Argo

Think what you will of Ben Affleck's quality as an actor, but the man is a brilliant director. I will fight you tooth and nail on that. He has to date made three feature films and I enjoyed all of them immensely. Actually, I believe he got better with every film.

Anyway, my point is Argo is a great, great film.
It tells the true story of a covert mission to free six American citizens hiding in the residence of the Canadian ambassador to Iran. The six individuals fled the US embassy in 1979, while it was being stormed by angered Iranians that demanded that the US return the former Shah so that he could be properly tried in Iran. In the ensuing chaos the fact that six personnel of the embassy are missing goes unnoticed for quite some time.

Meanwhile, back in Washington the government together with the CIA is trying to devise a plan to free them. The plan they eventually go with is so ridiculous yet still makes more sense than some of the other options they entertain. The plan is to pretend to make a sci-fi film called Argo and pass the six off as part of a film production group scouting locations in Iran. To make this airtight a production company is formed, offices and all, a producer is found and actors are cast to perform a table reading for press.

They really did this in 1980 and the operation remained classified until the late 1990s. Up until then people were led to believe that the coup was thought up and put into action by Canada.

The climax will have you worried, even though you know that they will eventually all get to safety.

9/10

Thunderball

Could this be the James Bond film with the most ridiculous opening ever?

007 fights with and kills a guy in drag, fresh from a funeral where he/she pretended to be his own widow. Afterwards, the agent flies off in a jetback and drives off in a car with an installed water cannon he and his female companion use on the bad guys. And all of this happens before Tom Jones even belts out the theme song.

Of course, it has nothing at all to do with the film to come. The über-villain is once again Blofeld, in the context of this operation referred to as "no. 1". While meeting with his other numbered associates he sits behind a garage door like barrier, lowered only to cover his face. Through the joints one can see him with - *gasp!* - hair. Also, he is stroking his ever present white cat.

"No. 2" aka Emilio Largo turns out to be the villian Bond needs to fight. Finally! A bad guy with an eye patch!

The plot is yet again straight forward - SPECTRE steals two atomic warheads from a NATO plane to use as a means of extortion. James Bond spends most of the film breaking into hotel rooms and running around in shorts - we are, after all, in the Bahamas. He is assisted in his trials to retrieve the warheads (operation "Thunderball") by an old chum working for the CIA, named Felix and sporting big hair. The resident Bond girl is nicknamed "Domino", continuing the string of rather laughably named females.

All in all, despite its obvious flaws, this film is rather enjoyable. Q has a lovely scene with 007, in which he can live out his adorable grumpiness.

4/10

Bottle Shock

A light hearted comedy about the early days of Californian wine making, based on true events.

It evolves around an event that is now referred to as "Judgement of Paris". Apparently, the story of Steve Spurrier's travels to Napa Valley to bring American wines to France for a tasting (competing against French wines, of course) is only a very loose interpretation of what actually happened. This according to Mr. Spurrier himself.

Whatever the case, the film itself - true or not - is charming and has a pretty interesting cast. Spurrier is played by the always wonderful Alan Rickman. Besides him it features Bill Pullman, Chris Pine, Freddy Rodriguez and a very brief appearance by Bradley Whitford (brownie points!).

Chris Pine looks pretty awful as a young surfer dude (but, unsurprisingly, gets the girl). Other than that, the stellar cast makes this worth a watch - possibly more so than the story itself, which is more or less reduced to classic US patriotism.

We showed them French people!

4/10

James Bond Infographic

Invaders from Mars

I'm a sucker for sci-fi films of the 1950s-1970s. Futuristic gadgets that were only imagined at the time usually looked nothing like the real thing realized years, or even decades, later. Scientists were smartly dressed men that could get the girl anytime. We've come a long way towards the tech nerds sitting in basements, haven't we?

Invaders from Mars was made in a simpler time. Here grown-ups would still listen to little kids like David when they tell their stories of space ships and sand pits swallowing people that later reappear changed into robotic shells lacking all humanity.

See, David is a good child with friends in high places. His father (seemingly the first victim of the space invaders) is, after all, a rocket scientist and his young son was always looking through telescopes and listened closely to what the smart scientists had to say.

When he tries to alert the athorities he first stumbles into some unpleasent situations since the invaders work rapidly and get to some people before David does. He does find help from a beautiful young female psychiatrist and one of the aforementioned smartly dressed scientists that alert the military (obviously) after hearing David's tale.

In combat, the brave few fight off the green (!) Martians, apparently descended upon the earth to sabotage an atomic rocket. The aliens leave. Day = saved.

Or is it?

The ending calls the whole story into question. Maybe all was just in David's dream? Or maybe he had a prophetic dream? Oh my God, could he be stuck in an infinite nightmare-loop?!

5/10

Goldfinger

Goldfinger marks the first Bond film in which a renowned artist sings the so-called Bond theme. The wonderful Shirley Bassey eventually sang three Bond themes, this one probably being my favorite.

It also marks a rather unfortunate beginning for 007 himself. First, he wears a onesie, then he shows off some back hair (ew!) and he gets his lover killed. She looks very pretty when dead, of course, covered all in gold. This also started the believe that a body covered in gold dies from 'epidermal suffocation' unless you leave a patch of skin on the neck uncovered. Whereas it is possible for toxins or bacteria could enter the body through the skin pores and can lead to injury and in the worst case death, it is highly unlikely to happen in the manner depicted. But it does look pretty.

We also have the first villain played by a respected character actor, making bond villain quite an interesting gig. The late Gert Fröbe plays Auric Goldfinger, aided by his henchman/bodyguard Oddjob (and his murderous hat!). The Bond girl in this has the to date most ridiculous name (and still the legendary one) - Pussy Galore.

And on top of it all, Goldfinger also features another well-remembered scene - Bond gets straped to a table and a laser threatens to cut him in half - you know the one I am talking about. Q also gave James Bond a pimped up car to play with (and ruin).

For all the above, this remains one of the highlights of the series and one of the best Bond films to date.

9/10

The Expendables 2

The sequel to Expendables features everybody (except for Steven Seagal, luckily), this time even Jean-Claude Van Damme and Chuck Norris. The latter is in it just to be in it. Pure courtesy. His character is of no significance to the story.

As for the story, Stallone and his gang (oh, Lundgren, you are awesome) are blackmailed into retrieving....oh, never mind. Nobody watches this for the plot, which is as insignificant as Chuck Norris.

It's fighting, shooting, bad jokes ("I'll be back.", "Yippie-ka-yay.", something about Rambo) and bad acting. An homage to good old no-nonsense 1980s action films.

Here's a picture of Dolph Lundgren. You're welcome.

(cannot be measured in stars)

Amen. aka Der Stellvertreter

The film Amen. is about an officer of the SS, aided by a priest, trying to alert the catholic church, opposing nations, anyone of the atrocities commited on the Jews in WWII Germany. It is based on true events, although the accuracy of the portrayal of the catholic church is under some scrutiny.

The film does spare out the actual gassing of Jews and is generelly very sparse on grisly imagery. Instead, it shows German military officials, well off people and religious figures having lavish meals as well as hurried meetings.

The cast is from across Europe, heavy on the German side (and it is always strange to hear Germans talking to other Germans in heavily accented English). The SS officer is played by Ulrich Tukur (wonderfully so) and the priest is portrayed by Mathieu Kassovitz (handsome, so handsome). The evil side is represented by the late, and always brilliant, Ulrich Mühe.

The most impressive images, for me anyway, are shots of trains going through scenery with empty cattle cars, followed by closed - and supposedly full - cars a few minutes later. This is repeated throughout the whole film to represent the incomprehensible numbers of people being transported to the concentration camps and - for most - to their deaths.

6/10

Tabu

Tabu is a feature film by Miguel Gomes, whom we saw speaking together with Manuel Mozos at the Viennale, right after we watched a sad documentary about Portuguese film. Gomes is one of the very few 'younger' Portuguese directors that are able to actually make films.

In the media, this film has been described as 'magical' and/or 'breathtaking'. It mostly is.

Shot in (cheaper?) black and white and rather heavy on voice overs, which I am usually not a fan of, it is split into two main parts. Actually, the beginning is about a man, who - heartbroken after his wife's death - goes into the African wild and throws himself into a crocodile-infested pond. The connection to the actual film is not quite clear. Who is the man? Details that come up again later are Africa and - more specifically - the crocodile.

The first part takes part in present day Portugal. It centers around three women. Pilar, who lives alone and cares for other people more than herself or her lovelife. An elderly painter makes quiet advances, but to no avail. One of the people she is most worried about is her elderly next door neighbor, Aurora, who lives with her cook/cleaning woman/nurse Santa. Aurora's health and mind deteriorates until she starts talking about one Mr. Ventura. Pilar tries to find this man and bring him to the now hospitalized Aurora. They do not make it in time. After Aurora's burial, Venture starts telling his and Aurora's story.

This leads into the second part of the film, set in Africa a few decades before, where young Aurora is married to a wealthy man when she meets and falls in love with Ventura. They fall in love and have a very passionate affair, that could only end sadly, of course. The crocodile in the story is a pet Aurora received from her husband. The animals frequently escapes and wanders over to Ventura's house, which frequently puts him in Aurora's company. Sort of a match maker.

I absolutely loved the first part and the relationship of the three women. The second part seemed to drag on a bit. Overall the film actually has its magical moments and is well worth watching. I fear, however, that it will remain obscure and widely ignored, a destiny shared by many a small gem.

8/10

Unforgiven

Normally, I am not much of a fan of wild west films. The cowboy romantic doesn't do it for me. What I require for me to enjoy this type of film is one of two things - (1) humor, (2) a good story. Unforgiven, luckily, covers (2) nicely.

A prostitue in a small Wyoming town gets her face cut up by one of her costumers. When the sheriff Little Bill Daggett (Gene Hackman) doesn't punish the cutter and his friend to the other prostitutes liking, they throw their money together and offer a $ 1,000,-- reward to have them killed. One of the groups gunning for the money are one young wannabe killer ("Schoffield Kid"), and two retired ones, played by Clint Eastwood (William Munny) and Morgan Freeman (Ned Logan).

The main problem anyone trying for the reward money face is the no-nonsense sheriff, who takes anyone's gun in his town and beats them up - sometimes for no reason other than them not having noticed the sign specifying that no guns are allowed in town. A real asshole, that one.

After the trio kill the first of their targets, Ned Logan gets captured by the sheriff's men and eventually tortured to death. The Schoffield Kid finishes off the second target (his first ever kill), the climax sees William Munny facing (and killing) Little Bill Daggett.

A sometimes brutal, sometimes sad film, that won the best picture award at the Oscars and established Clint Eastwood as a great director.

from Roger Ebert's review:A lot of the shots are from the inside looking out, so that the figures seem dark and obscure and the brightness that pours through the window is almost blinding. The effect is to diminish the stature of the characters; these aren't heroes, but simply the occupants of a simple, rude society in which death is an everyday fact.

6/10

Dark Shadows

Barnabas Collins (Johnny Depp), owner of a blooming fishing business, gets cursed by a witch for turning her away. After his parents die in an unfortunate accident, his love throws herself off a cliff, he himself becomes a vampire. But the witch is not done with him. She turns the town folk against him and they bury him alive - or, rather, undead.

Some 200 years later, his coffin is uncovered at the construction site of a McDonald's. Barnabas returns to his family home, not quite getting the hang of the new era, also known as the 1970s. Everything technical he regards as being of the devil.

He reconnects with his ancestors and works to put the family business back on its feet - once again fighting the witch, who is the new big fishing business owner.

The look of the film is classic Tim Burton - as goth as it gets. It clashes heavily with the garishness of the 1970s, in which Barnabas looks hilariously out of place.

The film is based on a 1960s TV show, that - quite honestly - I had never heard of. It does have its flaws, obviously, but it sports an impressive list of actors in roles big and small.

"Ugliest woman I've ever seen."

6/10

V/H/S

Another "found footage" film. Just what we've all been waiting for, right?

A group of bad guys steal a collection of video tapes for some unnamed source. All the little films are, like, totally scary and stuff.

One is about a female vampire (I think) that first has sex with a trio of friends and then starts to kill them. Not that they deserve any better, those idiots. Personally, I would not hang on to the video camera I am carrying when I am already injured and trying to escape said vampire.

But, hey, that's just me.

Then there is this couple on a road trip who film the most trivial and boring things. Then they are the ones being filmed while asleep in some cheap motel room. The couple is predictably boring and the tape mostly is, as well. At least, there is a nice twist. The guy dies.

Oh good, tape no. 3 is of a group of young people going to some lake in the woods. After two minutes of first seeing them you can't wait for them to die, they are such assholes. They do. And...here is a little something I will record whenever I come across it:

DEAD CHEERLEADER ALERT!!!

Wait, the next segment is a video chat, not a VHS tape. How would this have ended up on a tape. This is cheating! One feed comes from inside a hunted apartment. There may be aliens involved. Or ghosts. Or something.

Lastly, the obligatory Halloween segment.

This is oh so bad.

1/10

Cinema Português?

Cinema Português? is a documentary on the first 100 years of Portuguese film and the lack of a Portuguese film industry. The questionmark in the title is there for a reason.

The documentary is just under one hour long and features intercut scenes from various movies and parts of an interview director Manuel Mozos (pictured below) conducted with one João Bénard da Costa, not only an actor but a professor, historian and author.

I saw the film during the annual local film festival Viennale and after the screening there was a Q&A session with Mr. Mozos and film director Miguel Gomes, whose latest work Tabu also screened at the festival.

The stories they told of life as someone working in film in Portugal were sad ones. After 100 years, less than 500 Portuguese film had been made. There is simply no money.

In fact, not a single film is being produced in Portugal this year. Not a one.

6/10

Skyfall

It's a good thing it is dark in movie theatres because I spent most of Skyfall with a big stupid grin on my face. I only got into the entire series with the arrival of Daniel Craig as 007 and loved Casino Royale. Also, I dimly remember a few scenes from older Bonds I must have seen at some point, though the only one I could still piece together was Goldfinger. I recently watched Dr. No and From Russia with Love and am on a mission to watch every single Bond film.

But so far...Skyfall is my favorite Bond film ever.

It may be much more thriller than action film, but it has a brilliant villain in Javier Bardem. We all expected him to be great but he was GREAT. The story was less a grand scale operation and more of personal vendetta - man against man (and woman) so to say. His first meeting with Bond is one of my favorite scenes.

We learn some more about James Bond's history and the new cast that gets introduced is also very appealing. The new Q was a necessity, of course, and Ben Whishaw fits the young nerd perfectly - his forté being computers more than fancy gadgets (kept to a minimum and made fun of). And with Dame Judi Dench leaving the series - heartwrenchingly - we get a new M, also to my liking this one. (What? Like you didn't know!). Finally, we meet Miss Moneypenny.

Love it! Love it! Love it!

10/10

Peeping Tom

Messed up kids turn into messed up adults. Documented in: Peeping Tom.

Mark was raised a test subject for his father, a psychologist studying fear in his child growing up. There was always a camera on the boy to record his fearful reaction to different situations and scares put upon him.

As an adult now he studies fear in others - young women he kills and films at the moment they realize that they are about to die. Basically, he was making snuff before the genre was widely known. And he is desperately trying to get caught, barely taking any precaution when killing and returning to the scene of the crime to film police at work and people's reaction when the bodies are discovered.

Ironically the one person that 'sees' right through him and realizes how troubled he is, is the blind woman living downstairs.

The film received harsh reviews when it was released, practically ending director Michael Powell's career. In the 1970s, however, it received reappraisal and has since become a cult film, prompting Mr. Powell's comment in his autobiography, "I make a film that nobody wants to see and then, thirty years later, everybody has either seen it or wants to see it."

6/10

The Innocents

The 1961 film The Innocents is based on the novel The Turn of the Screw by Henry James. Originally, this was adapted for the stage and there is a theatrical feel to it. The setting is as ghostly and gothic as it gets in black-and-white British horror films - a country estate, way too big for its few inhabitants.

The focus of the story is on the new governess Miss Giddens (Deborah Kerr) and the two children she is hired to care for, Flora and Miles. The previous governess has died about a year before. Later we learn that she took her own life after the accidental death of her abusive boyfriend, who also worked on the estate as a valet.

Both, the former governess and the valet, appear to Miss Giddens as ghosts and she concludes that the children are possessed by the spirits of the lovers.

She takes it upon herself to get to the bottom of it all and - ultimately - save the children from the peril they are in. The two youngsters do appear to be rather mean spirited, especially the little boy. Miss Giddens' solution is to send off the staff and Flora and stay behind with just the boy, to help him freeing himself from his demon by facing him. It ends in tragedy.

Wonderful, classic film. The feel and setting was much later imitated in The Others, which I also recomend wholeheartedly.

8/10