The Theory of Everything

Bring your tissues!

If you approach the film without expecting to learn anything about how time works and what theories Prof. Hawking has given the world, you'll be just fine. As romances go, it is rather special. Of course it is. Nothing like a hardship shared with a loved one and the deterioration of a brilliant man, who nonetheless defies the odds given him to make you ball your eyes out.

Eddie Redmayne is brilliant. Oscar-worthy? Absolutely.

My heart goes out the the equally brilliant Michael Keaton in Birdman. He pulled off quite the astonishing feat himself, but (alas!) what chance can he possibly have against someone portraying a real live person of high standing that has a disability to boot. Now that is a role to sink your teeth in and however great you are in any fiction film, you should have picked a different year to be great in.

As for the film itself, well it is quite the kitsch fest and can't hold a candle to some of the Oscar nominated films it is up against, BAFTA for best British film of the year or no (not that The Imitation Game is that much better). But I am sure there is an audience for it. Granted, I'm not it.

My overall score takes into account the sheer greatness of Eddie Redmayne's performance.

6/10

Which brings me to my overview of this year's Oscar crop. At this point I have watched all but one of the best picture nominees and the one missing is American Sniper, which I have currently no interest in watching at all (I may yet, but....). I will probably get to the others in this here blog, eventually, and give a more detailed reasoning. (Yes, I am fully aware of what the rest of the world thinks of Boyhood. I simply believe people are blinded by the effort and time that went into it and want to like it much more than they would if they were to ignore that. And there are other, better films about 'ordinary life' that did not get the attention, because they were made more conventionally.) Anyway, here is my list of favorite to least favorite...

Whiplash
The Grand Budapest Hotel
Birdman
Selma
The Imitation Game
The Theory of Everything
Boyhood

See, Boyhood is not a bad film per se, it is just that I liked the others better.

Oscar Nominations 2014

The Oscar nominations for this year have just been announced and they are what was to be expected, mostly. There are only mild surprises, at best. The inclusion of Dallas Byers Club as a best picture nominee was probably not a shoe-in, otherwise the non-mainstream films include only the aforementioned Dallas Byers Club and Nebraska. Both have already been recognized by the Golden Globe voters, though.

Not nominated for best actor are Tom Hanks (who was excellent in Captain Phillips), Robert Redford (who was equally excellent in All Is Lost) and Joacquin Phoenix (I'm sure he is as brilliant as ever in Her). Well, someone had to make way for Leonardo DiCaprio, I guess. *eye-roll*

Anyway, the films in the Best Picture race - which will heavily influence my viewing over the next few weeks - are:

12 Years a Slave
Gravity
Dallas Byers Club
American Hustle
Captain Phillips
Her
Nebraska
Philomena
The Wolf of Wall Street

This leaves me with this viewing list: Dallas Byers Club, American Hustle, Her, Nebraska, Philomena. The Wolf of Wall Street I have zero interest in seeing, so this may be my skip of the year.

And, as usual, let me put the ones I have seen thus far in order from favorite to least favorite (the list is yet short).

Gravity
Captain Phillips
12 Years a Slave

The Master

I must admit that the first 30 minutes of this were rough for me. It seemed all so tedious and I was waiting for the film to get going. Not what I expect from a Paul Thomas Anderson movie. He is one of my favorite directors and has in the past spoiled us with his works. Hence, I was a bit cautious at first.

However, as soon as Philip Seymour Hoffman enters the stage (so to say) the film does become the master piece (no pun intended) it is by so many said to be. For a long while it was lauded as the best film of 2012 and groomed as a sure thing for award season. But the film year is a long one and the attention span of the members of various academies and associations is rather short. What it did get, in the end, at the big one (Oscars), was recognition for the stellar acting of the main characters. Of course, they never stood a chance and the Academy did not dish out any surprises this year.

This is the story of a lost young man named Freddie Quell (Joaquin Phoenix), disillusioned after the war and prone to violence and his unlikely friendship and devotion to Lancaster Dodd ('The Master'/Hoffman), who may or may not be fashioned after L. Ron Hubbard. The cult (no, no, not a cult, surely) is known as The Cause and it doesn't seem to do any actual harm but enthralls the followers in regression therapy and lulls them with words spoken (made up?) by Dodd. There is some minor legal trouble of the financial kind, of course, but then there always is.

Dodd now wishes to help Freddie through his aggression by having him repeat either answers or short walks from one end of the room to the other and loudly stating what the wall or the window feel like when he touches them.

The scenes with Hoffman and Phoenix in them, mostly in conversation, are wonderful to watch and are what makes this film so special.

Joaquin Phoenix really is a gorgeous man and Philip Seymour Hoffman sings!

8/10

Kon-Tiki

Another film watched at the Gartenbaukino Oscar event. I might have never watched Kon-Tiki if it weren't for winning tickets for the entire event.

This is the story of Thor Heyerdahl and his trusted crew giving themselves to the wind and currents to prove that Polynesia was actually populated first by South Americans (Peruvians, to be precise) rather than the then held popular belief that the original settlers came from Asia.

I understand that this is the most expensive Norwegian film ever made and it really is a feast for the eyes. Beside the obvious beauty of shots of the grand ocean in all kinds of weather we get eye candy.

Lots and lots of eye candy. The adventurers are mostly well-built Scandinavians running around with their shirts off.

Aside from that, the film is actually really good and I'm glad I saw it. It was nominated for best foreign language film. Of course, it never stood a chance, as it was up against Amour, which won every award imaginable this year.

6/10

Searching for Sugar Man

I spent the entire Oscar night (and much of the day before) at the packed Gartenbaukino to watch the transmission. The pre-program the theater offered were five films nominated for one thing or another. The heavily favored film to win best documentary feature was one of the film shown - the wonderful Searching for Sugar Man.

This is the story of Detroit singer Sixto Rodriguez, who made two albums in the 1960s/1970s that fell pretty much on deaf ears, even though everyone involved and, really, everyone who ever heard him play cannot explain why he didn't take off. His music is wonderful and the lyrics and songwriting draw comparisons to calibers like Bob Dylan but somehow things didn't happen for him.

But somehow his debut album "Cold Facts" ended up in South Africa at a time when the country was shunned by other nations due to its regime of Apartheid and people withing South Africa were widely shielded from outside influences. Rodriguez singing of speaking up against the establishment triggered something of a musical revolution, as local musicians started to realize that they do have the means to make their voices heard. All of those musicians were heavily influenced by Rodriguez. He sold approximately half a million records in South Africa and the strangest thing is...he didn't even know it.

One day, a journalist took it upon himself to find out more about the singer/songwriter, who was something of a mystery. Nobody knew anything about him. The most important question that needed answering was: How did Rodriguez die? Rumors of him setting himself on fire, blowing his brains out or overdosing on drugs swirled around but nobody knew for sure. When he eventually got a hold of the producer of the first record and at the end of the interview asked his most burning question the journalist was told that Rodriguez was alive and well.

People interested in solving the mystery set up a website about their search for more information. One day, Eva Rodriguez, oldest daughter of the mysterious musician, wrote on the website's forum and left her contacts and finally got them in touch with the man himself. And when we, the audience, finally meet the man he turns out to be the most humble and gracious individual, working on construction sites, not bitter about not having had the success he would have wanted as a young man.

Eventually, he went to South Africa to play a sold out show (the first of many), which marks the climax of this wonderful, wonderful film. And after he played to sold out crowds in South Africa he went right back home to the house he has spent the last few decades in and back to work at the construction sites.

This is such a moving, loving portrait that everyone watching with me seemed to adore as much as I do. In the following Oscar night, along with the awards given to Austrians (Christoph Waltz, Michael Haneke), Searching for Sugar Man winning (as expected) best documentary got the biggest applause from my hometown crowd.

When I got home I went online an purchased both of Rodriguez' available albums.

10/10

Academy Awards - Official Poster

The official poster for this year's Academy Awards is quite brilliant, I think.

Every bets picture winner is represented by an Oscar statue, and you can try your hand at guessing on the website, as well.

Academy Awards - Best Picture

Now that I have seen eight of the nine Oscar nominees for Best Picture let's put them in the order of my liking, shall we?

Argo
Beast of the Southern Wild
Amour
Life of Pi / Django Unchained
Zero Dark Thirty
Lincoln
....
Silver Linings Playbook

I'm saving the second to last spot for Les Misérables, as I don't like musicals and it is safe to assume that this will not change my mind, however beautiful the songs.

And, yes, I get that this will probably come down to Argo or Lincoln. I liked Lincoln fine, but found is a bit long and kitschy. Thing is, I actually liked all but one of the nominated films I saw so far and I have to squeeze them into some kind of order.

Academy Awards - Best Picture

As every year, I am in the process of watching all best picture nominees before the Academy Award show. At this point I have 5 down with 4 more to go, so I am well on my way.

Let me put them in order from best to worst (strictly my opinion):

Argo
Amour
Life of Pi / Django Unchained
....
....
....
....
Silver Linings Playbook

I really, really, really liked Argo and I find it as disturbing as many others that Ben Affleck did not get a best director nod for it. This may or may not have been because of Michael Haneke, whose Amour is also very good (but probably not entertaining enough to warrant a win).

Life of Pi and Django Unchained I liked for very different reasons and I can't make up my mind about which one I like more.

I trust that all of the four films I have yet to see will be better than Silver Linings Playbook, and really, what are the odds of them being worse?

Silver Linings Playbook

Every year, relatively early, the buzz for the sometimes long off award season starts about a small movie (or, small compared to the other contenders). It gets heaps of accolades and everyone agrees that it is so good and deserving of a best picture nomination at every award ceremony, including the Oscars. And then when I watch it, it turns out to be merely ok.

A year ago, that film was The Descendants, the year before it was The Kids Are All Right, before that it was Up in the Air. Ever since the academy descided to throw more films into the best picture circus, as a rule this  film would end up in it. 2012, that film is Silver Linings Playbook.

It is advertised as a comedy/drama/romance. Somehow I totally missed the comedy part. Nothing about it is in any way comedic. Ok, there is some drama and a really weird romance between the bi-polar Bradley Cooper and the widowed Jennifer Lawrence.

Ah yes, Jennifer Lawrence, every critic's new darling. I like her fine, but I have seen her in three films so far, and she has played the same role in every single one of them - hard shelled, mouthy young woman. This worked great in Winter's Bone and it is perfect for The Hunger Games. In Silver Linings Playbook her character is bordering on annoying.

Jackie Weaver is decent in this, Robert DeNiro is his usual great self, Bradley Cooper is surprisingly good (I'm usually not a fan).

This is not as good as they say.

1/10

Oscar Nominees

You know the feeling when one of your fellow country(wo)men achieves something astonishing and you regard it as an achievement by the entire population (the "we" feeling)? That is sort of what I feel right now about the Oscar nominations.

Coming from a small, ultimately insignificant, country (never mind that we were very much involved in kicking off two world wars) that feeling is normally limited to successes in winter sports. That's what 'we' are good at. (I am a flatlander myself and never cared much for skiing, but I totally cheer our boys and girls [but really, mostly the boys] on from my comfy chair.)

But today's Oscar nominations are - for a film aficionado from tiny Austria - something else entirely. Amour by Austrian director Michael Haneke (who was not actually born in Austria and the film is in French) was nominated for a total of five Academy Awards. Five! Four of them in the heavy weight categories.

Best Picture (!)
Best Director (!)
Best Actress (for Emanuelle Riva)
Best Original Screenplay
Best Foreign Language Film (we expected that one)

And to top it all off, 'our' Christoph Waltz was again nominated for Best Supporting Actor for Django Unchained.

Now starts my yearly task of trying to watch all Best Picture nominees before the award ceremony. The only one of the nine I have already watched is Argo, which is great BTW. Next up for me will be Life of Pi with friends on Sunday. That leaves me with a few weeks to get in the rest of the bunch. *phew*