Saturday, March 9, 2013

The War of the Worlds

Ah, 1950s science fiction films! How I love them! The (retrospectively) cheap-looking special effects, the dashing hero - so often a non-dorky scientist, the bad ass military, the girl that needs saving, the psychedelic 'alien' noises.

In the 1953 film adaption of the H. G. Wells classic you get all of the above.

First, however, a spoken intro set to paintings of planets and stars before the real action starts. About 50 minutes into the film, as we make a jump from the early days of the war to vast devastation, this voice of authority will give as the gist of what happened.

What is thought to be a meteor lands near a small California town, witnessed by many town folks and a group of scientists fishing in the area. Everyone and their grandmother comes out to have a look and they are nearly celebrating, already counting money that can be made out of the event. In sweeps the dashing hero, a handsome, if bespectacled, scientist by the name of Dr. Clayton Forrester. The first person he encounters at the scene is the girl that will soon need saving. She is scientifically interested and well aware who he is. Her bravery in the face of the mounting danger diminishes over the course of the film and she turns into a hysterically shrieking little girl frequently.

Anyway, the meteor is not a meteor but a spaceship that brought enemy forces with it - weird looking machinery and three-eyed aliens that have a mind to kill everything and everyone that stands in their way. This first spaceship is followed by many others across the globe and the title-giving war of the worlds begins.

No bombs, no tanks, not even the A-bomb have any effect on the invaders.There is no chance but to evacuate the destroyed cities as all hope dwindles. In the end, it is not humans that defeat the enemy, but rather the enemy falls out of the sky (literally) and dies because it cannot handle the earthly microorganisms.

Whereas the outline of the film is very close to the original text, it adds in some religious pathos, with a heroic priest and a church as shelter, which do not appear in the book.

5/10

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