communicating with the enemy soldiers, he offers to employ him as a translator. Marlowe is not interested at first but eventually succumbs to the charms and the slightly better life offered to friends of King. The one trying to keep everyone in check and make sure that each soldier gets his fair share of rations is British Lt. Grey, who is almost too straight for his own good.
One way that Marlow profits from his friendship with King is that when he gets severely injured and is in danger of losing his arm to gangrene, it is King that pays for the medication needed to prevent the amputation.
But the end of the war also puts an end to King's reign. He - like the rest of them - has to go back to his real life, where his position is surely not as special as in the camp.
Not too spectacular but very well acted, I thought. King is played by George Segal, Grey by Tom Courtenay and Marlowe by James Fox (who I have been seeing quite a lot of lately....).
8/10
Showing posts with label Tom Courtenay. Show all posts
Showing posts with label Tom Courtenay. Show all posts
Thursday, August 1, 2013
Tuesday, May 7, 2013
Quartet
At Beecham house, a home for retired musician, the annual concert celebrating Verdi's music is organized by the residents themselves.
Among them is a trio of singers, famed for their rendition of "Bella figlia dell' amore" from Rigoletto. The piece is a quartet and the fourth member of their group, the diva-esque Jean (former wife of one of the male voices in the quartet), has just waltzed into Beecham House. Her arrival has upset her former husband Reggie, who at first tries to avoid her whenever possible.
The concert this year is of particular importance, as any revenues are crucial in keeping Beecham House funded. The head organizer Cedric suggests that the quartet should perform their Rigoletto piece, which will surely increase interest in the concert. It does take some convincing, though, as Jean does not want to sing because some of her higher notes may break.
She changes her mind, however, when she learns that her former rival on the opera scene will perform an aria from Tosca ("Vissi d'arte", if you're intersted).
This is Dustin Hoffman's directorial debut and the cast is phenomenal. It includes Billy Connelly, Michael Gambon and the wonderful Maggie Smith as the ageing diva Jean.
I wanted to love the film and hoped for some more comedy, I guess. In the end, I merely liked it.
6/10
Among them is a trio of singers, famed for their rendition of "Bella figlia dell' amore" from Rigoletto. The piece is a quartet and the fourth member of their group, the diva-esque Jean (former wife of one of the male voices in the quartet), has just waltzed into Beecham House. Her arrival has upset her former husband Reggie, who at first tries to avoid her whenever possible.
The concert this year is of particular importance, as any revenues are crucial in keeping Beecham House funded. The head organizer Cedric suggests that the quartet should perform their Rigoletto piece, which will surely increase interest in the concert. It does take some convincing, though, as Jean does not want to sing because some of her higher notes may break.
She changes her mind, however, when she learns that her former rival on the opera scene will perform an aria from Tosca ("Vissi d'arte", if you're intersted).
This is Dustin Hoffman's directorial debut and the cast is phenomenal. It includes Billy Connelly, Michael Gambon and the wonderful Maggie Smith as the ageing diva Jean.
I wanted to love the film and hoped for some more comedy, I guess. In the end, I merely liked it.
6/10
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