Wednesday, January 29, 2014

Das Gasthaus an der Themse (The Inn on the River)

From 1959-1972 German company Rialto Film produced a whopping 38 films based on Edgar Wallace stories. When I was a kid, many of them would show during early afternoons on Sundays. I remember watching quite a few of them and as a consequence not being able to sort the stories apart in my head. I did vaguely remember a story with a killer using a harpoon to off his victims. Turns out, this is the one.

The personnel in many of the films - as well as this one - were similar, often including Joachim Fuchsberger as the good guy and on occasion the great Klaus Kinski as the bad one (or seemingly bad, on occasion). Comic relief (not that the film needed it) came from the wonderful Eddi Arent.

Of course, the stories are repetitive and the acting is not top of the line but the films offer are always quite enjoyable. Das Gasthaus an der Theme is actually one of the better in the series.

And the murderer turns out to be the one you least expect.

Ah, childhood memories!

7/10

Sunday, January 19, 2014

American Hustle

I do not get everybody's infatuation with David O. Russell. Never mind that the guy is reportedly an asshole but his films are mediocre, at best. Like this one. Granted, American Hustle is far superior to the last of his products that has been shoved down our collective throats, Silver Linings Playbook, but that is not saying much.

Like its predecessor, American Hustle apparently cannot decide whether it wants to be a comedy or a drama. In my opinion, it is neither. Let's just agree to calling it a crime caper. Don't get me wrong, it has its moments and Jennifer Lawrence is actually very good in this (yes, I called her very good), now that she is allowed to play something other than the defiant young woman of all her previous roles.

As for the comedy part (or attempt of it)...the actors are made to look as ridiculous as possible (unnecessarily so), except for Amy Adams, who is as scantily dressed as possible. There is a dance part and some singing (both uncalled for). The drama comes in when several love triangles develop among the characters. It gets even sappy at parts (the Amy Adams character revealing to the Bradley Cooper character that she has been using a false name but 'this, this is real'). Also, it has endless voice overs (which I don't care for).

The story itself is about a couple of con artists that get caught and are forced to help the feds con other people (including one very honest and likable politician) but actually end up conning the feds. It drags on forever and the plot gets lost in the smugness of it all.

Could have easily been a good half hour shorter. I kinda wish it had been.

4/10

...which brings us to our Best Picture Oscar nominees update:
Gravity
Captain Phillips
12 Years a Slave
American Hustle

Sounds from a Town I Love

Saw II

Jigsaw's games are getting more elaborate in part 2. Previously, he usually involved one, sometimes two, people in his little schemes. In Saw II he has a whole house full of players fighting for survival. One of them is a survivor from part 1 of the series, Amanda.

Of course, Amanda turns out to be so much more than this. And anyway, the on-goings in the house are not the actual story. This is much more about Jigsaw wanting Eric Matthews to listen to him. That is the most important rule for this part of the game: listen.

But poor Eric is consumed by his anger and fear because his son is one of the people in the room. In his desperation of wanting to help the boy now! he cannot sit still to abide by the rules. This turns out to be his own downfall. But Jigsaw lets the boy live, which is a nice gesture. Unfortunately, his daddy will never know.

The house holds medication that all the players need to survive the poison gas they have been breathing in since they woke up. The traps holding the syringes with the vital substance or the key (sometimes an actual key) to open the hiding place are evil, of course. There are two I especially love/hate.

A syringe is kept in a box and is visible to the unfortunate woman trying to get to it. There are two openings on the bottom of the box to get your hand through and reach the substance. The problem...once you push your hands in, it is no longer possible to get them back out again, or at least not with help from someone else, because any down movement will make you cut yourself very badly.

My very, very favorite and the most disgusting trap is the pit full of used needles and syringes that was meant for Xavier. But Xavier talks a big game and muscles others into doing the really gross stuff. He throws Amanda into the pit.

As I said in my previous entry, the room from part 1 gets a re-visit and is once again a central part to the story. This is where Eric ends up - right place but wrong time. And jigsaw has found himself an eager student in Amanda.

8/10

Saw

I just realized that most of my blog entries are more or less plot summaries of the films I watch. You can get those everywhere on the web, which makes it redundant. So, I will try to not do that in the future. Not sure what this means for my entries, but there it is. Maybe I will go back and rewrite some of my previous ones. Haven't decided, yet. Anyway....

Two friends and I meet roughly once per months for a movie night. We will watch anywhere from two to four films (depends on how early we start), most - but not all - of them will be horror films. Last night we started on the Saw series, because one friend had never seen any of the films (imagine!) and the other two of us couldn't quite remember how many we have actually watched.

...

This series is really kind of awesome. There are some aspects of the first film that I remember clear as day, but when watching it again last night, I found that there was so much I blocked out. All those flashbacks and scenes that take place elsewhere than inside the room gave me a few of those "oh, yes, that happened, too" moments. For example I could not for the life of me remember that Michael Emerson and Ken Leung are in this. Of course, this probably means that I watched Saw before I watched Lost and I simply did not have anything to connect them with.

What struck me most about the second viewing, though, was that I found myself thinking whether this film would also work without any (or most) of those scenes. What if it actually only took place inside the room? I get that this may leave a few gaps in the story for the viewer, but what that really be so bad? Don't get me wrong, Saw is great as it is, but I would not mind an alternate version that is more sparse.

I absolutely love, love, love the ending of this. Sure, I knew it was coming but I was so looking forward to it. Not even the gross-out bit of Dr. Gordon sawing his own foot off (that bit too) but the revelation of Jigsaw. I also love that they tied this room into the second part of the series, but I am getting ahead of myself...

8/10

Saturday, January 18, 2014

Fracture

Ted Crawford shoots his wife. He knows she is cheating on him and she knows with whom. So, yes, it is pre-meditated. There is never any doubt that he did it. There are, however, several problems, not the least of them the fact that the arresting officer is Lt. Nunally, the guy the wife was having an affair with.

When Nunally comes to the scene he does not know who Crawford is, as he has only been meeting with his lover under the names 'Mr. and Mrs. Smith'. Crawford lets him into the house under the condition that both men put their guns down. He confesses to Nunally then and there. When the policeman sees the victim, he goes off on Crawford (not proper conduct for a police officer). Crawford later repeats his confession and signs it at the police station - with Nunally in presence during interrogation.

The prosecutor of the case, Willy Beachum, does not know the connection between the victim (who is still alive, but in a coma that she has very little chance of ever coming out of) and the arresting officer. Beachum is very ambitious and has secured a new job at a prestigious law firm ('it's all about the money, money, money') and this is to be his very last case. Unfortunately, he grossly underestimates Crawford and isn't paying as much attention to the task at hand as he should be.

Crawford chooses to defend himself, offers to start trial right away, recants his confession and pleads not guilty. Beachum's underestimating him is not the biggest problem with the case. The gun they find at the Crawford house - the only gun they find, no matter how many times they turn the house upside down - is not the murder weapon. And then, when Beachum learns that Nunally was having an affair with the victim right when he is on the witness stand, the case falls apart.

Thanks to his failure, Beachum loses the new job he has not started yet and - despite his (old) boss having his back - he is done with being a prosecutor. But when he realizes that Crawford is about to pull the plug on his wife's life support, he begs for any help he can get to stop it. He does get the paperwork legally required but does not make it on time.

And then all the pieces fall into place and Beachum goes to see Crawford at his house. He explains his theory of where the murder weapon is - Nunally's gun that Crawford replaced while the officer attended to the victim. Crawford, thinking himself in the safe haven of 'double jeopardy', is as condescending as can be, owning up to everything because he is convinced nobody can touch him now. But the big mistake he made was taking his wife off life support. He beat the trial for attempted murder due to lack of physical evidence but will now be retried for murder in the first degree - with the murder weapon in evidence.

Justice is served.

A brilliant group of actors make this much more exciting than I made it sound.

7/10

Friday, January 17, 2014

Ruby Sparks

Calvin, former 'boy wonder' in literary circles, has not been writing anything measuring up to his successful debut novel. He spends his days talking to his shrink, working out with his brother Harry and walking his dog Scotty, who he only got in order to meet people (preferably girls) that will come up to pet the dog. But Scotty is far too scared of other people.

He has dreams of the same girl that he cannot quite remember. Until one day he does and he starts writing about her on his old typewriter, his dream girl, and calls her Ruby Sparks. Over the next few days, he is writing in a frenzy and Scotty starts bringing him random things, clearly belonging to a woman.

Then one day, Ruby appears. He first thinks that she is a figment of his imagination until he realizes that other people can see her as well. He has created his dream girl. His brother Harry does not believe him, of course, until Calvin introduces her to Ruby and the brothers decide to try out what Calvin is able to change about her by simply writing it down. He makes her speak French as prove that this is actually happening.

At first, everything is fine and Calvin decides to never write about her again so that he can keep her forever. But soon after Ruby meets Calvin's family, their relationship turns into something less magical and more normal. After a while, Ruby wants to spend a little time without Calvin and suggest that she spent one day per week at her place. So Calvin is lonely again and does - contrary to his earlier decision - write about Ruby again. He makes her clingy. This does not work for him and when she gets really desperate about him having let go of her hand to answer the phone, he writes her happy.

When things finally come to blows (and of course, they would) and Ruby wants to leave him, he shows her what he has written about her and to prove to her that he can make her do whatever he wants, he does just that. She runs against an innocent wall, she starts speaking French, she snaps her finger, she sings and strips, she jumps and yells compliments at Calvin....until the letters on the old typewriter slam up and she falls to the floor.

Then he finishes the story, writing her out of his life and retiring his old typewriter.

He rewrites the story again as fiction (on a a laptop). And then, just for that magical ending, he meets her in real life.

7/10

Thursday, January 16, 2014

Fantastic Mr. Fox

This is an animated film version of Roald Dahl's book of the same name. Of course, in the capable hands of Wes Anderson, this is clearly not aimed at children, even though the dreaded f-word is replaced by the word cussing.

The Mr. Fox in the title was formerly a thief of birds but promised to retire after his wife became pregnant. Life as a newspaper writer, however, does not a happy fox make. Eventually, with the help of the slightly weird Kylie, he breaks his promise and raids not the farms of Boggis, Bunce & Bean.

When the three disgruntled men come after the thieves (and shoot off Mr. Fox' tail), the entire wildlife of the area is effected by the destruction of the habitat. After everyone is initially upset with Mr. Fox, they soon team up to get the humans back by stealing, well, everything.

This leads to all-out war between the animals and the humans and it ends with the animals on the upside. They even steal back the - now detachable - fox tail. The animals move together into the extensive sewer system, that has an exit directly into the Boggis, Bunce & Bean supermarket.

Joy and happiness all around.

Quite entertaining and very weird.

7/10

Nokas

The film retells the NOKAS robbery, the biggest ever heist in Norway, in which a group of 11 heavily armed robbers stole a total of 57 million kroner, of which 51 have never been recovered.

The story is almost too weird to have happened in the way depicted. The plan was for the robbers to break down a window into the ground floor of the bank at a time the safe would have already been opened. Failing that, there should be enough hostages inside to force someone to open it. If everything would have gone according to plan they would have been out with the money in under 10 minutes. This alone does not a good heist movie make.

They figured that, as the building had been built in the 1960's, it would not have bullet proof glass and the windows should shatter immediately. This is where they were wrong and it considerably slowed them down. It took a sledgehammer, a battering ram and 113 shots to finally break into the building - giving the employees enough time to get out.

The plan also included a scheme to slow down the local police force from responding. They were already low on numbers as it were, with several officers on Easter holiday. The robbers blocked the police garage with a truck they then set on fire, virtually locking in most of the police working that day. This would have been a brilliant move were it not for the fact that the material they used as fodder for the fire is what got them convicted as it contained DNA from most of the robbers.

The only readily available law enforcement officers were a duo that were already out on an unrelated call. They ended up facing off with the robbers stationed outside the bank. With next to no personnel available, there was nobody there to rope off the area and people strolled by between the bank, the armed robbers and the police - people walking dogs, joggers, women with strollers. Even after shorts were fired (many, many shots), there was still a lot of foot traffic.

Also, the city buses came by right on schedule. There is a scene when all drivers of the buses are alerted of the robbery and gunfire at Church Square. One driver calls in to say that this is his route's starting point and asked what he should do. Dispatch told him to just go there and ask the policemen on site. WTF?

The film ends after the robbers drive off with the loot. What happened after is detailed in insert cards.

This was really quite brilliant.

8/10

Oscar Nominations 2014

The Oscar nominations for this year have just been announced and they are what was to be expected, mostly. There are only mild surprises, at best. The inclusion of Dallas Byers Club as a best picture nominee was probably not a shoe-in, otherwise the non-mainstream films include only the aforementioned Dallas Byers Club and Nebraska. Both have already been recognized by the Golden Globe voters, though.

Not nominated for best actor are Tom Hanks (who was excellent in Captain Phillips), Robert Redford (who was equally excellent in All Is Lost) and Joacquin Phoenix (I'm sure he is as brilliant as ever in Her). Well, someone had to make way for Leonardo DiCaprio, I guess. *eye-roll*

Anyway, the films in the Best Picture race - which will heavily influence my viewing over the next few weeks - are:

12 Years a Slave
Gravity
Dallas Byers Club
American Hustle
Captain Phillips
Her
Nebraska
Philomena
The Wolf of Wall Street

This leaves me with this viewing list: Dallas Byers Club, American Hustle, Her, Nebraska, Philomena. The Wolf of Wall Street I have zero interest in seeing, so this may be my skip of the year.

And, as usual, let me put the ones I have seen thus far in order from favorite to least favorite (the list is yet short).

Gravity
Captain Phillips
12 Years a Slave

Wednesday, January 15, 2014

Muder in the Heartland

The story of Charles Starkweather, who went on a two-months killing spree with his under age girlfriend Caril Ann Fugate in December 1957 and January 1958 has been told in several versions, sometimes depicting the actual story and other times merely using the story as inspiration.

This 1993 TV mini series probably stays the closest to the real story. The first part covers the 11 murders committed by Starkweather, who later claimed that Fugate was a willing participant, changing his initial story that she had nothing to do with the murders. Fugate always maintained her innocence, claiming she had been held hostage by Starkweather, who threatened to kill her family (her mother, stepfather and half-sister were among the first victim, Fugate denied knowing they were already dead).

Part two deals with the aftermath - the police investigation, the extradition of Starkweather to be tried in Nebraska rather than Wyoming (both states had the death penalty but he said to prefer the Nebraskan electric chair to Wyoming's gas chamber), the extent of Fugate's involvement in the crimes.

Tim Roth plays Charles Starkweather in his usual brilliant manner and Fairuza Balk is actually surprisingly good in this, as well (she usually plays weirdos rather than the precocious young girl).

Pretty decent TV adaption.

7/10

Monday, January 13, 2014

12 Years a Slave

This is the film that won Best Film (Drama) at last night's Golden Globe Awards. This was the only award it received. Strangely enough, neither of the two nominated actors - Chiwetel Ejiofor, Lupita Nyong'o - took home a statue, which is a shame, really. Granted, I have not seen all the films that travel the award circuit this season and cannot attest to either Matthew McConaughey's or Jennifer Lawrence's (the two the afore mentioned lost to) performances in their respective films yet but the one has lost a lot of weight for his film and the other has been Hollywood's darling for the last couple of years (and kudos to them) and this clearly needs to be lauded over actual acting performances.

To the film at hand. Yes, it is about a slavery but fortunately it is not of the sappy kind. The tale unfolds slowly and is told quietly, with only occasional burst of extreme violence.

It is the true story of Solomon Northup, a free man in New York state, who gets lured to Washington D.C. under false pretenses and kidnapped and sold to a slave trader. He first ends up at the plantation of one Mr. Ford, who is not an evil man and probably thinks of himself as someone caught in the system he has no way of opposing. After a fight with the vicious foreman, Solomon is sold on to Edwin Epps. On the Epps property, his name is changed to Platt and his new labor is picking cotton. Epps - unlike Ford - is indeed an evil man and drunkard, proudly calling the slaves his property. He is sexually obsessed with the slave girl Patsey, much to his wife's chagrin. Mistress Epps tries repeatedly to have him sell Patsey and - as he refuses - throws a bottle at her and later scratches her barely healed face. All this, to get back at her husband.

Solomon, meanwhile, tries to survive and does not admit to being able to read and write as to not draw any attention to himself. He does once reach out to a white man picking cotton with him. He asks him to send a letter for him, but the guy immediately tells on him. Solomon can appease Epps by telling him that the man is lying and only trying to get Epps to make him foreman.

After more than a decade in slavery, he finally meets someone he can trust with his story and giving word to his friends and family. Bass, a Canadian who is on the property to build a gazebo does make his opposition to slavery clear and helps Solomon by writing to his folks on his behalf. Solomon is picked up by an old friend and returns to his family for a tearful reunion.

The cast in this is absolutely fantastic (see top of the page).

8/10

Sunday, January 12, 2014

Deep Blue Sea

On a remote research facility - actually a former submarine refueling station - a group of scientists works on a cure for Alzheimer's disease. On of them, Dr. Susan McAlester, has not quite conducted herself as the code of ethics require her to. She secretly tampered with their test subjects - a trio of Mako sharks - to increase their brain capacity - because bigger brains = more test material to harvest, right. Well, actually, bigger brains = smarter sharks, also.

The first indication of the troubles to come is an attack on a boat full of teenagers by an escaped shark. After the incident, a representative of the financiers of the project, Russell Franklin, is sent to the research facility to investigate. To impress the man, the team takes brain tissue from the largest of the three sharks (all of them back in captivity now). During the procedure, however, the fish tears off one scientist's arm. Then the helicopter sent to rescue the injured man is downed by sharks, as well, taking with it part of the construction. The body of the poor injured researcher is then used as a ram to smash a window of the lab, flooding it.

At this point, Dr. McAlester confesses to her fellow scientists. After initially being angry at her, Franklin holds a rousing speach about the importance of group unity. Here follows the most ridiculously brilliant scene of the entire film. Franklin, who stands on the edge of a basin opening into the sea, is snatched off and eaten by two sharks. Mid sentence. The group rallying to find a way to get up to surface is ever dwindling in numbers and at the same time, somewhere inside the facility the cook Sherman "Preacher" Dudley (with his pet parrot) is also trying to escape.

The only people to actually make it to the surface are Dr. McAlester, the gung ho Carter Blake and Preacher, who is almost eaten by one of the sharks but manages to get to safety. In an effort to save her fellow survivors (and possibly make amends for what she has done) Dr. McAlester lures the - now also diminished number of - sharks away from the others by offering herself up as bait. Unfortunately for her, this works for the other two but she does not manage to escape. While she is being eaten, the last shark is shot by Preacher.

Has all the makings of a run of the mill don't-mess-with-genetics thriller, with just enough humor to make it worthwhile.

6/10

Saturday, January 11, 2014

The Hobbit: The Desolation of Smaug

Q: How do you turn a fantasy novel of 310 pages (my paperback edition) into three overly long 3D films?

A: You don't.

The first half of the second part of the Hobbit trilogy seemed to drag on forever. The quest of the dwarf and hobbit team was more about running over plains from the evil orks, walking through mysterious forests, escaping elfish prisons, climbing mountains, hiding in barrels under fish and puzzling over how to open one of those secret doors that appear to be strewn out all over Middle Earth than it was about actually standing up to the evil creature that stole your kingdom.

The second half (of the second part...blah blah, you get the picture) was stunning. There was actual fighting going on and inhabitants of Middle Earth (dwarf, man, elf) showing their true colors and some actual bravery. The elfs came to help the dwarfs fight the orks and save a dwarf's life (practically unheard of). There is even the kindling of romance blossoming between an elfish maid and a dwarf (here Peter Jackson hit a snooze button). A human hero seams to be emerging, as well. But we will have none of this until the last film.

But Smaug is an amazing creature. The part of Bilbo trying to steal the one jewel that will make Thorin king again from the dragon and the furious dragon hunting the intruders is this film's saving grace. It is even long enough to make one almost forget the tediousness one had to sit through to get there.

It is by no means a bad film. It is simply bloated. But anyone who has actually read The Hobbit could have told you that as soon as word got out that it would become a trilogy.

Surely, part three has an epic battle in store.

6/10

The X Files: Eve

No aliens, no government conspiracy, but a weird, questionable experiment.

It all starts with a 10 year old girl named Tina, whose father is sitting on a swing in the backyard, drained of blood. She says something about bright lightning (Mulder loves that!). The agents fly in to talk to the girl and then get information about another case of the same nature - thousands of miles away. They go to meet with little Cindy and her mother. The husband/father died in the exact same way at the exact same time as victim no. 1. When the girl opens the door, Mulder and Scully are flabbergasted, thinking that Tina is standing before them. Tina, meanwhile, disappears from social services.

They learn that the two girls with help of a fertility clinic. When they were conceived, a woman named Dr. Sally Kendrick worked at the clinic but was dismissed because she carried on secret experiments. She tempered with genetic material. In the motel room that night, Scully picks up the phone to a weird clicking sound - the way of Deep Throat to contact Mulder. The two meet up and Mulder learns about the so-called "Litchfield Experiments" of the early 1950's. This was based on a Soviet program to crossbreed top scientists. The US results were groups of genetically controlled boys and girls called Adam and Eve, respectively. The learn that one of the Eves ("Eve 6") that is institutionalized. Eve 6 tells them that the Adams and Eves are prone to suicide and the only ones left beside her are Eve 7 and 8, one of which must be Dr. Kendrick. Nobody knows whether the two Eves may actually be working together.

Then Cindy gets kidnapped by an Eve and the agents learn where they are staying due to a tip they receive from a motel owner, who notices that a woman with a child comes to the motel, leaves alone and returns with apparently the same child.

In the motel, with the agents on the way, the Eve talks to the two girls (who become attached right away). She kidnapped them to raise them properly. It turns out , Cindy and Tina killed their fathers with poison at the same time ("We just knew," how and when to do it). Eve states that her generation showed first signs of erratic behavior showed at 16 and they only became homicidal at age 20. She is disappointed with the girl's early start but intends to help in their further development.

The girls, however, have other plans. They laced Eve's soda with foxglove and when the agents arrive, they find her dead and the girls hiding in the bathroom, claiming that the two remaining Eves tried to poison them. Mulder and Scully take it upon themselves to bring the girls to safety (road trip!). The girls suspect that the now orphaned Tina will be put into foster care, splitting them up again. They make a bathroom stop during which one of them poisons the agents' drinks. When Mulder goes back into the station to pick up the car keys he forgot on a table, he notices traces of an organic substance (possibly foxglove again) and keeps Scully from drinking more of her poisoned soda.

After initially running off, the girls are captured by the agents and are put into the same institution as Eve 6, and are now referred to as Eve 9 and Eve 10. In the last scene, the last free Eve (Eve 8) comes to call, as the girls "just knew" she would.

7/10

Friday, January 10, 2014

Jesus Henry Christ

This is the story of Henry James Herman. Henry has an IQ of 310 (the second highest ever recorded) and remembers everything he has ever seen.

Before Henry was born, the family of his mother Patricia suffered several tragedies. First, on Patricia's 10th birthday her mother's dress catches fire and - as she is about to pat it out - Patricia's father Stan, in misguided effort to save his wife, throws the nearest liquid he can find on her. Unfortunately, it is alcohol.

Next, the twins Tim and Tom, now police officers, die in a ridiculous accident. James, the second youngest child, dies of AIDS shortly after Henry is born. The oldest, Billy, has left the US for Canada when Patricia was only 10 to dodge the draft.

Henry is born a test tube baby, something that he learns from his father Stan. When he is 10 he follows clues on Post It notes to find his biological father. This appears to be Dr. O'Hara, who has his own issues with his offspring. O'Hara published a book about his daughter Audrey, which made her her school's laughing stock. The girl, 12 at this point, is disgruntled and messed up and not necessarily happy to learn that she may have a younger brother.

O'Hara, Henry, Audrey and Patricia head to a clinic to take a paternity test. All of them. Audrey's mother left O'Hara for his oncologist, who talked O'Hara into donating sperm in the first place - as a security deposit. He suffered from testicular cancer at this point and chemotherapy may make it impossible for him to father more children. At the time he gets the news, his wife is very pregnant and greats the doctor in a way that suggests that the two are more than friends at this point already. Therefore, O'Hara is uncertain whether or not Audrey is his daughter.

Anyway, many complications and ridiculous situations spawn from this constellation. In the end, what is left of the family reunites at grandpa Stan's funeral and in the end it turns out that O'Hara is father to, both, Henry and Audrey.

Sweet and sentimental.

6/10

The X Files: Fallen Angel

One of many UFO/alien abduction/government conspiracy episodes over the years The X Files aired.

Mulder has gone rogue after hearing about a downed UFO from Deep Throat himself. The military is already in the process of covering up the incident and frantically looking for the creature that manned the aircraft. The first person on site (a local deputy) and the fire crew responding to the forest fire caused by the crash have all died from severe body burns (we don't officially learn that until later in the episode, though).

Mulder, breaching protocol as usual, is making pictures of the crash site when he is discovered and thrown in jail. In the next cell over is Max, a fan boy and fellow UFO enthusiast. Max has already been released when Mulder wakes up the next morning to Scully coming in to take him with her - preferably back to D.C. where a hearing on the future of the X Files and Mulder's general (mis) behavior) is to take place the next morning. She has been fed the "top secret" cover story of a downed Libyan fighter jet carrying a nuclear device. Hence the military involvement and "securing" of the site.

When the agent get back to Mulder's motel room they find it in a mess and Max stuck in the bathroom window, trying to flee the scene. They join Max in his RV - parked right outside the motel - which is full of literature about aliens, scanners and other technical stuff and lots of medication.

The alien that the military and Mulder are searching for is invisible and very, very dangerous. When it is cornered by a group of military (they detected it with a heat camera), it takes out a good few of the men. Mulder and Scully are in the hospital, trying to find out information on the deputy and fire crew from the doctor who treated them. The man is reluctant to talk, but so pissed off at the military's arrogant behavior that he does let on about the burns. As the agents are about to leave, the injured military men are wheeled in. The head honcho is trying to have both of them removed, but the disgruntled doctor stands up to him and insists Scully stay, as she is an MD.

Mulder, back at the motel, finds Max having an epileptic episode and - when he helps him to bed - discovers a mark behind his ear that he has seen before on - you guessed it - alien abductees. When Scully returns and urges him to get packing to go back to D.C. and save their department, he asks her to take a look at Max. Max, however, has disappeared. In a previous scene he appeared to have been taken over by the alien. The scanners in his RV is on and Mulder and Scully overhear that the military is closing in on the creature they have been looking for. They rush to the scene - much to Scully's annoyance.

They find badly burned bodies of military and Max inside a warehouse, in pain. Mulder stays with him while Scully goes back outside to try and reason with the head honcho. She learns that three bodies are inside the building, as detected by the heat camera. This means, that the alien is with Mulder and Max, putting the two in grave danger.

Inside the warehouse, the alien throws Mulder across the room and takes possession of Max again. Mulder sees his hanging in a light beam in mid air (again, Scully misses the good stuff). Then the military realize that suddenly only one body appears to be inside the warehouse. They force their way in to find only Mulder, telling the head honcho that "they got to it first" - another alien ship has been sent to recover the downed flyer. E.T. has, apparently, returned home.

During the hearing the following day, Mulder tells the head of the committee that "No one, no government agency, has jurisdiction over the truth." In the last scene, the head storms off to confront Deep Throat (who's position within the FBI is not quite clear but must be very high up) who has overruled the decision to close down the X Files.

6/10

Wednesday, January 8, 2014

All Is Lost

"13th of July, 4:50 pm. I'm sorry... I know that means little at this point, but I am. I tried, I think you would all agree that I tried. To be true, to be strong, to be kind, to love, to be right. But I wasn't. And I know you knew this. In each of your ways. And I am sorry. All is lost here... except for soul and body... that is, what's left of them... and a half-day's ration. It's inexcusable really, I know that now. How it could have taken this long to admit that I'm not sure... but it did. I fought 'til the end, I'm not sure what this worth, but know that I did. I have always hoped for more for you all... I will miss you. I'm sorry."

So says 'Our Man' at the beginning of the film. Save for an SOS call and a few cries of help and agony, this is all the dialogue we get.

'Our Man' in this case is an elderly guy (played magnificently by the elderly Robert Redford) lost at see. His boat suffers a leak after colliding with a shipping container at sea. Although he initially is lucky enough to have a few days of sunshine and quiet sea - giving him time and opportunity to fix the leak as best he can, after the first of occasional rough days, the boat suffers more damage. Eventually, he has to leave the wreck behind and try to survive on the life raft, drifting in open sea. The goal can only be to stay alive long enough for a ship to come near enough to see and rescue him.

This is all the film is - a man in a boat or raft, trying to survive. I am not the world's greatest Robert Redford fan, but as I said, he is magnificent in All Is Lost.

He has yet to win an Oscar in an acting category. Just saying.

8/10


It!

When a warehouse holding artifacts owned by an antique museum burns down, the only piece left standing is a rather crude looking statue. The curator, Mr. Grove, and his assistant, Arhur Pimm, come to the scene to look at the damage. Grove decides that the statue is to be displayed in the museum and as Pimm walks off, Grove puts an umbrella he bought along into the statues arms to have a closer look at etchings on the statues side. Then Pimm hears a scream, rushes back and finds Grove dead on the ground, his umbrella beside him but the arms of the statue have apparently moved.

In the museum, the statue is back to its original form but after an electrician makes fun of it and swipes a match on it, he too dies as the thing lands on top of him. Pimm starts to slowly realize that something about the statue is not quite right. But then, neither is Pimm himself. He lives with the embalmed body of his dead mother propped up in a chair, tells her about his day, makes her tea and brings home jewelry from the museum for her to wear.

An expert from New York is flown in to evaluate the piece and possibly acquire it for a museum there. Yes, of course the expert was from the States and handsome to boot. Back in the 1950's and 1960's them and scientists, too, were of the dashing, daring sort. They only apparently became nerds in the 1980's (long before it was cool).

Meanwhile, Pimm does his own digging into the origin and the writing on the statue. The statue is an actual golem. Pimm bullies an aging rabbi into giving him the information and scripture he needs to command the statue, at this point only half believing in its usefulness himself.

Back at the museum, he follows all steps that would give him commanding power over the golem. And, alsas!, it works! He has the golem kill the new curator (a job Pimm expected to be rightfully his) and then has him/it tear down a bridge to impress wide-eyes, blonde Ellen, Mr. Grove's daughter. She, of course, it already smitten by the American expert. That guy is the first besides Pimm to realize what they are dealing with and - what's more important - that Pimm has taken command of the statue.

When Pimm, who is at this point already losing control over the golem and tried to get rid of it by burning it or telling it to walk into the sea - to no avail -, is taken into custody, the statue runs rampant (walking through walls, breaking open doors) and frees him. Then Pimm takes the golem, his mother and the still wide-eyed, blonde Ellen (slightly terrified possibly, but who's to say whether the eyes got any wider than before) to a cloister that is to be acquired by the museum. There, the arrival of the golem and dead mother terrify the lone inhabitant, an elderly, matronly librarian. When the two women conspire to escape by setting fire to the roof, Pimm burns the poor old woman.

Outside, the British army has taken up shop to destroy the golem with ever larger weapons. As nothing works, it is decided to shoot off a 'small nuclear warhead' at the cloister, never mind the collateral damage. Pimm finally lets the whining Ellen go and is the only one besides the golem inside the cloister when the device destroys it. Out of the ruble rises the golem to walk off into the ocean.

Flawed and already outdated when it was made.

5/10

Sunday, January 5, 2014

Now You See Me

Four very diverse magicians get recruited to perform together. As a way of introducing the characters they are shown performing their respective acts. Daniel does a card trick, Merritt (the 'mentalist') hypnotizes a woman to extort money from her husband, Henley does an underwater escape act and Jack bends a spoon.

When they put on their show in Las Vegas they close it with 'something that was never done before'. They rob a bank. In Paris. This is how it is perceived by the audience: After they announce what they are about to do they recruit the assistance of a 'random' audience member, by people in the crowds draw balls indicating section, row and seat number. They want to rob this audience member's bank. They guy happens to be French and his bank is in Paris. They 'teleport' him into the bank vault and minutes later money rains from the ceiling. Very impressive.

And then it turns out that this particular bank actually was robbed in a way that it corresponds with all the details of the act. The case lands at the feet of FBI agent Dylan Rhodes and Interpol detective Alma Dray. They interrogate the 'Four Horsemen' (as they call themselves) but are being jerked around with little magic tricks and really cannot figure out how they did it. They were, after all, in Las Vegas with an entire audience as witnesses - including one Thaddeus Bradley, a former magician who now makes his money exposing the tricks of his former peers.

The FBI/Interpol duo, Bradley, and the sponsor of the Horsemen, Arthur Tressler, a insurance company honcho, all attend the next performance, this time in New Orleans during the Mardi Gras celebrations. Their final act this time around is also very elaborate and costs someone big money. They now rip off Mr. Tressler himself. His insurance company stifled many locals after hurricane Katrina and the nifty trick has all audience members write down their bank balance on a sheet of paper. Then Tressler is asked on stage and his balance is presented on a big board. Next, everyone is told that they are wrong about what they think they have in the bank and is asked to shine a light on their piece of paper to reveal the 'real' balance. Then a huge light shows Tressler's number lowered by a significant amount, which then appears on someone else's paper - and their bank account. As another chunck of Tressler's money disappears, it goes to someone else in the audience - and so on.

By now, it is clear that Tressler is not the guy who brought the group together. Rhodes and Dray are hot on their heals, Tressler hires Bradley to help him find them and they are being tracked with all high-tech equipment at the FBI's disposal but the nifty magicians get away and always seem to be one step ahead.

Dray meanwhile tells Rhodes of the mythical 'Eye' - a sort of secret society of brilliant magicians that only twice a decade accept new members. If this is more than a myth, the Horsemen set themselves up as viable candidates. There is also a story of a great magician, Lionel Shrike, who died because he wasn't able to escape a safe he locked himself into and had lowered into the Hudson River in New York City.

The big showdown, then, is in New York City. Law enforcement apparently tracked the Horsemen to an apartment where Rhodes and one of his colleagues only find Jack, who stayed behind to destroy blueprints. While his three cohorts are gone, Jack fights off Rhodes and flees in an FBI car. After a high speed drive, the car has a spectacular accident and - after Rhodes pries some papers out of the badly burned dead driver's hand the car blows up. The blueprint Rhodes recovered has the FBI follow a truck that supposedly transports a safe that the Horsemen are thought to have stolen. When they stop the truck, the lock gives way to a string of colorful tissues (a classic!) and the safe opens to hundreds of balloons (a classic!). A dead end.

The Horsemen's final performance is at 5 Pointz, where the agents rush to and fight their way through the audience only to always end up where the three remaining magicians are not. They once again pull off the stunt. However, they do not keep the money from the safe, which pops out (literally) of Bradley's car, making the FBI assume that Bradley was behind everything all along. When Rhodes visits him in his cell, Bradley tells him his theory of what happened in details only to then discover that Rhodes was actually behind everything.

The magician make their way to the carousel in Central Park, where Rhodes reveals himself to them and invites them to join the Eye. Later, he meets up once again with Inspector Dray and explains everything. Rhodes is Lionel Shrike's son and used this elaborate ruse to take revenge on everyone involved with his father's death.

I quite enjoyed this.

7/10

Captain Phillips

Whoa, that was intense.

This is Tom Hanks at his best. He is simply excellent as the Captain of the MV Maersk Alabama, which in 2009 was taken by a small group of Somali pirates.

When the hijack turned sour for the Somalis on board, thanks to the resourcefulness of Captain Phillips and his crew, they took Phillips hostage and left on the life raft, heading for Somali. The idea was to get 10 million $ in ransom money.

With all the action going on - crew hiding in the engine room, outsmarting the pirates by turning off emergency lights and leaving glass shards by the door for the one barefoot pirate to step in, Navy Seals parachuting onto the scene, military ships and helicopters coming for the rescue - the focus is always on Captain Phillips and his four hijackers. The group is in this small boat, exhausted, thirsty and overcome by cabin fever and none of it ever gets boring.

I don't know if things really went down as they did, but if only half of it did, this Captain Phillips is quite the hero.

Edge-of-your-seat excitement!

8/10

Die beispiellose Verteidigung der Festung Deutschkreuz (The Unprecedented Defence of the Fortress Deutschkreuz)

So, I am not the world's biggest Werner Herzog fan, but he made some awesome films with my favorite actor, Klaus Kinski (not my favorite person, mind you, but my favorite actor). This is not one of them.

This piece with the unnecessarily long title (if you read it slowly enough, it will take you longer than watching it) was filmed in Deutschkreuz, which is in my home country. It is under 15 min long and takes place in a castle, that was once the site of a battle between the Russians and the Germans during WWII.

A group of four young men visit the place and find uniforms and equipment. They dress up and play at defending the place. The only people around, however, are some farmers. The four get ready for the attack that - to their deep disappointment - does not come.

In the end, they storm out of the castle in full gear.

Yeah, it's weird.

5/10

Thursday, January 2, 2014

This Is the End

Jay Baruchel flies to LA to hang out with his old friend Seth Rogan. After an evening of weed, munchies and video games, Rogan drags Baruchel to a party at James Franco's house. Baruchel is reluctant to go because he is not into the LA scene and doesn't like Jonah Hill, who is at the party, as well. And so, apparently, is everybody else - Craig Robertson, Mindy Kaling, Rihanna, Christohper Mintz-Plasse, David Krumholtz, Michael Cera, Aziz Ansari and - unbeknownst to the host - Danny McBride.

Baruchel, upset with Rogan because he did not stay by his side at Franco's place, gets his friend to go to a nearby convenience store. While the two are in there, the apocalypse kicks off. They rush back to the party but nobody inside has noticed anything awkward happening at all. As they try to piece together what the two are on about, the earth shakes so fiercely that even the party guests notice this time. They storm outside and stare at the staring Hollywood hills when a sinkhole opens up in the front yard, swallowing most of the onlookers.

Baruchel, Rogen, Franco, Robinson, and Hill make it back to the relative safety of the house, where they board up, check up on the limited food and drink supply and spend an uneasy night. When they get up the next morning, Danny McBride, who has spent the night in the bathtub and has no idea what is happening, has used up most of the supplies making breakfast. So, things do not look rosy for our survivors.

As they cannot leave the house they pass the time doing drugs and making cheap sequels to their previous films. Then suddenly, Emma Watson breaks her way into the house. At first, everything is rosy until Watson goes to rest in Franco's room and they guys outside discuss the weirdness of the situation and making sure that they would not come across as 'rapey' with only one woman in the house. Watson only catches part of the conversation, mostly the word rape and gets out of Dodge, keeping everyone in check with an ax.

When water dwindles, they try to get more either from the basement or a neighbor's house, which requires them to leave the building in ones and twos. They start to get attacked by a demon, possibly the devil himself (you know, this being the apocalypse and all), who also has sex with Jonah Hill, who for the remainder of his life in the film is possessed.

What follows is deaths, mayhem, the expulsion of Danny McBride, ascensions to heaven,  and the Backstreet Boys.

6/10

Wednesday, January 1, 2014

The Butler

To shorten the time until midnight this New Year's Eve a friend and I decided to go watch a film, the options were limited, as a lot of theaters weren't open, but The Butler was one film I was interested anyway and it played right into our time frame.

The entirety of black history in the US happens to the family of Cecil Gaines. Cecil himself grows up picking cotton and witnesses the murder of his father that has no consequences to his owner, of course. His older son joins every black movement he finds, from the Freedom Buses to Martin Luther King to Malcolm X to the Black Panthers and finally to politics. The younger son dies in Vietnam. And his wife Gloria is an alcoholic for half of their live together to boot. 

But the actually interesting part is Cecil's work in the White House and his brush with the other side of history happening from the one his older son is on. He started serving in the Eisenhower administration and left under Reagan. He appeared to not be much of a fan of Nixon and took issue (or appeared to be) with Reagan's stance against a boycott of South Africa and his invitation to an event as a guest, seated on President Reagan's table. During the dinner he felt like he was there just for show.

The most memorable president of the lot for me, or rather the portrayal, was President Johnson. The scene with Johnson sitting on the toilet with some advisers and Cecil standing just outside the open door - Cecil handing the president prune juice. 

Cecil himself seemed to appreciate Johnson and Kennedy the most. He is shown wearing a tie that used to be Kennedy's and a tie clip given to him by LBJ when invited back to the White House to meet with Barack Obama.

So yeah, it's overloaded and sentimental. But this is an interesting slice of history.

7/10