Sunday, September 21, 2014

Klute

This is the second film I have watched with Jane Fonda in one week...this time around with a really bad hairdo but in a much better film.

The Klute in the title is John Klute, acting as private detective when a friend disappears, leaving behind one very strange letter of abuse addressed to a prostitute in New York City, and the police are ready to give up on the case. That would be six months after the disappearance.

John goes off to New York to investigate and talk with the prostitute in question, one Bree Daniel. Now, Bree has regular meetings with a psychiatrist, musing about how she wants to quit 'tricks' and concentrate on her work as a model and actress (wait, is this officially called 'actor' now, too?). Or maybe she doesn't want to quit. She seems unsure and her efforts to turn her life around are half-hearted at best.

Initially reluctant to help John in any way, she does eventually get involved, tagging along as he interviews people working within her trade, trying to find other prostitutes said to have met with a weird guy that used to beat them up. It is generally believed that this is the missing friend, named Tom. Then they come upon one girl that does not identify Tom from a photo John Klute shows her and says that it was an older looking man, instead.

It is at this point that I knew who the real culprit was and the conclusion that Tom is probably dead is pretty obvious, as well. The real criminal is the person actually financing John Klute to investigate Tom's disappearance. Now that John is getting close, though, he starts to try and clean up all lose ends.

In the end, John saves Bree and they leave her apartment together, although to a voice over of her again sounding unsure about what is going to happen.

7/10

No comments:

Post a Comment