"13th of July, 4:50 pm. I'm sorry... I know that means little at this point, but I am. I tried, I think you would all agree that I tried. To be true, to be strong, to be kind, to love, to be right. But I wasn't. And I know you knew this. In each of your ways. And I am sorry. All is lost here... except for soul and body... that is, what's left of them... and a half-day's ration. It's inexcusable really, I know that now. How it could have taken this long to admit that I'm not sure... but it did. I fought 'til the end, I'm not sure what this worth, but know that I did. I have always hoped for more for you all... I will miss you. I'm sorry."
So says 'Our Man' at the beginning of the film. Save for an SOS call and a few cries of help and agony, this is all the dialogue we get.
'Our Man' in this case is an elderly guy (played magnificently by the elderly Robert Redford) lost at see. His boat suffers a leak after colliding with a shipping container at sea. Although he initially is lucky enough to have a few days of sunshine and quiet sea - giving him time and opportunity to fix the leak as best he can, after the first of occasional rough days, the boat suffers more damage. Eventually, he has to leave the wreck behind and try to survive on the life raft, drifting in open sea. The goal can only be to stay alive long enough for a ship to come near enough to see and rescue him.
This is all the film is - a man in a boat or raft, trying to survive. I am not the world's greatest Robert Redford fan, but as I said, he is magnificent in All Is Lost.
He has yet to win an Oscar in an acting category. Just saying.
8/10
Wednesday, January 8, 2014
It!
When a warehouse holding artifacts owned by an antique museum burns down, the only piece left standing is a rather crude looking statue. The curator, Mr. Grove, and his assistant, Arhur Pimm, come to the scene to look at the damage. Grove decides that the statue is to be displayed in the museum and as Pimm walks off, Grove puts an umbrella he bought along into the statues arms to have a closer look at etchings on the statues side. Then Pimm hears a scream, rushes back and finds Grove dead on the ground, his umbrella beside him but the arms of the statue have apparently moved.
In the museum, the statue is back to its original form but after an electrician makes fun of it and swipes a match on it, he too dies as the thing lands on top of him. Pimm starts to slowly realize that something about the statue is not quite right. But then, neither is Pimm himself. He lives with the embalmed body of his dead mother propped up in a chair, tells her about his day, makes her tea and brings home jewelry from the museum for her to wear.
An expert from New York is flown in to evaluate the piece and possibly acquire it for a museum there. Yes, of course the expert was from the States and handsome to boot. Back in the 1950's and 1960's them and scientists, too, were of the dashing, daring sort. They only apparently became nerds in the 1980's (long before it was cool).
Meanwhile, Pimm does his own digging into the origin and the writing on the statue. The statue is an actual golem. Pimm bullies an aging rabbi into giving him the information and scripture he needs to command the statue, at this point only half believing in its usefulness himself.
Back at the museum, he follows all steps that would give him commanding power over the golem. And, alsas!, it works! He has the golem kill the new curator (a job Pimm expected to be rightfully his) and then has him/it tear down a bridge to impress wide-eyes, blonde Ellen, Mr. Grove's daughter. She, of course, it already smitten by the American expert. That guy is the first besides Pimm to realize what they are dealing with and - what's more important - that Pimm has taken command of the statue.
When Pimm, who is at this point already losing control over the golem and tried to get rid of it by burning it or telling it to walk into the sea - to no avail -, is taken into custody, the statue runs rampant (walking through walls, breaking open doors) and frees him. Then Pimm takes the golem, his mother and the still wide-eyed, blonde Ellen (slightly terrified possibly, but who's to say whether the eyes got any wider than before) to a cloister that is to be acquired by the museum. There, the arrival of the golem and dead mother terrify the lone inhabitant, an elderly, matronly librarian. When the two women conspire to escape by setting fire to the roof, Pimm burns the poor old woman.
Outside, the British army has taken up shop to destroy the golem with ever larger weapons. As nothing works, it is decided to shoot off a 'small nuclear warhead' at the cloister, never mind the collateral damage. Pimm finally lets the whining Ellen go and is the only one besides the golem inside the cloister when the device destroys it. Out of the ruble rises the golem to walk off into the ocean.
Flawed and already outdated when it was made.
5/10
In the museum, the statue is back to its original form but after an electrician makes fun of it and swipes a match on it, he too dies as the thing lands on top of him. Pimm starts to slowly realize that something about the statue is not quite right. But then, neither is Pimm himself. He lives with the embalmed body of his dead mother propped up in a chair, tells her about his day, makes her tea and brings home jewelry from the museum for her to wear.
An expert from New York is flown in to evaluate the piece and possibly acquire it for a museum there. Yes, of course the expert was from the States and handsome to boot. Back in the 1950's and 1960's them and scientists, too, were of the dashing, daring sort. They only apparently became nerds in the 1980's (long before it was cool).
Meanwhile, Pimm does his own digging into the origin and the writing on the statue. The statue is an actual golem. Pimm bullies an aging rabbi into giving him the information and scripture he needs to command the statue, at this point only half believing in its usefulness himself.
Back at the museum, he follows all steps that would give him commanding power over the golem. And, alsas!, it works! He has the golem kill the new curator (a job Pimm expected to be rightfully his) and then has him/it tear down a bridge to impress wide-eyes, blonde Ellen, Mr. Grove's daughter. She, of course, it already smitten by the American expert. That guy is the first besides Pimm to realize what they are dealing with and - what's more important - that Pimm has taken command of the statue.
When Pimm, who is at this point already losing control over the golem and tried to get rid of it by burning it or telling it to walk into the sea - to no avail -, is taken into custody, the statue runs rampant (walking through walls, breaking open doors) and frees him. Then Pimm takes the golem, his mother and the still wide-eyed, blonde Ellen (slightly terrified possibly, but who's to say whether the eyes got any wider than before) to a cloister that is to be acquired by the museum. There, the arrival of the golem and dead mother terrify the lone inhabitant, an elderly, matronly librarian. When the two women conspire to escape by setting fire to the roof, Pimm burns the poor old woman.
Outside, the British army has taken up shop to destroy the golem with ever larger weapons. As nothing works, it is decided to shoot off a 'small nuclear warhead' at the cloister, never mind the collateral damage. Pimm finally lets the whining Ellen go and is the only one besides the golem inside the cloister when the device destroys it. Out of the ruble rises the golem to walk off into the ocean.
Flawed and already outdated when it was made.
5/10
Labels:
1967,
atomic device,
creature,
GB,
horror,
Roddy McDowall,
sci-fi
Sunday, January 5, 2014
Now You See Me
Four very diverse magicians get recruited to perform together. As a way of introducing the characters they are shown performing their respective acts. Daniel does a card trick, Merritt (the 'mentalist') hypnotizes a woman to extort money from her husband, Henley does an underwater escape act and Jack bends a spoon.
When they put on their show in Las Vegas they close it with 'something that was never done before'. They rob a bank. In Paris. This is how it is perceived by the audience: After they announce what they are about to do they recruit the assistance of a 'random' audience member, by people in the crowds draw balls indicating section, row and seat number. They want to rob this audience member's bank. They guy happens to be French and his bank is in Paris. They 'teleport' him into the bank vault and minutes later money rains from the ceiling. Very impressive.
And then it turns out that this particular bank actually was robbed in a way that it corresponds with all the details of the act. The case lands at the feet of FBI agent Dylan Rhodes and Interpol detective Alma Dray. They interrogate the 'Four Horsemen' (as they call themselves) but are being jerked around with little magic tricks and really cannot figure out how they did it. They were, after all, in Las Vegas with an entire audience as witnesses - including one Thaddeus Bradley, a former magician who now makes his money exposing the tricks of his former peers.
The FBI/Interpol duo, Bradley, and the sponsor of the Horsemen, Arthur Tressler, a insurance company honcho, all attend the next performance, this time in New Orleans during the Mardi Gras celebrations. Their final act this time around is also very elaborate and costs someone big money. They now rip off Mr. Tressler himself. His insurance company stifled many locals after hurricane Katrina and the nifty trick has all audience members write down their bank balance on a sheet of paper. Then Tressler is asked on stage and his balance is presented on a big board. Next, everyone is told that they are wrong about what they think they have in the bank and is asked to shine a light on their piece of paper to reveal the 'real' balance. Then a huge light shows Tressler's number lowered by a significant amount, which then appears on someone else's paper - and their bank account. As another chunck of Tressler's money disappears, it goes to someone else in the audience - and so on.
By now, it is clear that Tressler is not the guy who brought the group together. Rhodes and Dray are hot on their heals, Tressler hires Bradley to help him find them and they are being tracked with all high-tech equipment at the FBI's disposal but the nifty magicians get away and always seem to be one step ahead.
Dray meanwhile tells Rhodes of the mythical 'Eye' - a sort of secret society of brilliant magicians that only twice a decade accept new members. If this is more than a myth, the Horsemen set themselves up as viable candidates. There is also a story of a great magician, Lionel Shrike, who died because he wasn't able to escape a safe he locked himself into and had lowered into the Hudson River in New York City.
The big showdown, then, is in New York City. Law enforcement apparently tracked the Horsemen to an apartment where Rhodes and one of his colleagues only find Jack, who stayed behind to destroy blueprints. While his three cohorts are gone, Jack fights off Rhodes and flees in an FBI car. After a high speed drive, the car has a spectacular accident and - after Rhodes pries some papers out of the badly burned dead driver's hand the car blows up. The blueprint Rhodes recovered has the FBI follow a truck that supposedly transports a safe that the Horsemen are thought to have stolen. When they stop the truck, the lock gives way to a string of colorful tissues (a classic!) and the safe opens to hundreds of balloons (a classic!). A dead end.
The Horsemen's final performance is at 5 Pointz, where the agents rush to and fight their way through the audience only to always end up where the three remaining magicians are not. They once again pull off the stunt. However, they do not keep the money from the safe, which pops out (literally) of Bradley's car, making the FBI assume that Bradley was behind everything all along. When Rhodes visits him in his cell, Bradley tells him his theory of what happened in details only to then discover that Rhodes was actually behind everything.
The magician make their way to the carousel in Central Park, where Rhodes reveals himself to them and invites them to join the Eye. Later, he meets up once again with Inspector Dray and explains everything. Rhodes is Lionel Shrike's son and used this elaborate ruse to take revenge on everyone involved with his father's death.
I quite enjoyed this.
7/10
When they put on their show in Las Vegas they close it with 'something that was never done before'. They rob a bank. In Paris. This is how it is perceived by the audience: After they announce what they are about to do they recruit the assistance of a 'random' audience member, by people in the crowds draw balls indicating section, row and seat number. They want to rob this audience member's bank. They guy happens to be French and his bank is in Paris. They 'teleport' him into the bank vault and minutes later money rains from the ceiling. Very impressive.
And then it turns out that this particular bank actually was robbed in a way that it corresponds with all the details of the act. The case lands at the feet of FBI agent Dylan Rhodes and Interpol detective Alma Dray. They interrogate the 'Four Horsemen' (as they call themselves) but are being jerked around with little magic tricks and really cannot figure out how they did it. They were, after all, in Las Vegas with an entire audience as witnesses - including one Thaddeus Bradley, a former magician who now makes his money exposing the tricks of his former peers.
The FBI/Interpol duo, Bradley, and the sponsor of the Horsemen, Arthur Tressler, a insurance company honcho, all attend the next performance, this time in New Orleans during the Mardi Gras celebrations. Their final act this time around is also very elaborate and costs someone big money. They now rip off Mr. Tressler himself. His insurance company stifled many locals after hurricane Katrina and the nifty trick has all audience members write down their bank balance on a sheet of paper. Then Tressler is asked on stage and his balance is presented on a big board. Next, everyone is told that they are wrong about what they think they have in the bank and is asked to shine a light on their piece of paper to reveal the 'real' balance. Then a huge light shows Tressler's number lowered by a significant amount, which then appears on someone else's paper - and their bank account. As another chunck of Tressler's money disappears, it goes to someone else in the audience - and so on.
By now, it is clear that Tressler is not the guy who brought the group together. Rhodes and Dray are hot on their heals, Tressler hires Bradley to help him find them and they are being tracked with all high-tech equipment at the FBI's disposal but the nifty magicians get away and always seem to be one step ahead.
Dray meanwhile tells Rhodes of the mythical 'Eye' - a sort of secret society of brilliant magicians that only twice a decade accept new members. If this is more than a myth, the Horsemen set themselves up as viable candidates. There is also a story of a great magician, Lionel Shrike, who died because he wasn't able to escape a safe he locked himself into and had lowered into the Hudson River in New York City.
The big showdown, then, is in New York City. Law enforcement apparently tracked the Horsemen to an apartment where Rhodes and one of his colleagues only find Jack, who stayed behind to destroy blueprints. While his three cohorts are gone, Jack fights off Rhodes and flees in an FBI car. After a high speed drive, the car has a spectacular accident and - after Rhodes pries some papers out of the badly burned dead driver's hand the car blows up. The blueprint Rhodes recovered has the FBI follow a truck that supposedly transports a safe that the Horsemen are thought to have stolen. When they stop the truck, the lock gives way to a string of colorful tissues (a classic!) and the safe opens to hundreds of balloons (a classic!). A dead end.
The Horsemen's final performance is at 5 Pointz, where the agents rush to and fight their way through the audience only to always end up where the three remaining magicians are not. They once again pull off the stunt. However, they do not keep the money from the safe, which pops out (literally) of Bradley's car, making the FBI assume that Bradley was behind everything all along. When Rhodes visits him in his cell, Bradley tells him his theory of what happened in details only to then discover that Rhodes was actually behind everything.
The magician make their way to the carousel in Central Park, where Rhodes reveals himself to them and invites them to join the Eye. Later, he meets up once again with Inspector Dray and explains everything. Rhodes is Lionel Shrike's son and used this elaborate ruse to take revenge on everyone involved with his father's death.
I quite enjoyed this.
7/10
Captain Phillips
Whoa, that was intense.
This is Tom Hanks at his best. He is simply excellent as the Captain of the MV Maersk Alabama, which in 2009 was taken by a small group of Somali pirates.
When the hijack turned sour for the Somalis on board, thanks to the resourcefulness of Captain Phillips and his crew, they took Phillips hostage and left on the life raft, heading for Somali. The idea was to get 10 million $ in ransom money.
With all the action going on - crew hiding in the engine room, outsmarting the pirates by turning off emergency lights and leaving glass shards by the door for the one barefoot pirate to step in, Navy Seals parachuting onto the scene, military ships and helicopters coming for the rescue - the focus is always on Captain Phillips and his four hijackers. The group is in this small boat, exhausted, thirsty and overcome by cabin fever and none of it ever gets boring.
I don't know if things really went down as they did, but if only half of it did, this Captain Phillips is quite the hero.
Edge-of-your-seat excitement!
8/10
This is Tom Hanks at his best. He is simply excellent as the Captain of the MV Maersk Alabama, which in 2009 was taken by a small group of Somali pirates.
When the hijack turned sour for the Somalis on board, thanks to the resourcefulness of Captain Phillips and his crew, they took Phillips hostage and left on the life raft, heading for Somali. The idea was to get 10 million $ in ransom money.
With all the action going on - crew hiding in the engine room, outsmarting the pirates by turning off emergency lights and leaving glass shards by the door for the one barefoot pirate to step in, Navy Seals parachuting onto the scene, military ships and helicopters coming for the rescue - the focus is always on Captain Phillips and his four hijackers. The group is in this small boat, exhausted, thirsty and overcome by cabin fever and none of it ever gets boring.
I don't know if things really went down as they did, but if only half of it did, this Captain Phillips is quite the hero.
Edge-of-your-seat excitement!
8/10
Labels:
2013,
drama,
kidnapping,
pirates,
ship,
Somalia,
Tom Hanks,
true story
Die beispiellose Verteidigung der Festung Deutschkreuz (The Unprecedented Defence of the Fortress Deutschkreuz)
So, I am not the world's biggest Werner Herzog fan, but he made some awesome films with my favorite actor, Klaus Kinski (not my favorite person, mind you, but my favorite actor). This is not one of them.
This piece with the unnecessarily long title (if you read it slowly enough, it will take you longer than watching it) was filmed in Deutschkreuz, which is in my home country. It is under 15 min long and takes place in a castle, that was once the site of a battle between the Russians and the Germans during WWII.
A group of four young men visit the place and find uniforms and equipment. They dress up and play at defending the place. The only people around, however, are some farmers. The four get ready for the attack that - to their deep disappointment - does not come.
In the end, they storm out of the castle in full gear.
Yeah, it's weird.
5/10
This piece with the unnecessarily long title (if you read it slowly enough, it will take you longer than watching it) was filmed in Deutschkreuz, which is in my home country. It is under 15 min long and takes place in a castle, that was once the site of a battle between the Russians and the Germans during WWII.
A group of four young men visit the place and find uniforms and equipment. They dress up and play at defending the place. The only people around, however, are some farmers. The four get ready for the attack that - to their deep disappointment - does not come.
In the end, they storm out of the castle in full gear.
Yeah, it's weird.
5/10
Thursday, January 2, 2014
This Is the End
Jay Baruchel flies to LA to hang out with his old friend Seth Rogan. After an evening of weed, munchies and video games, Rogan drags Baruchel to a party at James Franco's house. Baruchel is reluctant to go because he is not into the LA scene and doesn't like Jonah Hill, who is at the party, as well. And so, apparently, is everybody else - Craig Robertson, Mindy Kaling, Rihanna, Christohper Mintz-Plasse, David Krumholtz, Michael Cera, Aziz Ansari and - unbeknownst to the host - Danny McBride.
Baruchel, upset with Rogan because he did not stay by his side at Franco's place, gets his friend to go to a nearby convenience store. While the two are in there, the apocalypse kicks off. They rush back to the party but nobody inside has noticed anything awkward happening at all. As they try to piece together what the two are on about, the earth shakes so fiercely that even the party guests notice this time. They storm outside and stare at the staring Hollywood hills when a sinkhole opens up in the front yard, swallowing most of the onlookers.
Baruchel, Rogen, Franco, Robinson, and Hill make it back to the relative safety of the house, where they board up, check up on the limited food and drink supply and spend an uneasy night. When they get up the next morning, Danny McBride, who has spent the night in the bathtub and has no idea what is happening, has used up most of the supplies making breakfast. So, things do not look rosy for our survivors.
As they cannot leave the house they pass the time doing drugs and making cheap sequels to their previous films. Then suddenly, Emma Watson breaks her way into the house. At first, everything is rosy until Watson goes to rest in Franco's room and they guys outside discuss the weirdness of the situation and making sure that they would not come across as 'rapey' with only one woman in the house. Watson only catches part of the conversation, mostly the word rape and gets out of Dodge, keeping everyone in check with an ax.
When water dwindles, they try to get more either from the basement or a neighbor's house, which requires them to leave the building in ones and twos. They start to get attacked by a demon, possibly the devil himself (you know, this being the apocalypse and all), who also has sex with Jonah Hill, who for the remainder of his life in the film is possessed.
What follows is deaths, mayhem, the expulsion of Danny McBride, ascensions to heaven, and the Backstreet Boys.
6/10
Baruchel, upset with Rogan because he did not stay by his side at Franco's place, gets his friend to go to a nearby convenience store. While the two are in there, the apocalypse kicks off. They rush back to the party but nobody inside has noticed anything awkward happening at all. As they try to piece together what the two are on about, the earth shakes so fiercely that even the party guests notice this time. They storm outside and stare at the staring Hollywood hills when a sinkhole opens up in the front yard, swallowing most of the onlookers.
Baruchel, Rogen, Franco, Robinson, and Hill make it back to the relative safety of the house, where they board up, check up on the limited food and drink supply and spend an uneasy night. When they get up the next morning, Danny McBride, who has spent the night in the bathtub and has no idea what is happening, has used up most of the supplies making breakfast. So, things do not look rosy for our survivors.
As they cannot leave the house they pass the time doing drugs and making cheap sequels to their previous films. Then suddenly, Emma Watson breaks her way into the house. At first, everything is rosy until Watson goes to rest in Franco's room and they guys outside discuss the weirdness of the situation and making sure that they would not come across as 'rapey' with only one woman in the house. Watson only catches part of the conversation, mostly the word rape and gets out of Dodge, keeping everyone in check with an ax.
When water dwindles, they try to get more either from the basement or a neighbor's house, which requires them to leave the building in ones and twos. They start to get attacked by a demon, possibly the devil himself (you know, this being the apocalypse and all), who also has sex with Jonah Hill, who for the remainder of his life in the film is possessed.
What follows is deaths, mayhem, the expulsion of Danny McBride, ascensions to heaven, and the Backstreet Boys.
6/10
Labels:
2013,
apocalyptic,
Aziz Ansari,
Christohper Mintz-Plasse,
comedy,
Craig Robinson,
David Krumholtz,
James Franco,
Jay Baruchel,
Jonah Hill,
LA,
Michael Cera,
Mindy Kaling,
Rihanna,
Seth Rogan
Wednesday, January 1, 2014
The Butler
To shorten the time until midnight this New Year's Eve a friend and I decided to go watch a film, the options were limited, as a lot of theaters weren't open, but The Butler was one film I was interested anyway and it played right into our time frame.
The entirety of black history in the US happens to the family of Cecil Gaines. Cecil himself grows up picking cotton and witnesses the murder of his father that has no consequences to his owner, of course. His older son joins every black movement he finds, from the Freedom Buses to Martin Luther King to Malcolm X to the Black Panthers and finally to politics. The younger son dies in Vietnam. And his wife Gloria is an alcoholic for half of their live together to boot.
But the actually interesting part is Cecil's work in the White House and his brush with the other side of history happening from the one his older son is on. He started serving in the Eisenhower administration and left under Reagan. He appeared to not be much of a fan of Nixon and took issue (or appeared to be) with Reagan's stance against a boycott of South Africa and his invitation to an event as a guest, seated on President Reagan's table. During the dinner he felt like he was there just for show.
The most memorable president of the lot for me, or rather the portrayal, was President Johnson. The scene with Johnson sitting on the toilet with some advisers and Cecil standing just outside the open door - Cecil handing the president prune juice.
Cecil himself seemed to appreciate Johnson and Kennedy the most. He is shown wearing a tie that used to be Kennedy's and a tie clip given to him by LBJ when invited back to the White House to meet with Barack Obama.
So yeah, it's overloaded and sentimental. But this is an interesting slice of history.
7/10
Labels:
2013,
Alan Rickman,
biography,
Cuba Gooding jr.,
Forest Whitaker,
James Marsden,
Jane Fonda,
John Cusack,
Lenny Kravitz,
Liev Schreiber,
Oprah Winfrey,
Robin Williams,
Terrence Howard
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