Four very diverse magicians get recruited to perform together. As a way of introducing the characters they are shown performing their respective acts. Daniel does a card trick, Merritt (the 'mentalist') hypnotizes a woman to extort money from her husband, Henley does an underwater escape act and Jack bends a spoon.
When they put on their show in Las Vegas they close it with 'something that was never done before'. They rob a bank. In Paris. This is how it is perceived by the audience: After they announce what they are about to do they recruit the assistance of a 'random' audience member, by people in the crowds draw balls indicating section, row and seat number. They want to rob this audience member's bank. They guy happens to be French and his bank is in Paris. They 'teleport' him into the bank vault and minutes later money rains from the ceiling. Very impressive.
And then it turns out that this particular bank actually was robbed in a way that it corresponds with all the details of the act. The case lands at the feet of FBI agent Dylan Rhodes and Interpol detective Alma Dray. They interrogate the 'Four Horsemen' (as they call themselves) but are being jerked around with little magic tricks and really cannot figure out how they did it. They were, after all, in Las Vegas with an entire audience as witnesses - including one Thaddeus Bradley, a former magician who now makes his money exposing the tricks of his former peers.
The FBI/Interpol duo, Bradley, and the sponsor of the Horsemen, Arthur Tressler, a insurance company honcho, all attend the next performance, this time in New Orleans during the Mardi Gras celebrations. Their final act this time around is also very elaborate and costs someone big money. They now rip off Mr. Tressler himself. His insurance company stifled many locals after hurricane Katrina and the nifty trick has all audience members write down their bank balance on a sheet of paper. Then Tressler is asked on stage and his balance is presented on a big board. Next, everyone is told that they are wrong about what they think they have in the bank and is asked to shine a light on their piece of paper to reveal the 'real' balance. Then a huge light shows Tressler's number lowered by a significant amount, which then appears on someone else's paper - and their bank account. As another chunck of Tressler's money disappears, it goes to someone else in the audience - and so on.
By now, it is clear that Tressler is not the guy who brought the group together. Rhodes and Dray are hot on their heals, Tressler hires Bradley to help him find them and they are being tracked with all high-tech equipment at the FBI's disposal but the nifty magicians get away and always seem to be one step ahead.
Dray meanwhile tells Rhodes of the mythical 'Eye' - a sort of secret society of brilliant magicians that only twice a decade accept new members. If this is more than a myth, the Horsemen set themselves up as viable candidates. There is also a story of a great magician, Lionel Shrike, who died because he wasn't able to escape a safe he locked himself into and had lowered into the Hudson River in New York City.
The big showdown, then, is in New York City. Law enforcement apparently tracked the Horsemen to an apartment where Rhodes and one of his colleagues only find Jack, who stayed behind to destroy blueprints. While his three cohorts are gone, Jack fights off Rhodes and flees in an FBI car. After a high speed drive, the car has a spectacular accident and - after Rhodes pries some papers out of the badly burned dead driver's hand the car blows up. The blueprint Rhodes recovered has the FBI follow a truck that supposedly transports a safe that the Horsemen are thought to have stolen. When they stop the truck, the lock gives way to a string of colorful tissues (a classic!) and the safe opens to hundreds of balloons (a classic!). A dead end.
The Horsemen's final performance is at 5 Pointz, where the agents rush to and fight their way through the audience only to always end up where the three remaining magicians are not. They once again pull off the stunt. However, they do not keep the money from the safe, which pops out (literally) of Bradley's car, making the FBI assume that Bradley was behind everything all along. When Rhodes visits him in his cell, Bradley tells him his theory of what happened in details only to then discover that Rhodes was actually behind everything.
The magician make their way to the carousel in Central Park, where Rhodes reveals himself to them and invites them to join the Eye. Later, he meets up once again with Inspector Dray and explains everything. Rhodes is Lionel Shrike's son and used this elaborate ruse to take revenge on everyone involved with his father's death.
I quite enjoyed this.
7/10
Showing posts with label Woody Harrelson. Show all posts
Showing posts with label Woody Harrelson. Show all posts
Sunday, January 5, 2014
Thursday, December 5, 2013
The Hunger Games: Catching Fire
The second installment in the Hunger Games trilogy marks the beginning of the revolution, long overdue in Panem. The victors Katniss and Peeta are paraded around the districts but rather than appease the public and keep them quite, the mere presence of Katniss - unwilling token of the uprising - inspires people to become defiant. It starts with three raised fingers in district 11, as a thank you from the locals for Katniss' treatment of Rue in the previous hunger games.
To stop any unauthorized behavior the new game runner, Plutarch Heavensbee, talks President Snow into a new kind of hunger game, to get rid of Katniss in a way that would not shed any more doubts onto the government. To celebrate the 75th anniversary of the hunger games the tributes will be drafted from the previous victors - two per district, one male one female.
Once in the arena, Katniss and Peeta form an alliance with Finnick and the elderly Mae, arranged for them by Haymitch. From then on, not much goes the way President Snow intended, but very much the way Plutarch orchestrated things. Rather than quench the revolution by distracting the public with the spectacle going on under a dome, a revolution is started on a smaller scale within the dome. Katniss is apparently the least informed of everyone involved.
In the end, the dome is brought down through lightning, wire and one of Katniss' arrows and she and a handful of other survivors are lifted out of the arena. Katniss awakes in District 13, where she learns that while her mother and sister and Gale are there, as well, Peeta and one of their allies, Johanna, did not make it out but are held by the government.
8/10
To stop any unauthorized behavior the new game runner, Plutarch Heavensbee, talks President Snow into a new kind of hunger game, to get rid of Katniss in a way that would not shed any more doubts onto the government. To celebrate the 75th anniversary of the hunger games the tributes will be drafted from the previous victors - two per district, one male one female.
Once in the arena, Katniss and Peeta form an alliance with Finnick and the elderly Mae, arranged for them by Haymitch. From then on, not much goes the way President Snow intended, but very much the way Plutarch orchestrated things. Rather than quench the revolution by distracting the public with the spectacle going on under a dome, a revolution is started on a smaller scale within the dome. Katniss is apparently the least informed of everyone involved.
In the end, the dome is brought down through lightning, wire and one of Katniss' arrows and she and a handful of other survivors are lifted out of the arena. Katniss awakes in District 13, where she learns that while her mother and sister and Gale are there, as well, Peeta and one of their allies, Johanna, did not make it out but are held by the government.
8/10
Friday, September 20, 2013
Battle in Seattle
The film is based on the 1999 WTO Conference in Seattle and how the protests surrounding it got out of hand.
It does not glorify the civil disobedience but rather strives for a balance for both sides. The protests and traffic disturbances caused humanitarian causes to take the biggest hits. Resources were shifted to the main part of the conference, cutting off speaking time from causes like Doctors Without Borders that would usually happen alongside, while all relevant people are gathered in the same locale.
But much more than paint a big picture, it focuses on the human stories, which takes away some of the force somehow. Peppered in are TV clips from Seattle used to cover that part of the story.
It does sport quite the impressive cast and is thoroughly watchable although it is never quite clear where it stands or if, indeed, it takes sides at all.
6/10
It does not glorify the civil disobedience but rather strives for a balance for both sides. The protests and traffic disturbances caused humanitarian causes to take the biggest hits. Resources were shifted to the main part of the conference, cutting off speaking time from causes like Doctors Without Borders that would usually happen alongside, while all relevant people are gathered in the same locale.
But much more than paint a big picture, it focuses on the human stories, which takes away some of the force somehow. Peppered in are TV clips from Seattle used to cover that part of the story.
It does sport quite the impressive cast and is thoroughly watchable although it is never quite clear where it stands or if, indeed, it takes sides at all.
6/10
Monday, December 17, 2012
Seven Psychopaths
This is possibly the most ridiculous film I have seen this year.
It is the story of screen writer Marty (Colin Farrell), who is stuck in writing his latest screen play and also has a serious alcohol problem. His best friend is Billy (Sam Rockwell), an all-out weirdo who makes a living kidnapping dogs and having the more trustworthy looking Hans (Christopher Walken) return them for "lost dog" rewards.
One day they acquire little Shih Tzu Bunny. Bunny turns out to be owned by gangster Charlie, who loves and misses his little doggy so vewy, vewy much.
And then...all hell breaks loose.
Scenes from a screen play in progress, gun violence, incompetent criminals, weird rabbit stroking psychopaths (Tom! Waits!), former Viet Cong posing as murderous priests, imaginary shoot-outs, actual shoot-outs and - most hilariously - a man refusing to put up his hands when faced with a machine gun wielding henchman.
6/10
It is the story of screen writer Marty (Colin Farrell), who is stuck in writing his latest screen play and also has a serious alcohol problem. His best friend is Billy (Sam Rockwell), an all-out weirdo who makes a living kidnapping dogs and having the more trustworthy looking Hans (Christopher Walken) return them for "lost dog" rewards.
One day they acquire little Shih Tzu Bunny. Bunny turns out to be owned by gangster Charlie, who loves and misses his little doggy so vewy, vewy much.
And then...all hell breaks loose.
Scenes from a screen play in progress, gun violence, incompetent criminals, weird rabbit stroking psychopaths (Tom! Waits!), former Viet Cong posing as murderous priests, imaginary shoot-outs, actual shoot-outs and - most hilariously - a man refusing to put up his hands when faced with a machine gun wielding henchman.
6/10
Monday, September 24, 2012
Game Change
Game Change had a good night at yesterday's Emmys. I watched it the day before, only very marginally aware of the nominations it received (well deserved every one).
A lot has been said and written about Julianne Moores impeccable portrayal of Sarah Palin. From what we have all seen of the on-screen persona of Mrs. Palin it seems pretty obvious that she was nothing short of brilliant.
Woody Harrelson, as the male lead, is equally great, as is - in true HBO manner - the entire cast of this play-by-play of John McCain's presidential campaign. Ed Harris is the unsung hero as a merely supporting John McCain, whose makeup is just as great as Julianne Moore's.
The really disturbing part - if true - is the staff's decision to have Palin 'act' in her interviews and the debate, because it is easier to have her learn a couple of pages of script than make her understand the basics of the political issues. It is truely scary to think that someone this incapable got within a few electoral votes of the White House.
8/10
A lot has been said and written about Julianne Moores impeccable portrayal of Sarah Palin. From what we have all seen of the on-screen persona of Mrs. Palin it seems pretty obvious that she was nothing short of brilliant.
Woody Harrelson, as the male lead, is equally great, as is - in true HBO manner - the entire cast of this play-by-play of John McCain's presidential campaign. Ed Harris is the unsung hero as a merely supporting John McCain, whose makeup is just as great as Julianne Moore's.
The really disturbing part - if true - is the staff's decision to have Palin 'act' in her interviews and the debate, because it is easier to have her learn a couple of pages of script than make her understand the basics of the political issues. It is truely scary to think that someone this incapable got within a few electoral votes of the White House.
8/10
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