Showing posts with label Max von Sydow. Show all posts
Showing posts with label Max von Sydow. Show all posts

Sunday, May 5, 2013

Never Say Never Again

This is the one James Bond film that is not officially part of the series. From the very first instant - when the beginning credits set in - we know that everything is different. There is no shadowy figure in the round seeker of a gun turning towards the camera and shooting followed by a song performed by the superstar of the moment. There is a different M, a different Q, even a different Felix.

But the story is very James Bond-y and the original 007 is back (again). The location is as exotic as ever and the cast is fantastic: Klaus Maria Brandauer, Max von Sydow, Edward Fox, Kim Basinger, Rowan Atkinson. The fashion (other than Bond's classic tuxedo) is painfully 1980's.

The woman in the picture does not only commit a typical 1980's fashion crime, she is also totally bonkers. For instance, she insists on being the best lay Bond has ever had and wants him to put that in writing. James, of course, has been handed a pen out of Q's little shop and shoots her with it. The crazy bitch is not the only woman that ends up in Bond's arms before he saves the day.

Some more recurring themes: a casino and some deep sea diving. Nothing new, but an interesting attempt of trying to secure a piece of the franchise cake. It remains the only one thus far.

6/10

Saturday, September 29, 2012

Vargtimmen (Hour of the Wolf)

I have only recently started watching the brilliant works of Ingmar Bergman. Hour of the Wolf is only his third film I have watched, the others being The Seventh Seal and Through a Glass Darkly.

All three feature the wonderful Max von Sydow, who has worked with Bergman many times. In Hour of the Wolf he portrays the painter Johan Borg. Together with his pregnant wife Alma (played by Liv Ullmann) he spends the summer on a remote island. Over the course of the story he encounters several strange people that either contribute to his descent into madness or are a side effect of it. I assume it is the first, as Alma meets several of them at a dinner party.

This is defined as being drama and horror, the horror stemming from the feeling of claustrophobia the film conveys and Johan's nightmarish vision. The (English) title refers to the time just before dawn, during which many births and deaths occur (according to Johan).

The film is excellent, although for me it does not quite reach the brilliance of The Seventh Seal. My discovery of Ingmar Bergman will definitely not stop here.

7/10