Showing posts with label Paris. Show all posts
Showing posts with label Paris. Show all posts

Wednesday, April 29, 2015

The Bourne Identity

This was all just a big misunderstanding.

See, the agency is not aware of Jason Bourne's memory loss, so obviously they have to assume that he has gone rouge, after failing his task and all. But poor Jason doesn't remember who he is and all he knows is that he has six passports and a pile of money stacked away and everyone is out to get him. And then, to cover their tracks, his bosses blame him when the original task is finished after all while at the same time hunting Bourne down. Such is the outline.

Not the first time I am watching this film but I am immediately irritated. My problem? How did Jason Bourne get into Switzerland from whatever port he came to land? By regular train and without a passport? You do not get into Switzerland without a passport. For that matter, how does he get out of the country with his employers practically on his heels from the get go?

So, everything Jason Bourne does, he does by instinct. Except ditch Marie. She is a liability from the start, obviously. He should have ditched her before they even made out. His instincts should have told him so. Does he have a conscience? Because of his amnesia? By all accounts he should be ruthless and efficient, no?

Or, better yet, Marie should walk away much sooner than she does. She is on the verge of leaving for half the film anyway. But of course, Bourne needs a ball and chain to hinder him from doing what needs to be done effectively. Otherwise, this would be a different kind of film. Maybe a better film.

On the whole, I liked this better the first time around.

6/10

Sunday, January 5, 2014

Now You See Me

Four very diverse magicians get recruited to perform together. As a way of introducing the characters they are shown performing their respective acts. Daniel does a card trick, Merritt (the 'mentalist') hypnotizes a woman to extort money from her husband, Henley does an underwater escape act and Jack bends a spoon.

When they put on their show in Las Vegas they close it with 'something that was never done before'. They rob a bank. In Paris. This is how it is perceived by the audience: After they announce what they are about to do they recruit the assistance of a 'random' audience member, by people in the crowds draw balls indicating section, row and seat number. They want to rob this audience member's bank. They guy happens to be French and his bank is in Paris. They 'teleport' him into the bank vault and minutes later money rains from the ceiling. Very impressive.

And then it turns out that this particular bank actually was robbed in a way that it corresponds with all the details of the act. The case lands at the feet of FBI agent Dylan Rhodes and Interpol detective Alma Dray. They interrogate the 'Four Horsemen' (as they call themselves) but are being jerked around with little magic tricks and really cannot figure out how they did it. They were, after all, in Las Vegas with an entire audience as witnesses - including one Thaddeus Bradley, a former magician who now makes his money exposing the tricks of his former peers.

The FBI/Interpol duo, Bradley, and the sponsor of the Horsemen, Arthur Tressler, a insurance company honcho, all attend the next performance, this time in New Orleans during the Mardi Gras celebrations. Their final act this time around is also very elaborate and costs someone big money. They now rip off Mr. Tressler himself. His insurance company stifled many locals after hurricane Katrina and the nifty trick has all audience members write down their bank balance on a sheet of paper. Then Tressler is asked on stage and his balance is presented on a big board. Next, everyone is told that they are wrong about what they think they have in the bank and is asked to shine a light on their piece of paper to reveal the 'real' balance. Then a huge light shows Tressler's number lowered by a significant amount, which then appears on someone else's paper - and their bank account. As another chunck of Tressler's money disappears, it goes to someone else in the audience - and so on.

By now, it is clear that Tressler is not the guy who brought the group together. Rhodes and Dray are hot on their heals, Tressler hires Bradley to help him find them and they are being tracked with all high-tech equipment at the FBI's disposal but the nifty magicians get away and always seem to be one step ahead.

Dray meanwhile tells Rhodes of the mythical 'Eye' - a sort of secret society of brilliant magicians that only twice a decade accept new members. If this is more than a myth, the Horsemen set themselves up as viable candidates. There is also a story of a great magician, Lionel Shrike, who died because he wasn't able to escape a safe he locked himself into and had lowered into the Hudson River in New York City.

The big showdown, then, is in New York City. Law enforcement apparently tracked the Horsemen to an apartment where Rhodes and one of his colleagues only find Jack, who stayed behind to destroy blueprints. While his three cohorts are gone, Jack fights off Rhodes and flees in an FBI car. After a high speed drive, the car has a spectacular accident and - after Rhodes pries some papers out of the badly burned dead driver's hand the car blows up. The blueprint Rhodes recovered has the FBI follow a truck that supposedly transports a safe that the Horsemen are thought to have stolen. When they stop the truck, the lock gives way to a string of colorful tissues (a classic!) and the safe opens to hundreds of balloons (a classic!). A dead end.

The Horsemen's final performance is at 5 Pointz, where the agents rush to and fight their way through the audience only to always end up where the three remaining magicians are not. They once again pull off the stunt. However, they do not keep the money from the safe, which pops out (literally) of Bradley's car, making the FBI assume that Bradley was behind everything all along. When Rhodes visits him in his cell, Bradley tells him his theory of what happened in details only to then discover that Rhodes was actually behind everything.

The magician make their way to the carousel in Central Park, where Rhodes reveals himself to them and invites them to join the Eye. Later, he meets up once again with Inspector Dray and explains everything. Rhodes is Lionel Shrike's son and used this elaborate ruse to take revenge on everyone involved with his father's death.

I quite enjoyed this.

7/10

Saturday, August 10, 2013

The Day of the Jackal

The survivors of the French Foreign Legion have been trying to assassinate French president Charles DeGaulle reapeatedly, making the president one of the most closely guarded man in the world. After yet another failed attempt, as a last resort, they hire an English hit man to do the job, going by the code name "The Jackal".

The film details on the one hand the minutiae preparations of the Jackal for what he considers to be his last kill, because his profile as a hired killer would be raised so profoundly that he cannot work again. The hit requires him to change names, passports and appearances several times.

On the other hand, we follow the - at first secret - investigation of the French police into the group of Forein Legion members and eventually the Jackal. They edge their way closer to finding and stopping the assassination. Obviously there are a few setbacks, most importantly leaked information.

After the Jackal finds out that his identity has been compromised and the mission is to be aborted, the pushes on nonetheless, possibly as a matter of pride.

This is one of Fred Zinneman's last films. Very dense and intriguing.

7/10

Sunday, July 7, 2013

A View to a Kill

What starts out on an estate dedicated to breeding horses takes us to Sillicon Valley, that obviously needs to be wiped out. All this courtesy of one Mr. Zorin, formally part of a Soviet (of course it's the Soviets) experiment on children. They were treated with steroid to make them stronger and smarter.

Bond is undercover as a potential buyer of horses. He gets found out, knocked unconscious and pushed into a lake by Zorin's sidekick May Day (yes, May Day). Do you know how in films car doors never open underwater? James Bond does not have that problem at all. The door pops right open.

This is not the only occasion he spends under water in this film, he ends up there much later again - this time with May Day, whom he has previously bedded (obviously) and who is at this point pissed off at Zorin because she thought 'that creep loved me'! Zorin is willing to sacrifice everyone from his posse for his ultimate goal, which has to do with microchips (not that anyone cares). May Day and Bond team up to get out of their shared conundrum with May Day sacrificing herself to get back at Zorin.

There is a zeppelin and a blond woman stumbling through scenery, also one overly long unnecessary car chase with San Francisco law enforcement.

4/10

Monday, June 24, 2013

Intouchables (The Intouchables)

This is the true story of (very) rich Philippe, who broke two cervical vertebrae when paragliding and spends his days in a wheelchair and being cared for by a collection of employees. When the need for a new medical assistant arises, rather than pick someone with any experience in the medical film, Philippe hires Driss, who is fresh out of jail and only came for a signature to not lose his unemployment benefits.

What Driss has over all the other applicants is a devil-may-care attitude and a lust for life that Philippe desperately needs. The young man is from the suburbs and used to having to share quarters with numerous family member. Now he finds himself in an expensive town vila with - best of all - his own bathtub.

After the initial fascination with Philippe's condition (once Driss pours hot water over Philippe's legs because he can't quite believe that it doesn't hurt him at all), the two men develop a friendship that lasts until this day. The real life duo is shown right before the end credits.

Funny and heart warming.

8/10

Tuesday, February 12, 2013

The Words

This is a story about a book about a book.

Let me explain:
Author Dennis Quaid wore a book about wannabe author Bradley Cooper who found a manuskript inside a leather bag his wife bought for him while on honeymoon in Paris. The manuskript is, of course, awesome. Bradley Cooper, not scheming or anything, types it into his computer (like you do). His wife Zoe Salander 'finds' it and tells him how wonderful it is.

It finally gets him an agent and success. The original author, Jeremy Irsons, one day walks into a bookstore and stumbles upon the book that he wrote. He follows Copper into Central Park one day to talk to him about the hi-jacked book. Or rather, he tells him his life story (the story in the book). Why? Not sure. It's not like he wants anything for it, it seems.

And Dennis Quaid reads all this to an audience that includes grad student Olivia Wilde, who is, like, totally intrigued by the tale and ends up in Quaid's apartment (of course). When he tells her the ending (Cooper comes clean to his wife and publisher, but they all keep mum and enjoy the money reaped fromt he stolen book), Wilde is for some reason unhappy with it, because that is not what she expected or wanted.

Whatever.

3/10

Saturday, September 1, 2012

Taken


If you want a plausible story and/or interesting dialogues, stay away from this. This is pure action.

Liam Neeson, former CIA agent, retired to spend more time with his estranged daughter. There are, of course, her jaded mother and the super-rich step father that can easily drop the dough to buy her a horse (yes, that's right, folks...a horse) for her 17th birthday. Makes it hard to compete if all you can offer is a karaoke machine.

Anyway, daughter goes to Paris (actually, all across Europe, but *ssshhhh*, don't tell daddy, because he worries too much as it is) and gets kidnapped by an Albanian group of girl trafficers on her first day there. Neeson - being former CIA - knows how to kick some serious ass and comes down on the gangsters with a vengeance - leaving a trail of dead bodies in his wake - to retrieve his darling girl.

Sadly, Neeson's immense acting talent is totally wasted here. Why he would do action film after brainless action film I do not know.

My biggest beef with the movie? Neeson goes to Paris and passes himself off as local police without speaking one single word of French. Not a one. And the best part? Nobody questions this...in a country where they eliminated all words of English origin from dictionaries and people will pretend not to speak English, even if they do.

Why anyone would need a sequel is beyond me.

1/10