Showing posts with label Detroit. Show all posts
Showing posts with label Detroit. Show all posts

Thursday, February 6, 2014

RoboCop

I know I have seen the original RoboCop. I mean, I must have. Right? What I remember from it is...nothing. So I went to the new version of it with a fresh mind and not expecting anything.

First off, I don't really know who the guy is that plays the lead character, Joel Kinnaman. Yes, I am aware that he is in the US version of The Killing (did anyone need that?) but beyond that, no idea. Playing RoboCop is not really the best means to show your acting range, though, now is it? The rest of the cast is really high profile in comparison. I haven't seen Michael Keaton in a while (last time would have been in The Other Guys), Gary Oldman is apparently in everything now, the totally forgettable looking Abbie Cornish is there and the great, underrated, underapprechiated and underused Michael K. Williams.

So far, so good.

Then, of course, there is Jay Baruchel. Why the hell is Jay Baruchel in this to ruin an otherwise enjoyable, fast paced, action packed, sprinkled-with-jokes film? His voice has an annoying quality that would only work for a muppet and he is not much of an actor. *sigh*

But lucky for me and the rest of last night's audience there is also Samuel L. Jackson. His involvement alone makes this worth seeing. He plays a right-leaning, opinionated TV personality with his own sorta political show. And he very much approves of robots let lose to guard the streets of US cities. And he gets to swear. A little. At the end. He is awesome.

Sure, the film is no revelation. Neither is Joel Kinnaman. Some of the shootouts are very, very noisy. But the in-between jokes and irony make this entertaining.

5/10

Monday, February 25, 2013

Searching for Sugar Man

I spent the entire Oscar night (and much of the day before) at the packed Gartenbaukino to watch the transmission. The pre-program the theater offered were five films nominated for one thing or another. The heavily favored film to win best documentary feature was one of the film shown - the wonderful Searching for Sugar Man.

This is the story of Detroit singer Sixto Rodriguez, who made two albums in the 1960s/1970s that fell pretty much on deaf ears, even though everyone involved and, really, everyone who ever heard him play cannot explain why he didn't take off. His music is wonderful and the lyrics and songwriting draw comparisons to calibers like Bob Dylan but somehow things didn't happen for him.

But somehow his debut album "Cold Facts" ended up in South Africa at a time when the country was shunned by other nations due to its regime of Apartheid and people withing South Africa were widely shielded from outside influences. Rodriguez singing of speaking up against the establishment triggered something of a musical revolution, as local musicians started to realize that they do have the means to make their voices heard. All of those musicians were heavily influenced by Rodriguez. He sold approximately half a million records in South Africa and the strangest thing is...he didn't even know it.

One day, a journalist took it upon himself to find out more about the singer/songwriter, who was something of a mystery. Nobody knew anything about him. The most important question that needed answering was: How did Rodriguez die? Rumors of him setting himself on fire, blowing his brains out or overdosing on drugs swirled around but nobody knew for sure. When he eventually got a hold of the producer of the first record and at the end of the interview asked his most burning question the journalist was told that Rodriguez was alive and well.

People interested in solving the mystery set up a website about their search for more information. One day, Eva Rodriguez, oldest daughter of the mysterious musician, wrote on the website's forum and left her contacts and finally got them in touch with the man himself. And when we, the audience, finally meet the man he turns out to be the most humble and gracious individual, working on construction sites, not bitter about not having had the success he would have wanted as a young man.

Eventually, he went to South Africa to play a sold out show (the first of many), which marks the climax of this wonderful, wonderful film. And after he played to sold out crowds in South Africa he went right back home to the house he has spent the last few decades in and back to work at the construction sites.

This is such a moving, loving portrait that everyone watching with me seemed to adore as much as I do. In the following Oscar night, along with the awards given to Austrians (Christoph Waltz, Michael Haneke), Searching for Sugar Man winning (as expected) best documentary got the biggest applause from my hometown crowd.

When I got home I went online an purchased both of Rodriguez' available albums.


10/10